Fugitive Lady

1951 "Four lives at dead end...."
5.6| 1h18m| NR| en| More Info
Released: 15 July 1951 Released
Producted By: Republic Pictures
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Info

A man drives his car off a cliff in an apparent suicide. One insurance investigator is not so sure it was an accident or suicide and gets 48 hours to prove his case.

Genre

Drama, Crime

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Director

Sidney Salkow

Production Companies

Republic Pictures

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Fugitive Lady Audience Reviews

Solemplex To me, this movie is perfection.
Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
writers_reign This is so far beyond dire we're talking Here Be Dragons. It was the first title in a mini season of films screened in Nitrate prints at the NFT and in their brochure the BFI 'sold' it - along with the other Nitrate movies - on the 'enhanced' image that obtains when shooting on nitrate. I'm here to tell you that I was completely unable to detect anything other than dullness in either the print or the plot. For the record it begins when local gotrocks businessman Eduardo Cianelli mistakes a turn off and drives off a cliff. 90 per cent of interested parties are happy to accept it as kosher but one insurance investigator (let's face it, there's always one) isn't convinced and requests 48 hours to look into it cueing our old friend the flashback during which we learn how singer Janis Paige latched onto Cianelli and wound up as a trophy wife to the chagrin of his stepsister Binnie Barnes. Much is made of the fact that it was shot entirely on location in Italy - explained by the fact that producer Mike Frankovich and his wife, Binnie Barnes, lived there and made ample use of cheap labour in the shape of fifth rate Italian actors. It's ironic that a film that boasts of authentic location work should feature a road sign in perfect English. Danger Dead End. They sure got that one right. For the brain-dead only.