Midnight in Saint Petersburg

1996 "No One Can Be Trusted. Nothing Is As It Seems. One Wrong Move Could Cost Everything."
4.9| 1h26m| R| en| More Info
Released: 17 October 1996 Released
Producted By: Lenfilm
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Budget: 0
Revenue: 0
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Harry Palmer heads a private investigation business based in Moscow. His associates are Nikolai "Nick" Petrov, ex-CIA agent Craig, and ex-KGB Colonel Gradsky. They take on the job of finding 1000 grams of weapons-grade plutonium stolen from the Russian government, though they do not know the identity of their client.

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Director

Douglas Jackson

Production Companies

Lenfilm

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Midnight in Saint Petersburg Audience Reviews

VividSimon Simply Perfect
Stometer Save your money for something good and enjoyable
Megamind To all those who have watched it: I hope you enjoyed it as much as I do.
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
grunsel Every time I woke up during this film there seemed to be Caine jumping in a car and rushing off somewhere.If it was trying to capture the magic of the first three Palmer films then it failed miserably,not just because they were the product of a different time and atmosphere, but because its a muddle to a point I really didn't have a clue what was going on, just a lot of cars buzzing about,old factories and the usual rat-tat-tat dialogue. While Caine was hungry for the fame in the first Palmer pictures and acted accordingly, he is not hungry anymore here and is obviously just Michael Caine acting as Michael Caine, but its not all his fault as he has no foil here to bounce off due to the dull co-stars.
unclecessna Every film series runs it's course eventually. Sometimes it's the audience that gets fatigued and votes with it's wallet by not attending the latest sequel and other times the latest sequel runs out of ideas and falls flat.Harry Palmers audience did the first in 1968 with the ''Billion Dollar Brain'' - a smart adaption of Deighton's novel which itself was quite outlandish in comparison to the film versions of the ''Ipcress File'' and ''Funeral in Berlin''.The second time a rejuvenated Harry Palmer series ran out of steam was in this film during which the latter happened.Come the mid 1990's with dwindling good acting opportunities for Michael Caine and a new appetite for spy thrillers from cinema-goers two more Harry Palmer films were committed to celluloid. The first ''Bullet to Beijing'' was a nice if flawed reunion movie for an older Harry Palmer but it's sequel here ''Midnight in St. Petersburg gets swiftly derailed by a bankrupt script and lower budget.The problem is that it very much plays like a remake of it's immediate predecessor only with a much smaller scope and budget. It even revolves around a film studio location in it's later stages...The plot is Harry Palmer has set up a private investigation agency in Russia and he has to search for some stolen Plutonion as well as his assistants ballerina girlfriend who has been abducted. The two story strands come together in the films finale at midnight in St. Petersburg.Michael Caine is always entertaining as Harry Palmer but he looks bored here. Some of the supporting actors are quite good and some are just plain bad. The dialogue is very poor at times and it's all quite forgettable.That said if you don't compare it to the other films in the series it is reasonably entertaining overall and there are a few genuinely good scenes in the film. But it was definitely a sequel too many for Harry Palmer I'm sure most would agree.
wnewman106 What is wrong with movie writers, producers, and directors? There is a sizable market of baby-boomers who would love to see sequels of fondly remembered movies from the 60s, yet it seems that the powers-that-be are deliberately ruining virtually every opportunity to tap into that market. Granted the younger movie-going public has shown they have little or no attention span, but I have to believe that a good movie would appeal to enough of them to make some money. I cite (shudder) The Avengers and (retch) Wild Wild West as 2 of the worst offenders possible and the 2 90s Harry Palmer films aren't far behind them. Directors: WATCH SOME 60S MOVIES AND TRY TO RECAPTURE THE MAGIC. It is tough, if not impossible, to do, but you can do better than you have been doing. Using some of the original stars such as Michael Caine, Robert Vaughn, David McCallum, Robert Conrad or whomever is still this side of the sod would be wonderful, but it still would require a good script. The 2 Harry Palmer movies don't get it. The music is wrong, the car and boat chases are wrong, the ambiance is wrong, the supporting cast is wrong, etc. Do better while there is still time.
sjm136 God help us! Another continuity faux-pas. In the scene of Connery greeting General Kornikov,he says he has been in Russia before and answers the General with "Very pleased (to meet you)". Nothing wrong with the words(in Russian) but they would make any Russian language student cringe - talk about butcher the language. Later, "Tatiana's" father walks across a bridge followed by Connery in a Volvo, ostensibly from the Hermitage - except that he's walking toward Nevskii Prospekt, not away ( I don't know, maybe I misunderstood the scene). Still, it's the worst example of Russian gangsterism versuses the spy world ever made. Want reality, try going there and trying to find someone to trust.