Alicia I love this movie so much

Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Rexanne It’s sentimental, ridiculously long and only occasionally funny

Horst in Translation (filmreviews@web.de) "Dresden" is a German film from 2006, so it has its 10th anniversary this year. The director is Roland Suso Richter and if you know the name, you also know what to expect: He is a trademark director for opulent historically-themed movies for the small screen. And this is exactly what this is. It consists of two 90-minute episodes and deals with life in the city of Dresden at the end of World War II. People with an interest in history will immediately make the connection that Dresden is possibly the one city in Germany that was destroyed the most by the allied attacks. And a part of this movie is exactly about this. Another reviewer wrote about the historical importance of the film, but I cannot agree with this at all. While the war (action) scenes are probably still one of the better aspects of the film, it never makes an impact from a documentary perspective and it basically just sets a forgettable background for the bland stories of the main characters.The biggest character is portrayed by Felicitas Woll. I personally see her as a charismatic actress that is really beautiful (which saved the film a bit) but has no range. But you can't really blame her either for the generic way the character was written. Male main characters are played by John Light, Benjamin Sadler and Heiner Lauterbach and these last two are the perfect example of actors that shine through recognition value instead of range. I cannot say anything about Light as I have not seen him in other works. Sadly, Jürgen Heinrich, who I liked, has not a lot of screen time at all. Marie Bäumer also fits the description I gave earlier. Charismatic. recognition value. But not particularly talented.The story is the film's biggest problem. In the end, nothing stays memorable about this film at all, not from a historic perspective and certainly not about the characters. There are several cringeworthy scenes though when it comes to drama like Lauterbach's character's farewell (suddenly a good guy out of nowhere???) or Sadler's shooting scene at the very end almost that could have been so much better (again, Sadler is not to blame, but the blatancy of the filmmakers in their unsuccessful attempt to create something relevant). The worst part of the film is probably the romance though. Again, it is not the actors' fault, but it already starts in the way Woll's and Light's characters meet when he saves a boy from committing suicide after Sadler's character was very cold towards the grieving boy before. These are the scenes where the film is nothing more than a schmaltzy romantic drama and even if the filmmakers' intention to turn this into something more is visibly throughout the entire film, it is really almost never successful. Another painful moment was the ending when they went for a semi-happy ending (the birth, but the death) and tried to convince the audience that a non-gooey ending is something that prevents the film from being forgettable romantic schmaltz. It does not. I don't recommend the watch as it offers very little of quality and instead drags on so many occasions because of characters that were written in an uninspired fashion and without shades.

roger-simmons1942 I was hoping this would be of the calibre of Das Boot and echo the stark realism created by acclaimed German Director Leni RiefenStahl in her documentaries, sadly I was monumentally disappointed. The story line is implausible and defies credulity. An RAF airman is shot down and somehow finds his way to a hospital in Dresden. Anna a nurse whose father runs the hospital and is about to become engaged to a doctor she works with falls in love with the airman and they make love. The next evening at a lavish engagement party the airman turns up disguised as a German officer and dances with Anna. Although well directed and acted, to me it is soap opera of the lowest order.

agusti When you are going to watch a movie called "Dresden", it's logical to think that historical bombing of Dresden must be the main argument in it. Unfortunately in this movie the bombing is almost residual in its plot.We can see a beautiful (but unbelievable) love story between a British officer of the RAF and a pretty German nurse (all in a few days). No real problem about this, but for my was a disappoint because I waited for something different, for more history and less story.Finally, bombing of the city happens, of course, but it results no impressive. It was one of the most terrible bombings made in history, but in my opinion this is not reflected in the movie, and this is the main cause of its fail.Briefing, not a bad movie, but if you want to see a war movie or a disaster movie, try another.

moonatnight A fictional love drama set on the background of Dresden at the end of World War II achieves to illuminate the complexity of human characters under the life-threatening terror of the Nazi-regime and the war.The excellent cast with Felicitas Woll, John Light and Benjamin Sadler as main figures involve the viewer into a very personal drama. As the screenplay avoids black-and-white-painting, multi-layered characters invite the viewer to a differentiating point of view.Realistic fire-scenes, carefully computer-animated flying-sequences and the participation of both British and German historians in pre-production contribute to a gripping movie about a sensitive point in German history.