Do Not Disturb

1999 "When you can't scream you can only run..."
4.9| 1h34m| NA| en| More Info
Released: 04 November 1999 Released
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Combining a family vacation with business, Walter Richmond takes his wife and their 10-year-old, mute daughter, Melissa , to the Netherlands -- where Melissa inadvertently witnesses a murder. Unable to tell anyone what she's seen, the frightened girl vanishes in an attempt to elude the killers. Meanwhile, her parents try desperately to piece together the puzzle leading to Melissa's disappearance.

Genre

Thriller

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Director

Dick Maas

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Do Not Disturb Audience Reviews

Karry Best movie of this year hands down!
Reptileenbu Did you people see the same film I saw?
Suman Roberson It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
johnnyboyz Do Not Disturb hugs a fine line between a gripping, taut and rather brilliant thriller which is built on a foundation of a series of suspenseful set pieces, and out and out farce built on daft escapism and a series of bizarre coincidences. It would be easy to enjoy Do Not Disturb for what it is; to let it wash over you in a manner that'll see you enjoy the crazy chases, conveniencies and scenes of action. But the film doesn't do enough, overall. Do Not Disturb is wild, uneven and seems to establish a number of rules and regulations purely so that it can break them ten minutes later. I didn't have a mute ten year old girl down as a professional hit-man foiler; likewise I didn't have a cold-blooded criminal down as a rejected Home Alone villain and I didn't have William Hurt's character down as an all action, James Bond inspired superhero.The film, bizarrely and seemingly unnecessarily retitled 'Silent Witness' for American audiences, is alive with action and off-the-wall content running parallel to amateurish and contrived acts of silliness. The Silent Witness of the across-the-pond title is a young, mute daughter of Jennifer Tilly's Cathryn Richmond and William Hurt's Walter Richmond. Her name is Melissa. The Richmond's are an American family in Amsterdam specifically there for a rendez-vous Walter is about to have with some business higher-up linked to lawyers and medicine firms – whatever, it's not important. From there, poor Melissa is separated from her parents and witnesses a cold blooded, back alley murder of a man that was ordered by a certain Rudolph Hartman (Chiklis); a man linked to Melissa's father's business trip. From here, a somewhat ludicrous chase ensures between the hit-man and Melissa; the Richmond's desperate search for their daughter and the misadventures the kid gets up to with a homeless, boat dwelling individual.Yes, the film is just about as mad as it sounds. Dutch film-maker Dick Maas paints a somewhat typical portrait of his native nation's supposed cesspit, that-is Amsterdam. He goes so far to get across a sense of familiarity that he even works in a scene set in brothel that typically has to encompass leather-clad subservients and the women that dominate them – one of whom even gets to fire off a few rounds from a pistol. The film might also be read into as a meek exploration of American people based, and severely struggling, within the continent of Europe as the surroundings and elements work against them. If you buy into Eli Roth's somewhat tame theory that he peppers his Hostel films with that is linked to how Americans have a real lack of respect to their surroundings when they travel abroad, you might be tempted to see Do Not Disturb as a cautionary tale to do with keeping together as one unit - and that despite your rich surroundings in whatever hotel you're based; do not underestimate what lurks around the next corner.This is, of course, ignoring the fact everyone in Do Not Disturb is of American acting talent descent: the locals, the police and even Dennis Leary's aforementioned tramp character Simon – the friendliest damn tramp you'll probably ever stumble across. The film spills out onto the streets and begins to resemble a more typical, cause and effect driven thriller that encompasses good vs. evil and that general sensation of chase as one party either outruns or outsmarts a chasing party through clever and rather enjoyable little tussles at random locations. But because the director has a bit of a postcard view of his setting, we get all the usual locations that encompass the already mentioned brothel; an escape down a canal; the using of those arch bridges as vantage points, and so on.I think there's content in Do Not Disturb worth tuning in for, but not enough good content to worth recommending it. Director Maas shows he has an eye for suspense set pieces and displays a good awareness of characters in relation to objects and spaces within the location, it's just that there are problems deeply rooted in both the plausibility of his screenplay and the execution of the action sequences. Take the scene, for example; in which the parents, somewhat stupidly, leave Melissa alone in their hotel room after she's been to Hell and back and attend a meeting downstairs. There is enough ammunition in the sequence that sees the hit-man from earlier attain information on Melissa's whereabouts; go to the wrong room; have Melissa's mother make her way up there unaware of the hit-man's presence and then round everything off in the actual suite. One wonders what our old friend Gene Siskel might've thought of the film and its consistent use of the young girl character in a number of harsh predicaments.I also think some of the the early scenes are rather effective and tap into a very primal fear parents will be able to relate to; that sensation that their child is missing and they're in an area they're not remotely familiar with. But the film is an inglorious failure; it tries to blend too many elements of escapism and realism with comedy and very black material. There's stuff to admire as the suspense attempts to wash over you, and the little girl in the lead role is an easy character to sympathise with and therefore root for; but the film is too much one-part Home Alone, one-part drab and downbeat chase thriller. I'm not familiar with the rest of Maas' work and probably wont track any of it down, but if I happen to stumble across some of it, I have a feeling I might just curiously tune in.
Bri821 So bad i could not stop watching it. The mother and father of the mute were the worst parents in the world. The police in amsterdam don't seem to care if a child is missing nor do the parents seem to think its important to tell police or hotel security that she is a mute and is 10 years old. The Assassin is the worst shot in the world, his gun misfires all the time. 10 year old kid beats the hell out of this Assassin several times. Mute girl is a genius is finding creative hiding spots and weapons. Unbelievable that he can't hit her with 1 bullet.Dennis Leary is so miscasted as an amsterdam drug addict homeless bum who somehow has a boat and drives on the canals saving people like james bond, except with a brooklyn accent who is a master at identifying mutes and isn't bothered when bullets rain down on his boat setting it on fire. Understands the entire plot without her speaking a word and giving his only possession, his winter coat to the girl. William Hurt is a braindead father and it is unbelievalbe he found his way to another country. Complete moron in this movie which makes it enjoyable to watch. His wife must be taking some of the drugs that are for free in amsterdam. And are very calm that daughter is mute and missing. Michael Chiklis bad guy who wants to kill people horrible acting "Hey do you like the boat, yea, its great" "Whats it worth"
pottich I don't know what people wanted to do here, I don't now either if this was a comedy, thriller or what...A 10 years old girl escaping from a "pro-murderer", giving him some pain, driving cars, kicking faces, jumping from the roof of a 10 floor hotel, jumping from elevators... Are we stupid or Amsterdam's police department are more stupid than us? Home Alone was so much better than this and Arnold Schwarzeneger would like to fight just like this 10 years old lady. This is the worse movie ever...Something good about this movie??? I don't think so...1 out of 10 (overrated)
axelsizow I've seen this film twice in one of the icelandic tv channels since last summer. The film is quite interesting, especially a strange taste of humor and some really strange plots. But there was also a thing I didn't like: I mean the sharp voice of the actress starring the role of William Hurt's wife. And the greatest thing of this production: unbelievably beautiful sights of Amsterdam. This film made me love Amsterdam, I hope I'll be able to visit the Netherlands soon.