Yankee Dood It

1956
5.7| 0h8m| NA| en| More Info
Released: 12 October 1956 Released
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Budget: 0
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Elmer Fudd is the progressive King of industrial Elves. He visits an outmoded shoemaker's shop to extol the virtues of mass production capitalism to the shoemaker, whose pet cat, Sylvester, uses the magic word, "Jehosophat" to turn Fudd's elf helper into a mouse and chases him around the shoemaker's shop.

Genre

Animation, Comedy

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Director

Friz Freleng

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Yankee Dood It Audience Reviews

Cathardincu Surprisingly incoherent and boring
Intcatinfo A Masterpiece!
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Kimball Exactly the movie you think it is, but not the movie you want it to be.
Edgar Allan Pooh . . . from the "Sloane Foundation" once again finds Looney Tuner sell-out Friz Freleng filling Elmer Fudd's mouth with coarse garbage promoting job-killing automation in an attempt to brainwash a generation of 10-year-olds, including Donald J. Trumpelstiltskin (whom Elmer Fudd plays by name as his way of rebelling against this Corporate Scam to rig the Looney Tune System). TIME Magazine's Joe Klein reviewed last week's U.S. Presidential Debate for an October issue, declaring that the uncouth Trumpster is still stuck in the 1956 YANKEE DOOD IT World of Donnie-the-Kid. (Since his millions of weak-minded supporters seem like they'd be just as happy to vote for Elmer Fudd as they are backing Trumpenstein or whoever else the Rich People Party dredges up to top their ticket, it will be imperative for a President Gary Johnson or Hillary to carry out mass deportations of this Uppity Know-Nothing Horde to someplace like the Planet Clare.) YANKEE DOOD IT drains away all the goodwill Warner had garnered a decade earlier for its Paean to the Union Label, HOLIDAY FOR SHOESTRINGS. DOOD IT still poses a significant threat to Humanity's Survival.
utgard14 A completely bizarre short apparently meant to tap into the struggling small businessman market that was watching cartoons at the time and convince them mass production was the solution to all their financial difficulties. It's basically a warped take on the Shoemaker & the Elves story, with Elmer as the king of the elves who sends one of his underlings to find out why the shoemaker is still using elf labor in the 20th Century. He needs to be using human slave labor, not elves! There's also an equally strange subplot about the shoemaker's cat, Sylvester, tricking the elves into saying "Jehoshaphat" because that turns them into mice. The animation is nice and colorful. The music is cheery and upbeat. Good voice work from Mel Blanc, Arthur Q. Bryan, and Daws Butler. It's never funny (intentionally, at least) but there's something weirdly fascinating about it. An interesting curio for sure.
MartyD82-1 The king (voiced by Arthur Q. Bryan) of a team of elves is worried about all the elves missing from his pack and sends one of his remaining elves to retrieve them. The elves are, of course, employed by "the shoemaker." He must somehow retrieve them, and get by the shoemaker's pet Sylvester at the same time. Meanwhile, the elven king drops by and literally gives the shoemaker a lesson in modern business management.In the mid-1950s, Friz Freling was experimenting with pseudo-educational cartoon shorts in much the same vein as the shorts Disney was putting out at around the same time. Yankee Dood-It was probably the best of the bunch, but that's actually saying very little. Sylvester is the obvious comic relief of the cartoon, and aside from his constant attempts at taking advantage of the "Jehosefat" spell (saying "Jehosefat" apparently turns elves into mice), there are absolutely no jokes to speak of. A good third of the cartoon involves the king playing an educational slide show for the shoemaker to teach him how to run his business in the then 20th century. The cartoon's finale is so forced and predictable, it isn't even worth mentioning in "non-spoiler text."Overall, this is a fairly pointless short that seems to be more about Freling trying to do something Disney did a lot better at the same time than doing what he himself does best - which is to make funny, non-PC, non-moralistic cartoons.
archiveguy Less a comedy cartoon short and more a hymn of praise to the merits of our capitalist society, there is exactly one laugh in the whole film. The rest is merely an extended textbook-style illustration of how "industwy" and "pwofit" motives work (in a style more typical of Disney, which did several of these types of shorts)--all of which sounds a little weird as explained in Elmer's voice. Sylvester's barely used at all.