Frisk

1996 "How far can a sexual fantasy go?"
4.9| 1h28m| NA| en| More Info
Released: 22 March 1996 Released
Producted By: Bangor Films
Country:
Budget: 0
Revenue: 0
Official Website:
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A first person narrative of the exploits of a gay serial killer in deeply disturbing, controversial drama about violence, sexuality, and the imagination. Dennis, the main character, whose lead we follow on this path between what is real and what we can only hope is surreal. His friends attempt to determine if he's truly a psychopath.

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Director

Todd Verow

Production Companies

Bangor Films

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Frisk Audience Reviews

Karry Best movie of this year hands down!
Freaktana A Major Disappointment
Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
bertoele Okay. There are moments I think this is a top movie and sometimes it's not that good. What is top is the acting of Raoul O'Connell. The guy brings so much into the movie as character. Unbelievable!. Really awesome. I have no other word for it. When he appears the story starts to be interesting. He takes my attention. He wakes me up. And he brings depth into what the director thinks and wants. He is a a gift from heaven I think. Okay. That means. Please great directors. Please take him and ask him to play in your movie. It's a selfish thing of me. Because I like to see him. Frisk is a movie you like or dislike. It's a kind of horror story. It shows some dark side of human. Of a gay man. It tells about our society nowdays. I 's really something do make a movie like this, without to much money. Hope they will spent some more money into the story and ask Raoul O'Connel again and there will be a master piece. Okay. Hugs from Bert in Amsterdam
preppy-3 Incomprehensible. It's something about a gay guy who may (or may not) be a serial killer. The film jumps all over the place--there are flash backs, flash forwards, dream sequences all mashed together. Supposedly if you read the book you'll understand the movie. Well--I haven't read the book and I don't think I should have to read it to make heads or tails out of the movie. A movie should stand on its own and this one certainly doesn't.It looks grimy (but I heard that was on purpose); the acting is truly abominable (some of the guys are cute but that's about it); the same actors play multiple roles (which is confusing), and the dialogue read during the killings is just so matter of fact I didn't know HOW to take it! And I didn't find it disturbing or confusing--just dull and irritating.The only saving grace is Parker Posey--she manages to take a nothing role and actually make something of it. She has lousy dialogue too but she makes it work.So--aside from Posey and some cute guys there's nothing to recommend this. I give it a 1.
gppaula I actually saw this movie in the theater. More than three-quarters of the people walked out before the end. I've never walked out of a movie, but I was tempted to with this one. The reason I stayed was that I kept waiting for some sort of payoff to give meaning to the nonsensical violence, but that payoff never came. As a result, all it really amounted to was a wannabe snuff film.
Mattydee74 Frisk is one of a number of films by new film-makers (such as Todd Solondz, Tom Kalin, John Hewitt) who are for no-one. I love this disturbing new genre. Neither guided by morality nor restricted by the reality/fantasy divide, these films don't seek a wide audience. Instead, these films explore the underground, less explored territories of desire in its darker manifestations. This film isn't simply about sex and power, it concerns being gay in the era of AIDS and the insistency of desire. Frisk plays into the gay=death equation but this is only natural when being gay still remains for some blind people a lifestyle choice if not an aberration. Its a film about killing lovers, put blankly, and about experiencing the forbidden reaches of passion and obsession. Its a cold film and relentlessly reminiscent of De Sade's writing. Transgression and shock rule here but there's no easy comfort zones. A film of lust, decadence, cruelty and annihilation. Be warned.