Micitype Pretty Good

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

incitatus-org Edgar (Alex van Warmerdam) is an ageing waiter with a life as empty as the spacious highway restaurant in which he works. His mistress sits at a table hoping to get some attention from him in a last desperate attempt to rescue their sinking relationship. Some guests take advantage Edgar's serving position to humiliate him in a spectacle of absurdity. Edgar is at the bottom, and sees only one way out - to complain to the writer of the story to get better lines or at least a shimmer of happiness in his life.This is a peculiar piece of film. A character complaining to the writer about the misery in his life is one thing, but the side characters come along as well, and the writer's girlfriend who interferes with their fate as well Nothing good can come out of this. Edgar not only lives his misery but realises that the creator of his fate is pushing him through the absurdity on purpose. When Edgar complains about his submissive suffering, all the writer can do to justify himself is telling Edgar that he must suffer. When Edgar protests, the writer retorts that he knows what he has in store for Edgar, as if there is some higher purpose for Edgar's suffering. But that is bluff. The writer does not know where he is going with his story and merely sends Edgar off on a chase from misery to surreal.. The pace of the movie is upbeat is the first half, but when we get a key scene in the thriller aspect of it, the acquisition of a weapon, the movie grinds down to a halt! Edgar walks into a bashed-up curiosities cabinet, asks for the weapon, to which the owner, an old man dressed up as a woman, proceeds to get it down and wrap it up with a painfully slow imprecision. The audience can nail-bitingly complain all they like, but they will have to wait till he is finished for Edgar to get out of there to solve his problems in the last leg of the story. When you submit to the will of the director of the film you too have to sit through the lot, just like Edgar and the other characters.As the movie does not really go anywhere, as far as the story is concerned, it is tempting to dismiss the entire film, despite its originality. We see the writer, although he is just a character in the film, and can not help but curse his incompetence at creating an incoherent, illogical story. But at the same time, it is that same incompetent writer which put the brilliant dry humoured dialogues into the script which had the audience laughing out loud. Still clearly one of the most original directors in European cinema today, do not miss out on him, but if you have not seen any of his work yet, start with Little Tony or The Northerners, leaving this one for later.

Ryu_Darkwood Alex van Warmerdam is the David Lynch of the Dutch cinema. His movies are enigmatic and absurd, and they are filled with dark themes and sexual tension. ''Ober'' is no exception, although it did feel a bit more mainstream than ''Grimm'' or ''De Noorderlingen''.This story evolves around a waiter getting smacked around by nearly everyone in his near vicinity. Fed up by this misfortune, he decides to pay the author of his story a visit and ask him for a few chances in the scenario of life. Wrong choice. From that point on the story becomes weirder and weirder.I was a bit disappointed at first. The story of meeting the author of your life has the potential to become a thought provoking movie like ''Being John Malkovich'' or ''Eternal Sunshine...''. But sadly it didn't quite reach that level. It's more of a well-crafted and absurd comedy than anything else. That doesn't mean that I didn't enjoy the movie. Alex van Warmerdam, playing the role of the waiter himself, displays himself as a comical genius. It's really funny to see this poor guy being used as boxing equipment by almost everyone. There is also a totally random scene in which nothing else happens than seeing an old lady wrapping up a bow and arrow. It may sound boring, but on-screen it is hilarious.As a whole this is a highly enjoyable and funny comedy. Not as good as I hoped for, but certainly better than most of the Dutch garbage released. We need this kind of movies to put Holland on the map of the movie business.

gizathecat-2 Ober, was one of the MANY films shown at the Seattle International Film Festival this year and one of the few I selected to view. Ober is a very black comedy which in many ways is an insider joke that only writers would fully appreciate. Often times when deeply involved in a writing project whether it is a screen play,stage play, or novel, a writer will feel like his/her characters have "taken on a life of their own". Well, this is what happens to Herman the screenwriter whose storyline begins to displease Edgar his main character.There are some violent scenes, but so overplayed those scenes seem to be more parodies of movie violence than the "real" movie violence.One scene toward the middle of this film is especially funny and painful at the same time. It involves an old shopkeeper and a bow and arrows. That scene appears to have been shot in "real" time,and with minimum edited put in the movie in real time. Funny and painful, but funny anyway.Ober, which is German and Dutch for "waiter" is subtitled which for me was annoying. I understand a little bit of Dutch so I could pick up on some of the dialog and spent so much energy on listening, I missed reading some of the subtitles. It would be nice if this wacky gem could be dubbed into English.If it should appear at an "art" movie house or a film festival in your community you should go see it.

nosiesnetnieuws After all the positive words about this film, we went to see it yesterday. Granted, the film did have some rather funny moments. EeeeeEeeeeEEEE...But all in all, it did not leave a very good impression. Without spoiling anything of the storyline: some sad 50-year old guy named Edgar has a miserable life and decides to complain with the writer of his life's scenario, who as a consequence decides to make his life even more miserable and surreal.In this respect, the film's idea is quite (actually quite too) similar to the plot of Adaptation, with the same crazy consequences for the story. However, there are two main differences. First, because we know quite soon that Edgar is a fictive person, we cannot really be 'moved' by whatever harm is inflicted upon him. Second, the mental and physical abuse that is actually inflicted upon him is totally without any sense, purely sadistic and (with a few small exceptions) simply absolutely not funny. According to the scenario writer: "You simply should suffer". In my opinion, a story that is only about someone suffering for no apparent reason at all is not something you should be waiting for.Apparently, a great way to sell a bad script is to make it appear as written by someone inside the movie and make all kinds of metaphysical references around it.*** Spoilers below *** Really. Why does Edgar need neighbours that play excessively loud music in the direction of his wall? Why does he need to be physically assaulted by some idiots in the restaurant (if such people would really exist, they probably would be lynched)? Why doesn't he ever call the police? People are assaulted and killed and nobody does anything about it? People's character changes with every scene (the Japanese guy, anyone)? Very surreal, obviously, but also completely nonsensial.