Karry Best movie of this year hands down!

MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Brainsbell The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

chipe I liked this movie when I first saw it many years ago. Today it seems even better -- a good, well planned, logical, noir-like story (even if a mite unrealistic); and good acting and production values. I recommend it highly.I can see why it got a low vote here (not many action scenes, few outdoor scenes, many talky scenes, the bad guy is the main character). It is surely an unusual Western -- strong on character and moral symbolism.Here are some observations (including some mild spoilers):-- the ponderous forward to the film describes it as the "final chapter" of untamed gunfighters standing in the way of "civilization." At the end of the film, Mahoney asks Robertson why he didn't just leave, and Robertson replies that there was no other place to go, as though the town of West End was the last place for him to assert his way of life.-- Robertson had no gang (other than errand-boy Merlin). He got his way by force of character and paying the blacksmith, barber, et. al. high sums to give up their principles and work on Sunday.-- it was interesting that bad guy Robertson saved Marshal Mahoney's life at the start of the film, so it was implied throughout that Marshal Mahoney was protecting Robertson out of favoritism/repaying a debt. But actually, Robertson never broke the law till maybe the end when he liquored up some guys to try to lynch Mahoney. The town council could have (but didn't) enact any blue laws! -- an early several minutes scene shows the expert, economical direction: Robertson arrives in town and shows his skill with a gun, his arrogance, distrust of the courts and familiarity with Mara Corday, the Marshal's intended. Mahoney soon shows up to defend Robertson. Mahoney gets credit for killing the man actually shot by Robertson while saving Mahoney. Most of the important characters (preacher, Miss Timmons, the Judge. etc.) are introduced.-- There were many well written lines in the film. One of my favorites is when Mara Corday expresses to her fiancée Mahoney that she is afraid that with Robertson free to do as he pleases, she might revert to her old saloon girl life. Mahoney replies, "I'm sure of you even if you're not sure of yourself." -- the supporting acting was fine, especially Jan Merlin and Dee Carroll (Miss Timmons) and the preacher. Remarkable the way all the many supporting characters were so quickly fleshed out, each with their own quirks.-- neat the way Robertson can manipulate the men and women in town because he understands how they tick and preys on their weaknesses, except Marshal Mahoney -- he has integrity, and Robertson (and the townies) wonders if it is because Mahoney is afraid of Robertson or is in debt to Robertson for saving his life or is simply a rock-solid lawman.-- had to feel sorry for beautiful Corday. She is grateful to the town for accepting her as a reformed saloon girl. She sneaks (so the town won't know) into the saloon to beseech Robertson to go off with her to save the town. He says no, but she is seen sneaking out of the saloon. The townsfolk (including her once-friendly Judge-landlord) kicks her out, and she won't be accepted in anyplace decent, so Mahoney has to take her to a hotel in town. And after Mahoney is jailed, she is about to be forced out of town with Robertson.

whitec-3 A well-turned screenplay, efficient editing, good small-scale production values, and tense directing make A Day of Fury much better than most Westerns.Dale Robertson is a better actor than his reputation, but all 3 leads are limited in range. The best role and performance are the Preacher by John Dehner, who helps any film in which he appears. Most Westerns present ministers either as comic-cowardly milquetoasts or as unrealistic studs who give up their guns for the good book. When changes unsettle the town, Day of Fury's Preacher is the first to lose his temper and threaten violence, but then he's embarrassed by his own failing and horrified that his parishioners turn into a lynch mob.The plot plays an interesting variation on the classic Western formula of the Old Wild West struggling to survive in or against the Cleaned-Up Bourgeois Town. The taciturnity of Robertson's Jigade fairly inverts the man-of-few-words Sheriff typically played by Joel McCrea or Randolph Scott into a Mephistophelean villain who quietly but steadily chips and shatters the thin veneer of civilization until the townsfolk break down into drunken irresponsibility, foolish greed, and vengeful terror. Jagade's opportunistic power compromises the town's Sheriff, played by the physically imposing Jock Mahoney, whose taciturnity can only dwindle to mute puzzlement until the wild card in Jagade's deck--the punk gunman Billy Brant--changes the game and creates a clear path of action for the law.The sets are few, but the director keeps moving the characters across each other in well-defined space. The film's most impressive quality is to open with an atmosphere of uncertainty that steadily escalates into tension or dread. But its most interesting feature is that the anti-hero Jagade seems to have orchestrated the story as a suicide note.

ccthemovieman-1 This movie was similar to Audie Murphy's "No Name On The Bullet," but it was better....but not by a whole lot. It was still too talky for a western.The hero of the story, played by Jock Mahoney, was very bland and the female lead, played by Mara Corday, also offered little. The villain was the only interesting character. Dale Robertson played him. Mahoney and Robertson went on to star with TV westerns that were good.The movie is only 72 minutes but really doesn't a whole lot, story-wise. You might see it on TV as it has never been issued on VHS or DVD. Since it's a free look, fine, but I don't think you'll be too impressed.

KimB-3 Despite the wooden acting of its stars, this film's intriguing themes and well-written dialog elevate it to something out of the ordinary. "A Day of Fury" is about the end of the Old West, embodied by the gunfighter, and its replacement by "decent folk" and their values. However, one gunfighter returns to town and exposes the hypocrisy and small-mindedness that lies beneath the veneer of civilization. This film is a must-see for those who love Clint Eastwood's "High Plains Drifter" as it seems to have inspired that film to a large degree. (One character remarks that if Jagade is allowed to stay, "He'll turn this town into hell.") Despite the emotionless acting of its leads and the irritating, strangely pronounced name of the main character, I enjoyed this film a great deal for its cynical view of the human character and its exposure of human weakness and fear.