Rijndri Load of rubbish!!

JinRoz For all the hype it got I was expecting a lot more!

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

TidalBasinTavern Pablo Thevenet (Paul Naschy) is a once famous actor now humiliatingly reduced to trying (and failing) to get bit parts in third rate films. That is until he makes a Faustian pack. One actually wonders if Paul Naschy was acting: it all feels like it might have been too close to personal experience. That gives the film a particularly edgy feeling. Bibi Fernandez has real presence as Beelzebub. It would have been good if she'd had more of a role. Visually the film is let down by the nasty modern aesthetic which makes it feel like a TV movie. Also I think the snuff movie sequence felt a bit off-key and didn't feel fit with the tone of the rest of the film.

Witchfinder General 666 Rojo Sangre (2004) is a magnificently morbid film as such, and a wonderful tribute to its star, one of the true icons of European Horror/ Exploitation cinema, the glorious Paul Naschy (aka. Jacinto Molina). Personally, I've been a fan of the Spanish Horror deity for years now, and I really don't know what made me wait so long to watch this, more recent Naschy-film. "Rojo Sangre" was written by Naschy himself and directed by Naschy's son Christian Molina, which makes it obvious why this film is such a great tribute to Naschy's career, and, at the same time, such a great film of its own right.Like hardly another film, "Rojo Sangre" allows an aged Naschy to show what a great actor he actually is. Naschy plays Pablo Thevenet, a fallen, formerly successful stage- and screen-actor whose career was destroyed after a personal tragedy, and who now has to struggle through life and apply for jobs in advertising, which he finds humiliating. He then gets an offer he cannot refuse: a bunch of very sinister people are to pay him a large sum of money for impersonating serial killers such as Giles de Rais and Jack the Ripper in front of an exclusive nightclub. Though he hates the idea of being a living statue, Thevenet accepts. His new job, however, also raises murderous desires in Thevenet, particularly against those he makes responsible for his downfall, but also those who deny him the respect he deserves...The role of Pablo Thevenet is perfect for Paul Naschy. The character is (partly) a loving tribute to Naschy's roles from the past, and, at the same time, an incredibly interesting character as such. There is no doubt that this role (and film) was written specifically for Naschy and there is no greater tribute imaginable. Actually, this is probably the best performance by Naschy I've seen, and the proof that he isn't only a cult-icon and Exploitation-multi-talent, but actually a great actor beyond that. As in many of his old roles, Naschy plays a character that is likable, even though demented, and, this film's elaborate script and higher production values allow him to make it a very deep, intriguing character. The film's delightfully morbid storyline is wonderfully photographed in nice Gothic settings, the characters are entirely demented. Bloody, demented, witty, and absolutely wonderful, "Rojo Sangre" is a film that every lover of European Horror and Exploitation cinema should enjoy, and an absolute must-see for my fellow Paul Naschy fans. Not to be missed!

The_Void Paul Naschy is certainly a big contender for Spain's biggest ever horror star; with a great deal of cult films under his belt, most notably his "Homo Lobo" series. However, since the seventies his fame has dwindled somewhat; but on the evidence of this film, his acting and writing talent certainly hasn't! Rojo Sangre is a strange and wayward film that won't appeal to all tastes; but it's certainly an interesting cult film and the fact that it's a semi-autobiographical film for Paul Naschy makes it all the more interesting. The plot focuses on Pablo Thevenet; a down and out actor with nothing but bad luck. His daughter was murdered and his wife left him, and despite once being a big star; he now can't find any sort of acting work. He gets something of a break when he's offered a job as a 'living statue' at a Stag club, and although he finds the role demeaning; he takes it because the money is good and no other offers are coming his way. His hatred for the modern movie business is overwhelming, however, and it's not long before he begins a murderous tirade against all those that have stopped him from getting work.The thing I liked most about this film is the way that the plot moves. It's never obvious where the film is going and Naschy's script always allows some surprises. The direction is taken up by Christian Molina, and I'm sure the last name will be familiar to Naschy fans as it's his son! Molina's direction is always assured and he manages several stylish moments. The film is perhaps a little too flashy, but everything in the direction bodes well with the way that the story is presented. The film is bolstered courtesy of an excellent performance by Paul Naschy; perhaps even the best of his career. The fact that the role reflects upon his own career aside, you can't fail but be impressed with Naschy here; he absolutely becomes the central character and you can never doubt him for a second. One of the many subplots of the film features the central character slashing up various people while dressed as historical characters and this provides the film with some of its best moments. The gore is actually quite restrained but it's still nice to see. There's not really a defining point to the film and the ending contains more questions than answers but it does at least bring some closure to the plot. Overall, Rojo Sangre is an excellent swan song for Naschy's career and I'm sure that fans of the great Spanish actor's career will appreciate it.

Indra Suresh Pretentious. Profoundly ignorant of the Genre. Plain wrong semantics and ghastly performances.One would think, given the scale of this production (several Million Euros) that the Producers would have certain need to perform, that they would make a movie suitable for their peers: The new emerging Cinema Directors, Sadly it is anything but.The Photography is nothing but a cheap lookalike to the amalgamate many other directors have accomplished for this Genre, it fails promptly right after the Initial establishing shot and goes under ever since.The Storytelling is suitable for 1st grade Cinema School students, it never gets off the ground, and you can't but feel sorry for Naschy when you realise the poor Direction this film has.On the VFX lines...let's just say I have seen better work done in After Effects by a freshman in College, Spanish Cinema is going underwater and without an air tank, as my old pappy used to say, it's now dead, dead, dead.