AnhartLinkin
This story has more twists and turns than a second-rate soap opera.
Kien Navarro
Exactly the movie you think it is, but not the movie you want it to be.
Kimball
Exactly the movie you think it is, but not the movie you want it to be.
jonathan-577
Blaxploitation as community theatre: anyone who bemoans the incompetence of, say, "Disco 9000" should get a load of this. Not only is it shot almost entirely in master shot, but the master shots in question are frequently badly framed - off center, too much head room, hello there boom mic. Thus, the magic of cinema can do little for the worst fight choreography I've ever seen - every punch and kick lands a visible ten inches away from its target, and the director always shoots the exchange from the most unflattering angle available. Sometimes they try to deal with this by speeding up the film, to ridiculous effect; sometimes it looks like they intended to speed up the film but forgot/didn't bother, so that the fisticuffs resemble a lethargic dress rehearsal. And why is Fink trying to shoot fights when he can't even stage an exit - every time someone leaves the frame it looks like they're going to run into the cameraman. The acting isn't the problem, but it isn't the solution either, in spite of the presence of Rory Calhoun and the legendary (?!) Smedly Schmergel. The songs are the best thing about it, funky in a gawky low-budget way, especially during the big climax. Which leads inexorably to a 'twist' ending that is so tossed-off you almost miss it, and if you did miss it, it would definitely not spoil your evening anyway.
libby-norris
For a low-budget 70's martial arts film, I thought it was pretty entertaining. The soundtrack is really a hoot, as are the sets and costumes. I especially enjoyed the scene where King and Velvet are on the sofa and you can actually see the audio boom shifting back and forth at the bottom of the screen! When Velvet speaks her line the boom points at her and when King says something, the boom races back toward him--hilarious! I noticed that the casino bouncer is one of the "family" from "Super Fly". There are some amusing parallels: Velvet takes off her bracelet at home, cut to bracelets being stolen at the casino robbery. Also, during the fight scene on the top of the MTA building, the costumes match the colors and shapes of the hele-pad. I thought the Kojak lookalike was a really strange touch and whatever they were using for stage blood looked like marinara! Fantastic!
Andrew Leavold
Velvet Smooth (1975) plunders Cleopatra Jones territory and stars Johnnie Hill, a stick-thin fashion disaster in her lemon suit and Tamara Dobson afro wig. Martial arts was the old stand-by to warm up any old leftovers, and true to grindhouse cinema tradition, Velvet Smooth contains the lamest kung-fu scenes you'll ever witness, where the punches land twelve inches from their target. Best of all is the title song: "Velvet Smooth, you are the one... Velvet Smooth, with love or with guns... You're Velvet Smooth, with piece in hand... If fate takes your youth, I won't understand..."
bgrigson
This is one of the weaker Blaxploitation films made in the 70's. Production value? Well, I have seen student films with better attention to detail. The acting is not any better. The music isn't too bad and unfortunately one of the only good things about this film.If you are dedicated to the Genre, then you have to see it. Otherwise you aren't going to miss anything. They took the formula approach and it shows. You can't take any of these movies too seriously, but you can pass on this one.See: Three the Hardway, Blackula, Superfly, Shaft or Detroit 9000.
