UFO

1971
7.9| NA| en| More Info
Released: 01 January 1971 Released
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Budget: 0
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In the year 1980 the Earth is threatened by an alien race who kidnap and kill humans and use them for body parts. A highly secret military organization is set up in the hope of defending the Earth from this alien threat. This organization is named SHADO (Supreme Headquarters Alien Defence Organization) and operates from a secret location beneath a film studio. They also operate a fleet of submarines and have a base on the moon as well as an early warning satellite that detects inbound UFOs. UFOs can be destroyed in space by Interceptors which are launched from Moonbase. If one gets through it can be attacked in the Earth's atmosphere by a high altitude aircraft launched from one of the submarines. If a UFO also avoids this and manages to land it can be tracked and destroyed by a number of Mobiles (armored vehicles) which are deployed throughout the world

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Director

Cyril Frankel

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UFO Audience Reviews

Artivels Undescribable Perfection
Platicsco Good story, Not enough for a whole film
Inmechon The movie's only flaw is also a virtue: It's jammed with characters, stories, warmth and laughs.
Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
catey-49 I was hooked on this show from episode one, although I seem to be one of the few of my friends who remembers it. I was maybe twelve years old, but I loved the adult themes and personal stories. Plus I had a huge crush on Paul Foster....bet I'm not the only one. He was front and center for the whole last half of the series, by Straker's side every moment. Poor bugger, in almost every episode he gets the crap beat out of him. Or gets to kiss the girl. Or both. So glad I bought the series on DVD.Straker is a super cool character. The platinum hair gives him just the right icy touch, and he is believable as the commander of this life-and-death organization. He is constantly fighting for funding against beurocrats who can only see the bottom line, and his devotion to his work has cost him his marriage and his family. His isolation and loneliness are a constant theme, although they're never spelled out....only illustrated by Ed Bishop's wonderful performance.
ShadeGrenade Note To T.V. Producers - when making a sci-fi series, it is never a good idea to specify the year in which it is set. Gerry and Sylvia Anderson's 'U.F.O.' was made in 1970, but set ten years in the future, meaning it now looks bizarre compared to the reality. No Margaret Thatcher, for instance ( unless she slipped in unnoticed as one of the Moonbase girls! ). My first encounter with 'U.F.O.' came in the pages of the fondly remembered 'Countdown' comic in early 1971. When the series made it to my part of the world a few months later, I was already acquainted with its format and characters.The premise is this; Earth is fighting a secret war against mysterious green-skinned aliens from an unknown planet, who travel in flying saucers that make a distinctive whirring sound. The aliens are not here to take over, but to kidnap people to use their internal organs as replacements for their own, as an unspecified catastrophe is causing them to gradually die out. Set up to defend us is S.H.A.D.O. ( Secret Headquarters Alien Defence Organisation ), headed by Commander Ed Straker ( Ed Bishop ). Its headquarters, concealed behind the facade of a film studio, is a male chauvinist's dream as its operatives are mostly female and shapely. Whenever a U.F.O. is detected entering our part of the Solar System, S.H.A.D.O. launches Interceptors from a base on the Moon. Should the pesky critters elude the Interceptors' missiles ( which was at least once a week ), the next line of defence were the Skydiver submarines ( though we only ever saw one ). Captain Peter Carlin ( Peter Gordeno ) would enter a hatch, gain access to the cockpit of 'Sky One' ( nothing to do with Rupert Murdoch, so don't worry ), the submarine tilted, and its entire front section detached itself and shot into the sky like a bullet. Should Carlin's aim be off, the U.F.O. next had to contend with Mobiles - huge, land-based vehicles not unlike tanks. The aliens knew of S.H.A.D.O.'s existence ( thanks to a number of people under their control ) and did their best to destroy it. In one episode, two of Straker's men are brainwashed and given orders to kill him. In another, a strange crystal found on the Moon drives insane anyone unlucky enough to touch it.All this was tremendously exciting to my eight-year old eyes back in 1971. A war between planets, spaceships, submarines, underground offices, ray guns, cars whose doors opened vertically ( how we all wanted to own one! ), explosions, and Gabrielle Drake looking devastatingly sexy in a purple wig ( her dallying with aliens served her in good stead when she appeared in 'Crossroads' a decade later! ). Derek Meddings once more provided the S.F.X., making this one of the few British sci-fi shows of that period to stand comparison with the better funded American ones. Dinky brought out toy Interceptors and Mobiles ( and before you ask, yes, I had both these! )Of the cast, Ed Bishop was superb as 'Straker', with George Sewell as lecherous 'Colonel Alec Freeman', and Michael Billington providing interest for the ladies as 'Colonel Paul Foster'. The guest-stars included Robin Bailey, George Cole, Adrienne Corri, Michael Jayston, Jane Merrow, Stuart Damon, and Patrick Mower.I.T.V. did not know what to do with the show; many regions dumped it in late-night slots ( including my own - H.T.V. ). The few critics who bothered to review it predictably likened it to Anderson's 'Thunderbirds'. Very unfair, but what you would expect coming from the uninformed.The last few episodes were made after a production break, and experienced film directors such as Cyril Frankel and Jeremy Summers came aboard, resulting in a superb run of stories including 'Timelash' in which Patrick Allen played a malevolent time-jumper, and 'The Long Sleep' with Tessa Wyatt. The latter episode was unusually strong for 1970 television, featuring a drug sequence and an attempted rape. Wanda Wentham replaced George Sewell as Straker's second-in-command.A few years after it ended, 'U.F.O' became a surprise hit on U.S. television, and for a while a second series looked a certainty. But it never happened, and I'm glad it did not because I think the proposed changes in format ( making the Moonbase the focal point of the plots ) would quickly have palled.As I write this, 'U.F.O.' is being screened on I.T.V.-4, and the series came out on D.V.D. some years ago. It may seem strange to young viewers ( I hope they do not think that the 1980 depicted in the show was anything like the real one! ), but I think it stands up well.
johngraham64 UFO is undoubtedly a slick and glossy show, ahead of it's time maybe - and unfortunately cancelled before it's time...OK so some of the episodes had flimsy plots - and some had plot holes large enough to swim Skydiver through - but I enjoyed it none-the-less.SHADO hides under the Harlington-Straker film studios. Ed Straker appears to head the studio - but it's all a cover. Passing the efficient Miss Ealand, Straker enters his office only for it to sink into the ground to SHADO proper. Personnel in incredibly tight jump suits patrol the corridors and control room. All to track and destroy invaders from outer space who are coming here to kidnap people for organ transplant (a nice plot device which seems to get lost along the way).Aided by submarines that have jet planes attached to the front, the Space Intruder Detector satellite, mobiles, lunar modules and the wonderfully-designed moonbase with it's interceptors and proper sci-fi-silver-suited personnel, the series is set up for some dramatic battles and intriguing story lines.Oh and the moonbase ladies have purple wigs on...Ed Bishop excels as Straker, ably supported by all the cast. Can I put in a vote here for Keith Alexander (playing Lt Ford)? He was used well in more than one story. And another vote for Delores Mantez (playing Nina Barry). The episode when she is stuck underwater with Straker is a real classic and gives one of the ladies (sans purple wig) more to do.My favourite episode has to be the one where Staker and Virginia Lake (Wanda Ventham looking superb!) find themselves stuck in time. I loved all the frozen things around the studio - and people. Cleverly filmed. Perhaps someone will explain what it was all about to me one day - but I love it.As a child I had a corgi or dinky or whatever die-cast moonbase interceptor that actually fired it's plastic missile at the touch of a button. Don't tell health and safety! Oh and I loved the UFO's themselves.Gerry and Sylvia Anderson's visions of the future were often stunning and beautifully realised through props (Straker's car with it's gull-wing doors), models (moonbase, interceptors, SID, Skydiver etc), fashion (purple wigs again!) and plausible story lines. This was another credit to them.Interceptors - immediate launch!!!
joebergeron 1: Send more than one UFO at a time. SHADO has only a few defense vehicles, so they could easily be overwhelmed.2: Don't pass the Moon on your way to Earth. Approach from the opposite side of the planet, where you'll be hundreds of thousands of miles away from those pesky Interceptors.3: Even if you do conquer the Earth, don't touch Moonbase. My wrath will be terrible if you do anything to harm those spectacular purple-wigged silver-suited moon maidens.4: Land somewhere other than England. All SHADO Mobiles are based there, so you'll have plenty of time to act. Try landing in central Asia, as far as possible from Skydiver.5: Appointing me your leader will assure your victory.