Berlin Calling

2008
7.2| 1h45m| NA| en| More Info
Released: 01 March 2009 Released
Producted By: ARD
Country:
Budget: 0
Revenue: 0
Official Website: http://www.berlin-calling.de/
Info

A man tours clubs around the globe with his manager and girlfriend. On the eve of their largest album release he is admitted to a psychiatric clinic after overdosing at a gig.

Genre

Drama, Comedy, Music

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Director

Hannes Stöhr

Production Companies

ARD

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Berlin Calling Audience Reviews

Noutions Good movie, but best of all time? Hardly . . .
Console best movie i've ever seen.
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
dennispouka I didn't expect this to be such a good movie. Although I found this movie searching for club/rave movies, this is much more than that. At some points one could find similarities with the themes of "One flew over the cuckoo's nest": sanity and psychiatric institutions is defiantly one narrative theme.This film has great music too and I never got bored. I guess I should have rated it with an 8/10; but I was surprised by the quality of it. If you compare it of course with movies of Tarkovsky, Kubrick or Bergman of course it does not stand a chance, but for sure it is better than most mainstream American made movies.
Horst in Translation (filmreviews@web.de) "Berlin Calling" is a German 110-minute movie from 7 years ago. Writer and director is Hannes Stöhr and it is probably his most famous work until today. I also saw his more recent "Global Player" and definitely preferred that one. "Berlin Calling" takes us into the world of electronic music focusing on DJ Ickarus, played by the successful artist Paul Kalbrenner. However, I was not impressed. He certainly is not a trained actor and I cannot take this film seriously from that perspective. There were several really intense scene, but they all left me rather uninterested, especially those about the main character's drug abuse, basically from start to finish. The actress who plays his girlfriend was as bad as the one who played the lesbian relationship. No idea what they were thinking with this sub-plot. Probably grasping for straws in terms of including sex to lure people into theatres. It probably would have helped if they had at least been attractive.No idea why this film has such a good reception and why a decent actress like Corinna Harfouch would appear in here. This was not an amateurish-looking effort, but also not a particularly good one. In my case, it probably doesn't help either that I really do not care for electronic music, one of my least favorite genres. Very forgettable film, in which I never felt for the character. Not recommended.
fox_wcclua Does a movie need to provide answers or is some room for interpretation sometimes the better choice? Berlin Calling does not take the bait to occupy the moral high ground. Instead it is an authentic movie about the music and party scene in Berlin, including its „dark side": drugs.In a way this movie does not have a beginning and no end, it is an ultimate extract of life – life in the electronic music scene in Berlin.The pace of the story is fast, almost like the rhythm of the electronic beats - an awesome soundtrack. Berlin Calling is authentic and entertaining movie with great acting and fantastic directing.The movie feels „(a)live" and to followers of electronic music this is a definite must-see. The only criticism that Berlin Calling may have to accept is that self-experiencing the Berlin party scene may still be better.
jagfx "Berlin Calling" is an ambitious film that looks into the dark side of the German electronic music but doesn't seem to know what to say about it. Director Hannes Stohr makes a wise move in casting real life electronic musician Paul Kalkbrenner in the lead role of (the overbearingly metaphorically named) DJ Ikarus.On the cusp of releasing his greatest record Ikarus succumbs to the effects of his longtime drug use and is admitted into a psych ward. From here, the film veers wildly in tone recalling the excesses of "Trainspotting" and the tension of "One Flew Over The Cuckoo's Nest" without ever find a middleground. Subplots involving a teenage fan who works at the hospital; his on again/off again bisexual girlfriend and his dealer never really develop into anything substantial. Worse, Stohr doesn't seem to know what he wants to say about drug use. Is it necessary for creative artists? Is it an evil? Is it OK in small doses? He offers middling cases for each scenario but doesn't make any unique observations.That said, the music in the film is fantastic. Written by Kalkbrenner himself, it casts a great light on the contemporary German electronic scene and if there is any reason to see the film, it's for the music. He manages to make the subtle shifts in tone and mood accessible for even the casual music fan which is a feat in itself.