Burn 'Em Up O'Connor

1939 "You'll gasp! You'll howl! You'll thrill!"
5.7| 1h10m| NR| en| More Info
Released: 13 January 1939 Released
Producted By: Metro-Goldwyn-Mayer
Country:
Budget: 0
Revenue: 0
Official Website:
Info

An auto mechanic suspects sabotage in a recent series of fatal racecar accidents.

Genre

Adventure, Action

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Director

Edward Sedgwick

Production Companies

Metro-Goldwyn-Mayer

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Burn 'Em Up O'Connor Audience Reviews

ThiefHott Too much of everything
Solemplex To me, this movie is perfection.
Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
JohnHowardReid Dennis O'Keefe (Jerry O'Connor), Cecilia Parker (Jane Delano), Harry Carey (Pinky Delano), Nat Pendleton (Buddy Buttle), Addison Richards (Ed Eberhart), Charley Grapewin (Doc Heath), Alan Curtis (Rocks Rivera), Tom Collins (Lefty Simmons), Tom Neal (Hank Hogan), Frank Orth (Mac McKelvy), Si Jenks (Jenkins), Frank M. Thomas (Jim Nixon), Clayton Moore (intern), Barnbara Bedford (woman in movie house), Helen Jerome Eddy (lab analyst), Fred Frame, Fred Friday, Rex Mays, Louis Meyers, Kelly Petillo, Art Sparks, Joel Thorne, Ronnie Householder (racing car drivers), Walter Soderling (Fowler), Lee Phelps (Jim Webster), King Mojave (Smitty Smith), John Kelly (towing man), Roger Gray (policeman).Director: EDWARD SEDGWICK. Screenplay: Milton Merlin, Byron Morgan, Edward Sedgwick. Based on the 1935 novel Salute to the Gods by Sir Malcolm Campbell. Film editor: Ben Lewis. Photography: Lester White. Art directors: Cedric Gibbons and James C. Havens. Set decorator: Edwin B. Willis. Music: David Snell. Assistant director: Gilbert Kurland. Sound supervisor: Douglas Shearer. Producer: Harry Rapf. Copyright 10 Jan 1939 by Loew's Inc. A Metro-Goldwyn-Mayer Picture. No recorded New York opening. U.S. release: 13 January 1939. Australian release: 25 May 1939. 70 minutes.SYNOPSIS: Are Pinky Delano's race drivers really jinxed? A dim- witted mechanic attempts to find a solution.COMMENT: You either like Dennis O'Keefe's obnoxious go-getter of a racing driver, or you don't. Personally, I do. He's obnoxious, yes, but in an amusing way. I'll repeat the question with a few variations. Do you take to Nat Pendleton's dimwit? Yes, I must admit I do. He's a bit of a pain at times, true, but on the whole, he's tolerable enough. How about Cecilia Parker's frosty heroine? I don't see what Dennis sees in her, but she's okay for a cold shoulder type. What about the story? Now that's a mixed bag. I thought at first we were in for a standard car-racing picture. You know the plot better than I do. Tyro offends everyone at first, but then makes good by winning the big race. Cheers all around! And that actually happens in this picture too. Admittedly, in an absolutely impossible way, but who but all the car owners in the audience will know the difference?However, grafted on to this well-used, if unlikely plot, is another story, a moderately intriguing and suspenseful mystery. Maybe it's not a murder mystery. Maybe it is. You'll just have to see the picture to find out.
tcab I am 76 years old. A few days ago something caused me to dredge from the past a faint memory of a race car movie I saw when I was 8 years old. I remembered the name, "Burn 'em Up O'Connor." The phrase had stuck with me for 70 years. All I remember about the movie was that the hero was trying to win a race while partially blinded, as I recall, by some kind of white powder in his eyes, the result of an effort of some nefarious bad guy to kill him. I was amazed to type in that title in Google and actually get hits, after all these years! As an 8 year old I was very impressed with the movie. My opinion would probably differ if I saw it today.
David (Handlinghandel) The movie is saved and the annoying hero is saved. Pendleton is cast improbably as a hayseed. O'Keefe is his pal, who gets involved in racing. He falls for the boss's genuinely obnoxious daughter. And there is crime racing through the track: One after another of the drivers for Harry Carey, O'Keefe's boss, smashes up near the end of a race. They all died. Now, are there investigations? It doesn't seem so. Pendleton undertakes one on his own. He finds out that the kindly doctor is causing the accidents.So there is that little touch and the drivers are nicely played. But it's hard to get past the smart-alecky character O'Keefe is playing and the disagreeable one of his girl.
Arthur Hausner Do you think any race car driver can negotiate a track blindfolded while going over a hundred miles per hour, even with someone giving a whistle at one of the tricky turns? That's one of the idiocies of this film, which asks us to suspend disbelief once too often. I have always liked Dennis O'Keefe, but he comes across here as a pest and nuisance as he joins a racing car group headed by Harry Carey, Sr., mostly because of Carey's daughter, Cecilia Parker, to whom he is attracted. Another problem with the film is that O'Keefe and Parker have zero chemistry together. I don't think Parker smiled even once; she seemed not to be enjoying even being in the film. I enjoyed Nat Pendleton's comic antics, and some of the acting of the drivers Tom Neal and Tom Collins. But overall, it's not much of a racing drama or a murder mystery.