A Woman Rebels

1936 "She's glorious ...As a Woman In Arms! ...He's Magnificent As the Man She Adores."
6.4| 1h28m| NA| en| More Info
Released: 06 November 1936 Released
Producted By: RKO Radio Pictures
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Budget: 0
Revenue: 0
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Info

A Victorian-era woman struggles to break free of the moral codes established by society and enforced by her father.

Genre

Drama, Romance

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Director

Mark Sandrich

Production Companies

RKO Radio Pictures

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A Woman Rebels Audience Reviews

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
bombersflyup A Woman Rebels is mostly a historical film with substance, but all together unendearing.Hepburn carries the film, but it is lacking in many areas. Every character other than Pamela was rather one-dimensional and didn't add much of anything.
MartinHafer "A Woman Rebels" was a big money loser when it debuted. I think much of it was because it was a very strongly feminist film...even by 1936's standards...and most folks weren't ready to see a movie with such modern sensibilities...especially the notion of a single woman having a baby.The movie is set during the mid-late Victorian era. Pamela (Katharine Hepburn) and her sister Flora have a father (Donald Crisp) who is extremely cold, detached and loveless. He also is angry because Pamela wants more out of life than was typical of a woman of the day. She wants to read, educate herself and be something other than just a dutiful wife...and he is determined to marry her off like her sister. However, Pamela falls for a rogue and soon finds herself pregnant. To hide this, she goes to stay with Flora...and when Flora's husband dies as does Flora, Pamela pretends that her new baby is her sister's. She also does the unthinkable...she gets a job and eventually becomes a very modern and emancipated lady.This is a very well made film but as I said the notion of a single mother must have not sat well with folks. Worth seeing and among the actress's better early films.
Neil Doyle At a time when she was considered "box-office poison" by film exhibitors, KATHARINE HEPBURN starred in A WOMAN REBELS, the story of the daughter of a strict judge (DONALD CRISP) crusading for women's rights in Victorian England, when it was unheard of for women to seek work in the office.Hepburn plays the role of Pamela Thistlewaite with all of her arch mannerisms intact under the direction of Mark Sandrich. VAN HEFLIN has a brief early role as one of her suitors who reveals that he's already married. She then switches her affection to HERBERT MARSHALL with whom she has an on again/off again relationship conflicted by Hepburn's stance on women's rights.Hepburn photographs beautifully and looks fetching in her Victorian costumes, but she's merely playing another facet of her "Little Women" character (Jo March), with ambitions to become a writer for a Ladies Home Journal and become an independent woman without need of a man in her life. Here, she's as self-sacrificing and noble as ever, but it's all rather stifling and mired in the '30s style of melodramatic screen acting.The supporting cast includes Elizabeth Allan, David Manners and Lucille Watson, who behaves exactly as though she's playing Aunt March again.Hepburn fans who enjoy seeing her play herself will probably enjoy this tremendously. Others beware. Best line in the movie goes to an aged Van Heflin who says, toward the end, "Hatred can bind two people together more strongly than love."
celebes This is a classic "chick flick". A real old-fashioned tear jerker.Quite good Hepburn, actually. A perfect part for her- it encompasses all the complex and varied facets of her screen persona. Its surprising this movie didn't do better at the box office. Too political or controversial for 1930's audiences? Herbert Marshall as the love interest is excellent as well.Although the film deals with a variety of women's issues- discrimination in the workplace for one, the real subject is the shame of having a child out of wedlock. It is hard for modern audiences to appreciate how much stigma was attached to this as recently as 40 years ago. Three lives are profoundly affected by the need to keep this secret.One negative: the actress who played Hepburn's daughter was a disappointment. Too old and lacking the grace and beauty of Hepburn herself. Just goes to show how rare true star quality is.