FeistyUpper If you don't like this, we can't be friends.

VeteranLight I don't have all the words right now but this film is a work of art.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Dana An old-fashioned movie made with new-fashioned finesse.

TxMike I found this on Netflix streaming movies. I am roughly the same age as most of the member of the Eagles group, I have some recollection of hearing their songs back in the 1970s but nothing more. I knew absolutely nothing about them. I had no idea who Glen Frey and Don Henley were in the 1970s.Jump to the 2000s, maybe 10 or 12 years ago, a friend gave me the DVD of the Eagles returning to performing as a group in 1994, "Hell Freezes Over", because they once had said hell would have to freeze over before they reunited.The DVD itself is great, it gives a bit of the preparation they went through to get a few new songs and get concert ready. They coined the inside phrase "are you puking?" because that is the feeling they were to get as they were nervous about performing again in front of a big audience. So I only knew them as 40-something men, clean-cut and business- like. But this documentary "History of the Eagles" shows them starting out as kids, in their early 20s, scruffy with long hair and a few beards. And then there was Joe Walsh, by his later admission always on drugs and/or alcohol during his waking hours, a talented musician who loved to trash hotel rooms just for the fun. I believe he said his record was $28,000 damage to one room. As Henley says, many hotels banned them from ever returning. But they obviously had talent and they pooled their talent to become one of the most successful groups of the 1970s. Their "Hotel California" will likely live forever. The film also traces their issues with managers, producers, and recording companies. And how strong personalities caused them to quit in 1980.Now late in life the biggest revelation is Joe Walsh, he was forced by Henley and Frey to enter rehab before they would try to reunite. Walsh now says they saved his life and in fact he is a much nicer person in old age.Now I am an even bigger fan of the Eagles. This film documents what they went through, but I suppose it isn't greatly different from what many similar bands went through during that period. Or perhaps any period!

BenDecho (You *will* find spoilers in this review if you haven't seen the film) I'm giving this film a "5" for the things I didn't know (musically) about the band, but they lost "5" for why things happened to the band.This movie is basically an ego boost for (in their eyes) how great Glenn Frey and Don Henley are. It really makes it look like anyone else in the band, either past or present, should bow down and thank them for allowing them in the band.Until seeing this film, I thought Don Felder was sort of the problem with the band. Then we learn, he *was* the problem with the band, according to Glenn Frey. Don Felder was a musician, and Don & Glenn wanted to use their fame to promote liberal politicians.I am a person who believes singers should sing, actors should act. They should stay out of politics and force their agenda on others, especially their band.I always knew Joe Walsh was a bit to the left before this film. I tried to overlook it, as I would probably have never learned to play guitar if it wasn't for the "James Gang Rides Again" 8-track tape (which I still own, and is laying on my desk).There are some real shockers in this film, there is a lot I already knew from being a fan, but what ruins it for me was they kicked out the biggest money maker (writer of Hotel California) for not seeing eye-to-eye with Don & Glenn's political views.Why were we mad at Van Halen for so many years? They just couldn't grow up and perform as the 4 musicians we paid millions of dollars on buying their music, but they refused to agree to play together and entertain us. And for now, 3 out of 4 are back together.Why are we mad at Led Zeppelin? Well, 3 of them (John Bonham has passed away). They cannot give their fans what they want, to see the remaining 3 of them, perhaps with Jason Bonham ( John Bonham's son) on drums, perform again, and give those of us that wished we had seen them years ago a chance to, today.Why were we mad at The Beatles? Same thing... ego (as they called it, creative differences).But The Eagles did the same thing, only it wasn't "creative" differences, it was differences of opinions. If you don't 100% agree with Glenn Frey, you're out of the band.I loved the old clips, I loved the very few minutes of the early band and their input. It got old listening to Joe Walsh and Timothy B. Schmit more or less doing "Heil Henley & Frey" throughout.Unfortunately, The Eagles are never the band they once were, and I doubt they ever will be. This film has brought many fans closer, and drove even more away.After failure sales in an exclusive deal with Wal-Mart on the "Long Road Out of Eden" CD in 2007, why can't this talented band put out another compilation of music and not ride on the music of the past? After seeing this film, I believe the answer is obvious.

andrew-r-atwill There was a lot of speculation on the "Why the Eagles split up" and without giving too much away this does answer a lot.Some people have said in musical fields that Glen Frey is an ego- maniacal, glory-seeking, talentless musician. The reality is between Glen Frey, Don Henley, Timothy Schmitt, Randy Meisner, J.D. Souther and Jackson Browne, the Eagles possibly have more hits than most bands could hope for since the Beatles.There is a feeling of an arrogant man in the way Glen Frey presents himself and as the movie clearly states it was not until Frey decided he was ready that The Eagles could reform and play again. The different ventures each went on and the use of musicians in Henley's solo career such as Pino Palladino certainly give Henley more musical kudos in some circles than Frey will ever get, but the reality is together they wrote great songs. The same was said of Lennon and McCartney in other ways.Simply as the title of this summary says, he that writes owns. Any musician ever involved with any label or record company as it used to be known, knew that "He that pays owns". This is no different. So basically,they can do whatever they like. The glue that holds them together is the songs and if I was to pick the most likable person and peacemaking soul that holds the band together, where humanly possible, it would be Timothy B Schmitt who Frey could take some humility lessons from because he comes across as what his critics say in paragraph #2.All that said and done, it is one of the better historical and pedagogical films made and worth watching if you liked the Eagles music which I did. There are sad moments and one cannot help but feel sadness at youthful ignorance and the pitfalls of the industry, but it is a great eye opener and worth the money to buy the DVD. :)

stephenrtod I loved The Eagles back in the 70's, especially after I finished my military service. Now, watching this special, "The History of the Eagles," and downloading lyrics, I can see that, even without the music, the words are pure poetry. Having taught poetry for nearly 5 decades, that is my ultimate test of whether the lyrics are real, authentic, if you can divest them of the music and they're still poetry. Only the best artists can maintain that precious risk; take away the musical safety net, which might even support a simple three chord progression, and if what you have is still addressing key tenets of the Human Condition, then you aren't merely experiencing entertainers, money makers, or businessmen, you and dovetailing delightfully with poets.Joe Walsh utters one of the most honest speeches I've ever heard a public figure deliver, and he struggles manfully, painfully, as if ripping heartfelt wisdom from deep within his being, about how in the final analysis, our lives are like fine-spun, intricately-woven novels; however, along the way, what we sense and experience is like running into a sudden comet or meteor, delectable or horrifying.Don Henley, who always seems to know just what to say in the moment or afterwards, described his immediate ambiguous feelings directly following the cessation in 1980 of the band's efforts: "Horrible relief." I have to wonder how much of a gifted artist's time, effort, soul, life and genius they must invest. Henley comments that he often wondered why he was successful when equally-talented artists did not reach the apex of Henley's success. Glen Frey sends out a desperate, impassioned plea to his wife and children to support him and hope that their "second act" did not change him too drastically.I admired the coloratura guitar riffs of Don Felder, and I was deeply saddened, when I learned that he had been replaced in one furious collision of egos and cat fights, some borderline, behind the scenes; others, embarrassedly right on stage in front of cheering but partly bewildered audiences. Frey conjures up the perfect analogy between a good band and a baseball team. You are all aligned in teamwork, energy, synergy; however, you don't have the ball in your own hand all of the time. Felder craved more opportunities to sing. Frey himself admitted that the longer The Eagles were together, the less and less he sang lead. Why? Because they had Don Henley. Henley himself mused that Felder's insistence he sing lead on one song was tantamount to Henley's demanding to play lead guitar on "Hotel California." I've watched this special now three times. It is so completely honest that no one individual emerges unscathed, yet most of them proceeded, like "Hotel California" not only from innocence to experience; but, moreover from some degree of benightedness toward a larger sense of awareness, maturity, good judgment and enlightenment as human beings, as artists, entertainers, writers, and people who realized how their creations behind the scenes and before jubilant audiences, mattered far more than they ever dreamed or feared or ever imagined could be realized.The deep lessons I derived focused upon Henley's efforts to save Henry David Thoreau's "Walden" from commercial vandalism and decimation; Joe Walsh's gratitude at being driven to rehab so that he, too, could experience "A Second Act" with his band mates.I think that "The History of the Eagles" should be required viewing of any budding producers, agents, or artists. It is one slice of life, one sobering view of fame, celebrity, success and failure, of Phoenixes emerging from their own self-induced immolation, of a group of young men growing up as their country and citizens in it also evolved painfully, sometimes jubilantly, with a lot of luck and some daunting disappointments.Watching the movie is almost like watching and listening to a magician explain patiently how the trick worked as well as disclosing those times when it didn't work.