StyleSk8r
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
MARIO GAUCI
Allan Arkush's lesser-known but superior follow-up to ROCK'N'ROLL HIGH SCHOOL (1979) was an affectionately cheeky tribute to his own days as an usher at the legendary New York concert venue Fillmore East which, during its four year tenure between 1968-71, housed live performances by scores of major rock and jazz artists. The light-hearted satirical film provides the viewer with a rare opportunity to see actors being rock stars (Malcolm McDowell as a vain Mick Jagger-like superstar named Reggie W**ker) and vice versa (Lou Reed as a recluse folkie in the Bob Dylan mould named Auden and John Densmore, the former drummer for The Doors, as W**ker's drummer who goes by the name of Toad); other renowned musical personalities who are respectfully sent up are Jerry Garcia (via Howard Kaylan leading a group of hippies who believe themselves still back in 1968 rather than 1982!) and Muddy Waters (played by Bill Henderson who also utters the film's funniest line while delivering, of all things, a funeral eulogy: "God, this is my man, and you'd better take care of him, or I'm gonna wax your a**!"). This is also followed by a blind man falling into the open grave, the dead man's son driving like a demon to reach the concert venue on time and, much later on, Henderson getting another big laugh when he is 'struck blind' after sipping an acid-spiked drink when he had really only walked into the closet! The rest of the cast includes even more colorful characters, namely: Daniel Stern as the overtaxed organizer of the star-studded New Year's Eve concert; Allen Garfield (billed as Goorwitz and portraying Stern's employer who is struck down by a mild heart attack); Miles Chapin (as Garfield's overly ambitious and treacherous nephew); Ed Begley Jr. (who, made up to resemble Andy Warhol, plays greedy billionaire Colin Beverly and is looking to buy off Garfield and take over his property); 1960s teen idol Fabian (unregonizable as one of Begley's monosyllabic henchmen!) Lee Ving (as an animalistic punk rocker, prone to head-butting anything from car booths to stone walls, and fronting an all-girls band!), Paul Bartel (as the proverbial "doctor in the house" who, overtaken by enthusiasm, eventually leaps off the balcony into the audience below!); and Robert Picardo (as an overzealous fire marshal); ubiquitous character actors Dick Miller (as Stern's father) and Mary Woronov also have cameos. As if all of the above were not enough source of entertainment already, we also have a Jewish Blues band, an electric ghost-cum-drug pusher(!), a motorcycle gang and Stern's overeager younger sister (to whom Reed croons "My Baby Sister" – a song later retitled "Little Sister" and issued in a Reed compilation album – over the film's end credits, a performance only witnessed by her, a dog and a human joint!); on the debit side, I do not think it was such a great idea to have all of the bands performing at the New Year's Eve concert doing their own take on the same song i.e. Willie Dixon's Blues number, "I'm Your Hoochie Coochie Man".Apparently, McDowell had not read the entire script before accepting the role of Reggie W**ker and hence was not aware that he was expected to, at one point while inadvertently high on acid, conduct a conversation with his own dick (who is subsequently appointed the band's new manager!)...not that this should have unduly troubled the lead of Tinto Brass' infamous star-studded epic CALIGULA (1979)! On the other hand, while Lou Reed's character may have ostensibly been channeling Dylan (in its clear reference to those eight years in the wilderness following his 1966 motorcycle accident) but Auden (a reference to poet W.H. Auden, perhaps?)'s lifestyle and working methods – living with what looks like a transsexual (a reference to Reed's 1970s relationship with "Rachel") and composing lyrics right off of the streets (he spends most of the film stuck in a taxicab that takes him all the way out to the desert while strumming his guitar and coming up with lyrics) – is pure Lou Reed! I had previously seen the film via a pan-and-scan screening on the MGM Cable TV channel but I eventually upgraded my copy to a Widescreen one in time for my mini-Bob Dylan tribute. From the director's other works, apart from ROCK'N'ROLL HIGH SCHOOL I am also familiar with DEATHSPORT (1978) and have just gotten hold of Hollywood BOULEVARD (1976) which he co-directed with Joe Dante. Curiously enough, Arkush had also directed the video for Bette Midler's cover of The Rolling Stones' "Beast Of Burden" - originally from their ground-breaking disco-tinged SOME GIRLS (1978) album!
gregscott59
This movie is a classic. Don't care if it didn't win any awards, I love it, plain and simple. It has been a tradition in my house on New Years Eve and has been for at least 15 years to watch "Get Crazy". First saw this on HBO back in '83. From there I bought the VHS tape that I still watch to this day. I wished to God that it would be released on DVD !!!! Has some great B stars of the time and is just a fun movie. Totally making fun of the music business and never taking itself serious. It's the "Scary Movie" or "Airplane" of the concert hall. Takes place in the "Saturn theater" on New Years Eve 1982. The evil Colin Beverly is out to buy the Saturn theater from Max Wolfe so he can tear it down to make way for a huge stadium. Max won't sell so Colin sets out to set off a bomb to go off at midnight. Hilarity ensues as good tries to conquer over bad while the concert goes on. Definitely worth watching if you're in the mood for a movie that makes fun of itself !!!
russdaren
This is what I love about late night TV watching. Back before it all turned into infomercials. You could actually discover weird monster movies and b movie abortions. One night I was scanning the dial and discovered this gem. It's a mix of genres "battle of the bands" meets "we got to save the orphanage" Like "Blues Brothers" meets "Up in Smoke". Plenty of drug references. As the night progresses every band that plays does a version of the blues standard "hoochie coochie man". Even an all girl "punk "band fronted by Lee Ving of FEAR (its actually Fear on the soundtrack). Nothing groundbreaking, but fun for fans of "Cheech and Chong" style yuk fests.
Bruce Cavender
This movie is a great parody! I love it! Being a musician I loved how all the acts play off King Blues. Lee Ving is Piggy and is at his best in this movie. Malcolm Mcdowell plays the part of the Egotistical Rock Star as only he can. Howard Kaylan of Flo and Eddie (AKA the Turtles) plays a great parody of Jerry Garcia. Fabian and Bobby Sherman make great henchmen for bad guy Colin (Ed Begley Jr.) Lou Reed As Folk Singer Auden is eccentric and closes the movie as only he can. Director Allan Arkush captures the world of Rock Concerts perfectly with all the characters you would fine at any event. If you can't tell I love this movie. A must see for any rocker who enjoys a good comedy about the industry. Needs to be on DVD!!
