The First World War

2003

Seasons & Episodes

  • 1
8.6| NA| en| More Info
Released: 20 September 2003 Ended
Producted By: Wark Clements
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

This ten-part docuseries tells the comprehensive story of the First World War, featuring excerpts written by Winston Churchill, Karen Blixen, Georges Clémenceau, David Lloyd George, Siegfried Sassoon and Rudolf Hess.

Genre

Documentary

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Director

Marcus Kiggell, Simon Rockell, Corina Sturmer

Production Companies

Wark Clements

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The First World War Audience Reviews

AniInterview Sorry, this movie sucks
CommentsXp Best movie ever!
Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
Mandeep Tyson The acting in this movie is really good.
Miles-10 You would not recommend reading only one history book, so why would anyone recommend only one documentary about World War I? This is a good documentary because it covers a great deal and very engagingly, but sometimes it tries to cover too much and necessarily leaves gaps. If you watch other documentaries, you will find out that the first great tank breakthrough was preceded by a tank failure and that the British Expeditionary Force was so unprepared for the breakthrough when it came that they failed to send enough troops into the breach to secure it, leading to the German recapture of the temporarily lost territory.There is confusion, too, as when it is said that German commander von Hutier's attack on Amiens, France had no purpose, but a few minutes later it is said that when Ludendorff decided to attack Amiens he had an objective of smashing the railroad nexus there. Had Hutier succeeded, wouldn't that have served the same purpose even if accidentally?A mass of information is presented that dizzies the old hand let alone the beginner, but even so, I was glad that this documentary offers a wealth of stimulating information about all sides of the conflict. The fact that it is British-made gives it an unavoidable bias that is made up for by its attempt to bring other nation's voices into the narrative, using the accounts of both well-known and relatively unknown participants.There are many documentaries about World War I that are also good. Some, for example, focus more than this one on the war from the point of view of those outside of Europe. This one gives a lot of information about that aspect of the war even though it tries to cover too much ground to tell the viewer all the details. This is a survey, and a pretty good starting point. Learn more about World War I, and you will come to see that there are other opinions on some of the topics. There is more subject matter than this documentary had time to cover, and you might even think that what they left out is awfully important. You might, nevertheless, always remember "The First World War" fondly as an equally informative and moving introduction.
dbborroughs One of a small handful of great documentaries on the Great War. This series of ten episodes nicely explains the war simply and directly. It also manages to cover a variety of other subjects that most other documentaries and books on the subject don't, or example the fighting in the Italian mountains. I'm a student of the First World War and I find it hard to find good films on the subject. Most are dull affairs that rehash the same old facts and figures using a limited number of film clips. Here the filmmakers have broadened their net covering a wide variety of subjects, but also using footage of many of the locations shot today. The result is a series that makes the war very current and alive, no longer is it a far away and long ago war, but one that happened in places that still exist. Its magical. Its so good that I found that after the second episode I was rationing the episodes out since I didn't want the mere ten to run out too quickly. This is a must see not only for people wanting to know about the war but also wanting to know about how we got to today.
Mark Adams Episode six 'Breaking the Deadlock' claims that technical innovations were created to bring a speedy end to the war, but instead they were quickly countered. That war then dragged on into a war of attrition. The middle of the segment shows that the soldiers from both sides didn't always try to kill each other and had to be encouraged to do so. The episode makes an effort to refute the saying about British soldiers being 'Lions lead by Donkeys' by quoting how many German, French and British generals died during the war and how the generals had to face the reality of trench warfare. The soldiers could see that it didn't make much sense to stop machine gun bullets with your chest. The British High command was still believing in the superiority of horse cavalry. The horses didn't do well against bullets either.This episode is a smoke screen for the military incompetence of the British High Command, particularly General Haig. Haig's premature application of the first few tanks lead to the German Army development of anti-tank gun crews which were able to decimate many tanks when they were used in strength and did have a breakthrough at Cabrai. Haig and his staff ignored intelligence reports of the Germans massing reinforcements for a counter-offensive that took back the five miles of ground gained by the breakthrough. The show neglects to mention that Haig's headquarters was far behind the front lines.Also neglected is Sir John French's headquarters was 35 miles behind the lines at the battle of Le Cateau in August 1914 when he would have lost the whole British Expeditionary Force if the commander of 2nd Corps, General Smith-Dorrien, had not disregarded an order to retreat. Smith-Dorrien was congratulated by the King for saving the B.F.E. but General French had him relieved nine months later.
John Esche I was eagerly looking forward to this ten episode, four DVD set (8 hours and 23 minutes in all) based on the claims on the box of previously unseen film footage and newly accessible archival material from Central and Eastern European sources and most especially the ties to a book by a "professor" (presumably of history - Hew Strachan). Unfortunately, as assembled (in an initially promising chronological format) by BBC 4, there is little or no pretense of objective history and far too many omissions and distortions in the service of a strictly British viewpoint. The over all effect, despite copious quotations from participants on all sides, is like a history of World War II's "D-Day" told entirely from Field Marshall Montgomery's aide de camp's viewpoint.The vast majority of film footage (mostly acknowledged - but not some of the obvious naval model work; possibly from faked "newsreels"?) is from 1920's and 30's film reconstructions and fictionalizations mixed with color footage of locales as they look today. While there is interesting period movie footage, it is almost all behind the lines and of close-up non-action scenes and TV cameras scanning across still photos.One of the single most desired sequences, the final newsreel footage of the Archduke Franz Ferdinand leaving the Serajevo City Hall moments before his assassination, is only shown in the abbreviated and already much circulated cut. The reasons for Franz Ferdinand - a fascinating, complex figure given very short shrift here (and his Sophie) being in Bosnia that day (their 14th Wedding Anniversary) are totally omitted - as are any understanding of his reigning Uncle, Emperor Franz Joseph at the head of a great multi-cultural empire or the reasons the majority of Moslem Bosnia was opposed to Eastern Orthodox Serbian pretensions over their territory since both broke away from the shrinking Ottoman Empire.Once the war itself started (you will be hard pressed to understand why from the sketchy story told here), the British documentary almost entirely ignores the original combatants but focuses on the British and their conflict with Austria's unsubtle allies in Germany.Because of the British confrontations (to their considerable discomfort) with the Ottoman Turk, much time is spent on this front, allowing at least rudimentary (and that's about all) discussion of the source of the continuing Armenian question in Episode Four, but even here, there is almost no followable line of the way the Ottoman wobbled in and out of the war until finally committing to the Central Powers following the second Russian Revolution in 1917, removing them from the war. There is even less discussion of impact of the tenuous Japanese alliance with the Russians and British springing from the settlement of the Russo-Japanese War in 1905.A far better look at the complexity of World War I (although neither attempt or claim to be as complete in the material covered), with far more actual footage from the period in question is available in several documentaries ranging from Hollywood GOES TO WAR to WORLD WAR I IN COLOR. This Anglophile attempt at history is only for the dedicated Anglophile looking for entertainment pretending to be serious, not the serious amateur historian who will see too many holes spoiling the fun.