An American Christmas Carol

1979 "Charles Dicken's Victorian London becomes America's great Depression in this exciting new film"
6.8| 1h38m| NR| en| More Info
Released: 16 December 1979 Released
Producted By: Smith-Hemion Productions
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Budget: 0
Revenue: 0
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In Depression-era New England, a miserly businessman named Benedict Slade receives a long-overdue attitude adjustment one Christmas Eve when he is visited by three ghostly figures who resemble three of the people whose possessions Slade had seized to collect on unpaid loans. Assuming the roles of the Ghosts of Christmas Past, Present, and Future from Charles Dickens' classic story, the three apparitions force Slade to face the consequences of his skinflint ways, and he becomes a caring, generous, amiable man.

Genre

Fantasy, Drama, Family

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Director

Eric Till

Production Companies

Smith-Hemion Productions

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An American Christmas Carol Audience Reviews

Diagonaldi Very well executed
VividSimon Simply Perfect
ShangLuda Admirable film.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
boll-weavil The attractions of setting an adaptation of A Christmas Carol during the Great Depression are obvious as it allows the messages behind the immediate storyline to be driven home in the same direct way as Dickens managed when attempting to mitigate the harshness of Victorian utilitarian philosophy.However, the success of this film doesn't lie in capitalising on this parallel.For me, it comes more in the excellent script, characterisations and great moments.I believe a really good adaptation should contain moments to take you to the very bottom of your soul - maybe to even question what you're not doing more of that you could be. In this, the film succeeds very well.There are some genuinely dark moments - eg the Ghost of Christmas Future's pointing at Scrooge's forgotten headstone and telling Scrooge that no one even remembers him "That is the only real death" Indeed that ghost, given a rare speaking part, never seems convinced that he will give Scrooge another chance after all and that uncertainty adds weight to the performance. (It can also be comic - what would the miser think at being confronted with a spirit dressed in a seventies disco outfit. That is truly scary !) All the scenes with the Cratchit family (the Thatchers as they are called here) are much more understated than the original and this makes the whole thing easier to accept.Henry Winkler makes a good jump from his role of The Fonz. Like Finney, one of the few other younger men to take the older role as well, he overdoes the tottering about a bit but generally its an assured performance.This isn't the greatest film adaptation but it joins a select group of others that does justice to the original concept in adapting it for another era.
Jnissico This is one of my top three Christmas movies of all time! I have a lot of friends who, after watching this for the first time, go net surfing to see if they can find it. (Is is very hard to locate!) The overall storyline is basically from the Dickens version but the setting in the depression era and the changes to the life events of the characters add a great twist to the plot. Henry Winker is great as "Mr Slade" and the supporting cast, although mostly unknown, do a really great job too. My only wish is that someone would re-edit this. Since it is a "made for TV" production, the commercial break points are evident and distracting. Add this to your Christmas movie list, you won't be disappointed! Three thumbs up! (OK, OK, two thumbs and a big toe ;)
mflunder When asked recently what my favourite version of A Christmas Carol was, I had to respond with this movie. Henry Winkler provides a character in this adaptation that is the most believable amongst other perennial favorites in the role of Scrooge (Mr. Slate in this case).It has been a while since I have seen the film and I am disappointed not to find it on TV again this year. I could use the refreshing view this film provided to the tired Allister Sims or Gorge C. Scott versions.
whatshisname Not enough people ever gave this one a chance, but it should be considered one of the better versions of "A Christmas Carol" out there.Why did it fail? Well, who wanted to see "Fonzie" play Scrooge back in 1979? I must admit that I did not like this movie the first time I saw it either, but it grew on me, as any good movie does. Henry Winkler plays Depression era "Bennidict Slade" (what an inventive American equivalent for "Ebenezer Scrooge"!), a rich businessman that started out as a delinquent orphan that was adopted by a kind man he unwittingly ends up putting out of business in his pursuit of greed. The "Depression Era" skin put on this movie makes it all the more gray, bleak and believable.One thing that hurt this movie was that it doesn't have as much of a "feel good" ending as the usual "Scrooge" versions, but I rank this one high because it has my absolute favorite ending of any version of the "Scrooge" genre.Naturally, I can't spoil the ending, only to say that Slade has more fun surprising people with his new found attitude, knowing just how shocked everyone will be, than any Scrooge movie I've seen. It makes a fun difference. And his surprise for "Tiny Tim", very well done.One annoying distraction, the "Ghost of Christmas Future" is portrayed by a black man wearing gold chains, dressed in 1979 fashions and listens to disco music. Their "Ghost of the Future" jumped a little too far ahead, and is comical by todays standards.But this is a great version, and if you are bored to death with endless variations of "A Christmas Carol" where you know the story blindfolded, then I highly recommend you give this one a chance. You'll like it as long as you don't try and compare it to A.C.C., looking for places where they changed the story.