Genghis Khan: To The Ends Of The Earth And Sea

2007
6.2| 2h16m| NA| en| More Info
Released: 03 March 2007 Released
Producted By: KADOKAWA
Country: Japan
Budget: 0
Revenue: 0
Official Website:
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A look at Genghis Khan's life, from his birth to conquests in Asia.

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Director

Shinichirô Sawai

Production Companies

KADOKAWA

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Genghis Khan: To The Ends Of The Earth And Sea Audience Reviews

Lawbolisted Powerful
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
bettycjung 3/16/18. This movie was ok, from an entertainment standpoint, great scenery, battles and costumes. Story could have used some editing so it would flow better. For example, there's no explanation how the baby Jochi is an adolescent the very next scene. This happens several times so that the viewer is never sure of when things are happening.
ucjerry I have viewed the TV series acted by the local Mongolian people, which really show us the ambition and character of a big man, Tiemuzhen.Actually, Tiemuzhen conquered the whole Aisa-Europe mainland. But why does the director stop in the middle. In the end of the movie, Tiemuzhen shoots out an arrow towards Chinese great wall. This is awful. Incomplete.Japanese spend a fortune on this movie and will circulate the movie to more than 60 countries, including 40+ European countries. About more than 100 million people will have chance to take a look at this so-called great movie.Those who know little about Mongolia will have a misunderstanding of Mongolia and this great historical figure.It's a bad movie. I don't recommend this title.
Batzorig First of all the movie is historically very inaccurate. The director "kills" Zuchi some 20 years earlier than he was supposed to die, "makes" Jamukha to kill Tooril, who was actually killed by Naimans, and so on. I know to put the story of Genghis Khan into a single movie is very difficult. The movie seems to be mostly talking about whether Temujin is Esukhei's son and whether Zuchi is Temujin's son. This topic might be interesting for many, but Temujin is a very strong historical figure and it is hard to believe that he was depressed too much over this dispute. HEWell, my point is this movie is not for learning history at all. Somehow for mongolianss the behaviors of main characters seem quite comical. People couldn't help but burst to laughter when Temujin makes quick movements to hold his woman.
Harry T. Yung The summary line is not meant to be judgmental, just a statement of an impression."Blue wolf", referring to the legendary origin of the blood line of great Mongolian leaders, is a biographical account of Genghis Khan, filmed by Japan. It is quite in interesting that three movies set in Mongolia or about Mongolian that I watched within a month are shot in three different languages: this one in Japanese, "Tuya de hun shi" (http://www.imdb.com/title/tt0949564/usercomments-2) in Chinese and "Hyazgar" (http://www.imdb.com/title/tt0969276/usercomments-2) in Mongolian (as well as Korean).When I say "biographical account", it refers not only to the content, but also the presentation. The story is told in a very simple manner, as voice over from Temujin's (the name Genghis Khan is known by during the first 99% of the movie) mother (WAKAMURA Mayumi), starting from before his birth, and she appears right through the movie to the end when he becomes the Khan of the entire Mongolian empire. The makeup team has done a good job in transforming her from a beautiful young bride, through the various stages of the story, into a still graceful looking old lady.The story is told from an interesting angle: how Temujin's life is shaped by three women closest to him – his mother, as mentioned, his wife (KIKUKAWA Rei) and Kulan, his Amazon-warrior-cum-bodyguard-cum-lover (rising young Korean idol Ara). Woven into the main theme of Temujin's story is the lamentation of the general fate of Mongolian women during that time of endless fights among nomadic tribes, turning them into loots for the victors. They were, according to the story, not invariably ravaged and enslaved. Some were well-treated and taken as wives, as Temujin's mother and, later on, his own wife. But that results in doubts of whether he was the true offspring from his father's line, and the same doubt later arose with his own son. It was through their heroic action, as the story goes, that prove that they carried the true blood of the "Blue wolf".While the three women all had their roles in Temujin's life, the two most affecting intimate story lines are those with his son whom he doubted, and with his boyhood buddy who later became his strongest rival for power. There are some beautiful shots of the splendor of Mongolia. The battle scenes demonstrate thoughtful planning and execution, from some 50 soldiers at Temujin's humble origin to the colossal army at the height of his power (aided by CGI). SORIMACHI Takashi, known to his TV fans best as a rebellious youth and an unorthodox young school teacher, carries well the role of Genghis Khan from early manhood to the height of his power.