One Day in Europe

2005
6.5| 1h35m| NA| en| More Info
Released: 07 April 2005 Released
Producted By: Moneypenny Filmproduktion
Country:
Budget: 0
Revenue: 0
Official Website:
Info

One day in Europe shows stories set in four European countries. All of them involve thievery in some way or the other. The protagonists are strangers in the respective country. For none of them their stay turns out as planned.

Genre

Comedy

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Director

Hannes Stöhr

Production Companies

Moneypenny Filmproduktion

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One Day in Europe Audience Reviews

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
CrawlerChunky In truth, there is barely enough story here to make a film.
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Terrell-4 This amiable journey takes us to four European cities in the course of one day, with stories that feature the stumbles, misunderstandings and possible friendships in a Europe trying to become more unified. There are some common threads to help us see the pattern. In Moscow, an unpleasant Kate, an English woman, has her luggage stolen and must depend on the kindness of Ludmilla, a middle-aged, buxom Russian woman. Vodka and dill pickles help. In Istanbul, Rocco, a German student fakes the theft of his luggage for the insurance, and then finds himself with Celal, a taxi driver who is determined to help find the thieves, and then help him with the police. In Santiago de Compostela, Gabor, a Hungarian on a pilgrimage to the great places of faith, has his digital camera stolen with all the pictures he's taken. Sergeant Barreira, the local policeman, is helpful in between visits to his wife, mistress and local bar for wine. In Berlin, Claude and Rachida, two street entertainers from France who can't speak German, are having trouble surviving. Faking a mugging and claiming their luggage was stolen seems like a good idea. Well, at least they have each other when two Berlin police are skeptical. All this happens when, in Moscow, Galatasaray is playing Deportivo la Corunna in soccer's Champion's League Final. If there is one common passion that might unify Europe, it's clear that soccer is that passion. While the crowds wave their teams' flags in the streets of all four cities, even the cops are holed up in their offices watching the game on television. It's also clear that the Euro might not be meeting its advocates' unifying expectations. Every police station and taxi driver we meet keeps whipping out calculators to figure costs in "real" money, their outdated national currencies. There are, thank goodness, no expositions on the human condition or on our common humanity, just four stories where people manage to help others, even if the help is frustratingly arrived at. The only downbeat lesson is that spending a day in a Moscow or Istanbul police station filling out forms is something to avoid. The four episodes are nicely acted and we get to see parts of four great cities that are off the tourist routes. There are some relationships that are just fine to watch, especially Kate and Ludmilla in Moscow and Rocco and Celal in Istanbul. One Day in Europe may not, in my view, add up to more than four pleasant and amusing stories, but that's a pretty good average for a filmmaker.
insomniac_rod Soccer and Europe. What else can you ask for in life? Soccer is displayed as the universal language in the world. Although it's very difficult to ever see a Champions League final between Galatasaray and Deportivo la Coruña, but it's a movie! Fast paced, directly to the point, funny, slightly dramatic,; short stories into one movie. A very well done release.Recently I went to some European countries and I found myself in some of the situations displayed in the movie. The way the events are displayed is with humor that every person in the world could understand.The clichés displayed are also comical when they need to be funny and realistic when the plot asks for it.For example, the Hungarian guy in Santiago de Compostela has to deal with the Gallegos, whose are believed to be very dumb (no offense). The situation is comical and tragic at the same time as in a minor sub-plot the Hungarian traveler confesses that he tried to commit suicide.The other stories were really interesting and hook you into the plot. I would recommend this movie to anyone who has been to Europe and also for those who want to go to the Old World, a spectacular and beautiful place.I'm from México and I know this is not the correct media but, I want to thank many European countries for being very gentle with me during my trip.
fnorful A very nicely done movie; this could be a good first feature preceding "Night on Earth". It's a bit more straight-forward; save the Jarmusch for dessert.The unifying plot element is a soccer match in Moscow between teams from Spain and Turkey. The secondary element is luggage insurance: in each of the four vignettes the recovery of money for lost baggage is either desired or assumed. (No deeper meaning.) The Englishwoman in Moscow gets ripped off. The German in Istanbul is trying to rip off. The Hungarian pilgrim in Spain only wants his photos of the holy places returned. The French couple are trying to make their so far unsuccessful trip to Berlin more profitable than it has been.In each there is good acting and a great presentation on the language barrier. It's comforting to know it's not only Americans who can't speak the language. The lack of understanding is secondary to the half-understandings and slight misunderstandings, often made even more comedic by the (very slight) national profiling in play. None of the characters seem too much like their own national stereotype, yet most assume the other nationalities have a particular character.And although I listed this as containing spoilers, I won't tell you who wins the soccer shootout (you'll need to stay through the credits for that!).
rtankut I watched the movie in Istanbul Film Festival with the presence of the director Hannes Stöhr - I was sitting just three rows up from where Mr. Stöhr sat. Anyway, I liked the movie's sense of internationality, its funny but balanced approach towards national differences, its respect to the nationalistic views and its notion of Europe not being a continent just constituted by EU-countries. The humor of the movie is built upon international differences and similarities. It bears some bias on nations but it doesn't emphasize them, it just plays with them to create humor. At the end, I liked the movie and I liked Mr. Stöhr after listening to his conference about his movie. Not an important movie after all, but helps enjoying being European with a cute humor.