I like the storyline of this show,it attract me so much
This was not a good film.
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
By the time the dramatic fireworks start popping off, each one feels earned.
The quality of the first three stories was about as good as I have seen for a miniseries.I found them realistic and dark but in those three stories there was always the unifying theme that some sliver of human decency was struggling to prevail, even in the most inhospitable of environments. It didn't always win, but that struggle was what made the first three stories relatable and linked them together. The fourth story is completely different. There is no moral struggle. The protagonist acts completely entitled and is even more unlikable than the two yobs at the beginning of the story. Worse, she is just reading the script - there is nothing real for us to see and no soul for us to care about.Too bad - the first three story lines were very compelling but the ending was so weak and jolting that it ruins the entire effect.
bob the moo
This four-parter is set in and around an area of poverty in London; we have four stories that do not intertwine so much as bolt together at either end, with one character connecting to the next in a way. The four stories sees a mother struggling with two teenage boys and a history of male violence; a recovering junkie trying to get back with his estranged daughter; a Chinese illegal selling DVDs to pay off a debt, and forced to do much worse when she falls short; and a Polish cleaner who finds herself needing money and turning to arranged marriages to help. All of the stories are very gritty and downbeat in their tone; there is not a lot of cheer or joy in these films and as the free paper The Metro observed at the time, it was very odd scheduling to show the series in the height of the summer in 2013, which had great weather, sporting achievement in Wimbledon and the Ashes and generally a great positive air to the country – into which these tales of misery were dropped.For me watching them in October 2014, they perhaps fit a bit better as the nights close in and the UK settles into a typically grey and wet Autumn. The series itself really doesn't need any distractions from the grim grittiness – because it really goes all out for that tone and needs the viewer to be in the mood for that. From the very first episode we have senseless violence, lots of swearing and very little sense of hope or positive vibes; this continues through the episodes as none of the stories hold back from where they are or where they are going – we are firmly in grim, gritty territory here, make no mistake. If anything I think it really does push it too far; at 45 minutes (without adverts) the plots are pretty contained and really have no space for small moments, so if violence or despair can be unleashed, it certainly will be – and soon. The excessiveness is not necessarily gratuitousness, but it does mean that it is very direct, very full- on and doesn't have many smaller touches or nuance to draw the viewer in – you're either with it or you're not.Fortunately one of the areas where the film does very well is with the casting, and it is here where a lot of good work is done to offset the blunt grimness of the material. This is most evident in the first film where we have the nation's favorite Olivia Colman showing why she does despair better than most. Okay her character is blunt and has obvious 'look, we're gritty' dialogue full of swearing, but she brings out a great character, showing small things about violence in particular (she is a victim of male violence but also happen to use that fear on others when it suits her). The final scene in her episode in particular is excellent. Lennie James is almost as good, as indeed is Leung, who is a long way from Hogwarts here. Schüttler is okay but the least engaging of the episodes, while below this level the characters are a bit more generic and, while they are delivered well, they have less to work with and are more functional, in line with the material given them.Run is worth a look if you are after a grim and gritty self- contained drama, because on this front it really does a decent job. However it is very one-note in its material and presentation, and it is only its good fortune to have some very good lead performances in there that rise it above the level it would otherwise have been at.
It isn't often that a drama manages to capture such a dark and tragic atmosphere, while still maintaining a deep emotional core. The series chronicles four different stories that tie in thematically and paint a gritty, but fundamentally compelling picture of those unseen tragedies that happen every day in our urban world.The production was excellent, as was the acting. The entire cast did a great job in delivering gripping performances, but special mention must be made to Olivia Colman and Lennie James, who, as always, never cease to impress. This series is an emotional roller-coaster that will leave a lasting impression on the viewer.
A new four-part drama aired on TV over 4 consecutive nights. From the adverts it looked brilliant, I was intrigued as to how all the stories would 'link' together and I liked how they was all shown quickly.To be fair it did start off very well, the 1st episode was great. The storyline was gripping and it had all the makings of a proper British drama.....then it all went down hill for me. The next 3 episodes just seemed completely irrelevant, the way they linked was mainly through something minimal.I expected this to be something where you see the same story from 4 different people's perspectives but it was just a mess to me and incredibly dull. The best thing about the series was Olivia Colman's performance.Overall a very disappointing series. 4/10.