Pluskylang Great Film overall

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.

Comeuppance Reviews A family - high school student Amy Fulton (Pavlovich), her mother Martha (Nascar), her father Forrest (Williams), and Forrest's elderly mother Virginia (Kane) - move into a house in southern California. The problem is, they're constantly moving from place to place because of the completely unhinged Martha. This evil non-stepmother is a psychotic lunatic, and her drinking problem only exacerbates the situation. Everyone knows she's mentally unstable, so Forrest visits a psychiatrist, Shirley (Tucker-Smith), on Martha's behalf. Shirley then decides to go undercover and pretend to be Martha's friend so she can see what's really going on. But what's really going on is DEADLY! Meanwhile, personable, athletic high school student Wayne Hollander (Keller) takes a shine to Amy and they begin to forge a relationship together. But Martha fanatically insists that Amy not speak to any boys at school, much less have a normal relationship. Wayne seems to be the last link to reality that Amy has to try and escape the smothering household she comes from. Will she do it? We're fans of the proto-PM outfit City Lights, and we believe this is one of their best. While its low-budget look may put off some superficial people, we found Epitaph to be engaging, unique and even fascinating at times. Writer/director Merhi blended a melodramatic family drama with some classic horror elements. It wins the audience over when we can see that the filmmakers and performers were earnestly trying. Maybe that's what's so endearing about the City Lights phase in Pepin and Merhi's careers. While some technical aspects may be somewhat lacking, effort certainly isn't, and that should count for something. But that aside, we think this trumps their other horror title, Hollow Gate.Delores Nascar, not to be confused with the popular racing organization, does indeed put in an over-the-top performance. While Nascar did a more-than-competent job, we also felt Karen Black or Sean Young could have played the mother. But while she was busy with her histrionics, Natasha Pavlovich quietly steals the movie. Pavlovich basically carries Epitaph - you relate to her, you feel for her, and she shows a lot of emotion. And this was one of her first roles, she's clearly a natural actress. She also has good chemistry with good old Flint Keller, who that same year, 1987, got more of a starring role in Fresh Kill (1987).So while the dialogue may be delivered in a way that many viewers are unused to hearing (especially when there's tinkling piano behind most of it), we say that's all part of the charm of Epitaph. It's a solid, worthwhile movie, and features a torture scene unlike any other we've seen. Add that to the 70's-style downbeat ending, and you have an under-the-radar horror concoction that more people should see. Although, granted, only a certain segment of the viewing populace, especially today, is likely to truly appreciate Epitaph. That's a shame - if only more people got a chance to see it, more people would appreciate it and talk about it. So that's what we're trying to do here, shine some light on an all-but-forgotten gem.Featuring a show-stopping cameo by Richard Munchkin as a guy at the mall named Warren, we say check out Epitaph.For more action insanity, drop by: www.comeuppancereviews.com

drhackenstine A family moves to a new town because the mother is a schizo who murders men who she believes are out to rape her. The father covers up the crimes, and the daughter suffers the trauma. The daughter soon gets a boyfriend and the mother goes over the edge. Low-budget, crude, and basically stupid horror film, with a story that is on a level of marginal originality, but is filmed on such a level of incompetence. Everyone in this film either overacts or underacts, and the pace goes completely slack in the second half. Some gory, memorable moments (rat eating it's way through a woman's stomach, old lady carved up with an electric knife) are brought into the story but they don't keep this from being a flat horror movie. I like low-budget horror, and this is not bottom-of-the-barrel for low-budget horror, it's just nothing I would like to see right away again if I was in the mood for something bad. It's fine for a single view. Two Stars.

BillyBC (*1/2 out of *****)It seems the Fulton family has to keep moving from one town to another, because the mother is a homicidal maniac who murders any man who doesn't submit to her drunken seductions. And Mr. Fulton, like any good, caring husband, never thinks twice about burying her victims in the backyard, packing up the family car, and setting off for a brand-new destination. This is an extraordinary movie, and when I say extraordinary, I mean it's extraordinarily moronic. If it had been presented as a dark comedy (in the vein of, say, John Waters's "Serial Mom"), then they might have had something to work with, but, unfortunately, the cast plays it dead-serious. Thus, it is extremely difficult to believe that Mr. Fulton, his traumatized teen-age daughter, and his scared old mother would put up with this madwoman's homicidal tendencies. We're supposed to accept that they would rather keep covering up her murders and moving from place to place than see her `locked up.' Mrs. Fulton offers no redeemable qualities whatsoever to warrant such absurd protection -- she constantly browbeats her daughter about her clothes and boys, she threatens her pathetic mother-in-law around the clock, and she's not exactly a hell-cat in the bedroom with Mr. Fulton (maybe if she looked like Michelle Pfeiffer, I could buy it -- but Michelle Pfeiffer she ain't.) Flint Keller, as the daughter's unlikely boyfriend, Wayne, does the most passable acting job out of this ugly group, and whoever plays Warren (who only has about a 20-second scene) sports the most amazing pompadour-mullet I've ever seen (it is almost -- I repeat, almost -- worth the rental).Lowlight: In the ghastliest scene (and one of the more gruesome scenes I've ever witnessed in one of these kinds of movies), the crazy mother hangs a bucket with a hungry rat inside it over a woman's torso and heats up the bottom with a blowtorch until the rat has to eat its way through the woman's stomach to get out. I guess that should score points for creativity (especially in cheap and otherwise unimaginative crud like this), but it didn't exactly make the movie any more endearing. Go figure.

FrightMeter By most standards "Epitaph" is not a good film. The production values look cheap, the acting in extremely over-the-top and campy, and the plot extremely implausible. Still, as crazy as it may be, this film remains one of my guilty pleasures and I thoroughly enjoy each viewing.Very few people probably even know "Epitaph" exists, and I suppose there is good reason for that. Most will immediately latch onto and not be able to get past the film's flaws, as "Epitaph" defines cheesy cinema at its worse. It looks like it was filmed with a home video camera, which will be a turn off to many.The film centers around a family consisting of a father, mother, teenage daughter, and mother-in law, who have to keep moving from town to town because Mommy is a psychokiller who does away with practically any guy she can get her hands on because she thinks they all want to rape her. This is the main weakness with the plot of the film; we are led to believe that the Mother has killed many many men, yet has never been caught because the family simply up and moves? The mother herself is a sight to behold and acts like a combination of Piper Laurie in "Carrie" and Faye Dunaway in "Mommie Dearest." It is such an overblown, hammy performance that I seriously think the actress (Delores Nascar) truly believe she would be nominated for an Oscar for her performance. She treats her family, including her kind and caring elderly mother-in-law like dirt, which makes it even more unbelievable that they would keep covering her murders. Her husband hires a psychiatrist to secretly observe her because he realizes just out of hand she is. Shortly after this, a painter shows up to paint a room on the house. Crazy Momma tries to seduce him, but he refuses. In return, she stabs him multiple time with a butcher's knife and claims he tried to rape her. In an interesting plot twist, when the father goes to bury the body, he realizes (a tad late) that the dude is not dead and ends up with a pick-ax in his chest. You would think this would be the last straw for the daughter and the mother-in-law and that they would notify the police, but nope. They continue to cover for her and obey her, with dire consequences. When the daughter starts dating a boy at her school, the mother becomes obsessive. And when she finds out that her husband hired a psychiatrist, all hell certainly breaks loose.One thing that makes this film stand out is that the killings in the film are VERY violent and cruel, including one of the most creative and disturbing death scenes I have ever witnessed in a horror film (involving at rat, a bucket, and a blow torch). This alone scores the films some points for creativity, on top of the fact the really nobody is safe from the mother's rage. The ending becomes a frantic and frenzied experience for the viewer because we are just not sure how it will end up and who will be left standing. "Epitaph" also becomes more effective than it should be because it never falters from its serious tone. Some can argue that a movie of this budget and quality SHOULDN'T have taken itself so seriously, but the fact that "Epitaph" does, coupled with the almost documentary feel of the film (due to the low production values) makes it seem almost like we are watching a truly dysfunctional family. The fact that the death scenes are pretty brutal and realistic only helps to create an uneasy and dirty feeling in the viewer. It is a strange, rare instance where a films flaws become beneficial and make the film even more effective. "Epitaph" is far from a great film, but I still give the film high marks. The serious tone of the film and the viciousness of the mother's murders, as well as the interaction between the family members is interesting to watch and almost voyeuristic in feel. The result is a film that had everyone thing going against it before it was popped into your DVD/VHS player, but ends up becoming much more memorable and effective that it should have.FrightMeter Grade: C+