GazerRise Fantastic!

Onlinewsma Absolutely Brilliant!

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Justina The film never slows down or bores, plunging from one harrowing sequence to the next.

GL84 After a series of brutal murders, a Milan police detective and his girlfriend struggle to find the connection between the victims until a break in the case points them to a rather curious prospective culprit as the killing spree continues to terrorize the city.This here turned out to be quite the fun and enjoyable Spanish giallo. Despite not being from the prototypical country that produced these films, the fact that it feels so close in structure and overall tone to the Italian models make for quite an incredible time here. The opening starts off with some rather enjoyable old- school giallo set-ups in the opening ambush attacks on first the drug addict and a later scene of the prostitute out on her walk stumbling into the killer which seem like entertaining giallo set- pieces. With the emphasis on focusing on the black-gloved killer, the twisting story-line that brings along numerous red herrings and potential suspects winding along throughout here and outlandish, gory kills there's plenty of incredibly fun nods to the more proficient Italian models being produced as well. The most impactful part, though, is the sleaze and weirdness aspects here which is quite fun getting both of these involved in the film from the absolutely fun way it works the striptease burlesque show and the intervening display where she gets pimped out for the guy who enjoys necrophiliac sex-play before finding the killer involved in the proceedings, a rather inviting bit of topless armchair clue-solving and a really exciting foot-chase through an amusement park against a cross-dresser that ultimately ends with a gunfight on a roller- coaster that's a great action scene as well as the kind of enjoyably trashy aesthetic that comes with the idea of the man chasing him down while in drag. The fact that there's a lot to like here with the main mystery, from the reasoning behind the dragonfly pins and the connection to the past which comes with the whole meaning in the current rampage against the specific targets here makes this a wholly enjoyable and engaging story-line that plays out rather well in setting up the nice finale, which all manages to make this one fun enough to hold out over it's few flaws. The biggest issue here is the fact that there's not a whole lot of action here in between the confrontations, with this one tending to go for a series of action-packed spurts only to slow down quite a bit before ramping up again, and that does leave a rather sluggish pace at times. As well, there's the weird inclusion of the Nazi biker gang which really seems to be thrown in for no reason and makes no special significance to their appearance. Along with the rather underwhelming finale that just seems to end without much fanfare which is rather disconcerting, but does tend to stick out here but otherwise these here do hold this one back somewhat.Rated Unrated/R: Graphic Violence, Language, Full Nudity and drug use.

The_Void A Dragonfly for Each Corpse is a Spanish take on the popular Italian thriller known as the Giallo, and stars prolific Spanish horror star Paul Naschy. The Giallo was well established by 1974, and it's clear that director León Klimovsky knew this; as his film continually attempts to imitate the Italian films...but this isn't really a problem, as many of the actual Italian productions imitate each other, and it has to be said that the director hasn't done a bad job of making a non-Italian Giallo. The central plot theme has been seen in cinema many times before this film was released, and many times after; in films like Dario Argento's Tenebrae, and popular American thriller 'Seven'. We follow a killer who has taken it upon himself to clean up the streets, by picking off everyone that offends his eye. His trademark is a dragonfly, which is left at the scene of each crime, thus earning the killer the name 'The Dragonfly Killer'. We focus on the police investigation into the killings, which is lead by hard-bitten copper Inspector Scaporella.By keeping the focus away from the murders and more on the investigation, director León Klimovsky has passed up on the opportunity of making a really interesting movie. The way that the investigation is handled isn't bad, and there's enough intrigue generated to see it through; but the way that the film is handled takes the attention away from the murders...which is never good in a film like this. There is a fair amount of blood in this film, however, but it never reaches the highs that you'd expect it to given the splatter at the beginning. Paul Naschy manages to put in a good performance as the cop at the centre of the story, but some of the rest of the cast bring it down; and the film suffers from far too many nuisances with the script, which gets a little too ridiculous too many times. By far the biggest problem with the film comes at the conclusion. Giallo's are infamous for not making a lot of sense and leaving things wide open...but there's barely an explanation at all here, and it's a shame because it could have been the highlight. But even so, this is entertaining enough; and the hilarious roller-coaster getaway ensures that I won't be forgetting it soon.

lazarillo During the 60's and 70's there were any number of Italian productions filmed in Spain. Well, this is a Spanish production filmed in Italy. It is basically Paul Naschy and his collaborator's (the Argentinean Leon Klimovsky this time)third attempt to ape the then-popular Italian gialli, and like the previous two attempts--"Seven Murders for Scotland Yard" and "Blue Eyes of a Broken Doll"--it is only semi-successful. The story is a little plodding, the cinematography a little leaden, and it comes off rather dark and gritty compared to the garish and colorful Italian gialli (although it is, if anything, even more violent). It's also pretty derivative, borrowing the famous coffin scene from Luis Bunuel's "Belle de Jour" and the dead-body-in-the-funhouse scene from the not-exactly-seminal giallo "Naked Girl Killed in Park." It was clearly also influenced by American "Dirty Harry" movies and perhaps the cynical Italian police thrillers that were emerging at the time. Naschy, this time,plays a hard-boiled cop who slaps around elderly exhibitionists and makes a wounded biker with a broken leg crawl to the hospital. He is up against "the Dragonfly Killer", a vigilante who is offing pimps, prostitutes, and junkies--"cleaning up the city" much like the villains in the Dirty Harry sequel "Magnum Force" (although his motive for doing so would have made Harry Callahan crap his pants in utter disbelief). Erica Blanc plays Naschy's fashion designer wife who, after one of her gay friends is killed, decides to try to solve the case herself using her "woman's intuition". This leads to comical scenes of her sitting naked in bed pouring over grisly crime photos with a magnifying glass, or acting hysterically (albeit much more believably)when the killer sends the severed head of a Turkish pimp to their house.Of course, she stumbles across the identity of the killer before her husband does, leaving Naschy to rush to her rescue.Obviously, if you have a low tolerance for graphic violence, completely gratuitous nudity, and Spanish-flavored, 70's-style sexism, you should probably avoid this movie. But if you can get past all this, it's a whole lot of fun.

gimpwilkinson This is a typically looney Paul Naschy take on the giallo. It has some gory deaths, nice ladies, and totally whacked out dialogue and characters. However, this is not an easy film for Naschy fans (like myself) to find. There was a very early 80's release (about 1980/81) on Video Unlimited which was excellent quality (but full-screen)and uncut: not surprising that it is VERY RARE and highly sought after by collectors/fans.