Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Mandeep Tyson The acting in this movie is really good.

urthpainter Haunters is a film for people who love offbeat characters and stories. One part M. Nights Unbreakable, a dash of Zebraman, yet unique enough to be its own take on the superhero genre.Look elsewhere for a summery of story and characters, but know that nothing can prepare you for the cerebral conveyance of mood and style. Its goofy, tragic, meaningful, and absurd.Haunters stacks several memorable scenes together, and while characters backgrounds are not fully developed, I could not help but care for them, their motives and fates. All but the antagonist reminded me of friends. The villain's motives are not without merit, but his crimes can not be rationalized or redeemed.A couple themes revolve over and over - Why does one chase fate (?), and are others responsible for our own actions? Do we convince ourselves that others make us act and feel a certain way?Advice I got long ago when painting is always make the corners interesting, and acknowledge the outside edges. Haunters' opening and closing are both memorable, and bookend nicely (something about emergence from restraint?). Presentation, design, look, and feel - this film is well considered with emotional and sensory depth.Way above average 8/10

dumsumdumfai Unbreakable - that was the movie. Kind of like that understated, more realistic view of how people with super powers deals with their 'gift'.The thing I find about Korean movies is, each is so focus on what each one wants to be, wants to tell, in such specific ways. You can say, the confidence is never an issue. It's overflowing in fact. And never murky who is good, who is bad. It's almost always entertainment. Unlike too many Hollywood these days, either over the top action, or too thought provokingly murky. No middle ground, no thriller any more.This is no exception. 2 guys, one can control minds, the other basically heals himself endlessly. One good, one bad. And there are at least 3 memorable scenes. One at the money shop, one at the subway, one during the end game.The comic relief is just a tad too obvious and see it coming. There are a few transitions moments with some information left out .. as in how did the plot get from here to there. Otherwise, I'm good with the way it holds up.

JazukaiX The description of this movie alone convinced me to watch it, and the cover said it was better than any superhero film, and I'd say they weren't far off.It reflects a very Korean style; kind of unsure about what genre it wants to be, switching between drama and comedy, but having just enough character development to have you care about the important characters but not explaining anything you don't need to know, held up by great actors.There's some very memorable scenes in this film, and some very memorable performances, along side a great story, similar in some ways to American films like Unbreakable and Chronicle. The score to the film was also good, and quite fitting, while not necessarily memorable.Overall I give the movie 8/10 and recommend it to anyone wanting to see a semi-dramatic movie with many entertaining, exciting, superheroesque themes.

moviexclusive Superheroes don't always need to come in the form of Marvel or DC Comics characters; rather, they can just be everyday individuals with special powers living regular lives. Perhaps one of the best films to expound on this was M.Night Shyamalan's "Unbreakable", a story of two individuals coming to terms with who and what they are, as well as their place in the world relative to each other.Kim Min-suk's feature debut owes more to Shyamalan's "Unbreakable" than it does to the superhero Marvel or DC Comics blockbusters. It grounds its two characters- one the hero, and the other the villain- in commonplace circumstances, and thereby injecting a healthy dose of realism into the movie. On one end is Kyu Nam (Ko Soo), a former scrapyard worker turned pawnshop manager; and on the other, Cho (Kang Dong Won), a disturbed young man with a troubled childhood and innate mind control abilities.The alternative English title for this movie is "Psychic" and it is Cho that this title is referring to. In the film's opening scene, a young Cho is seen blindfolded while his father berates his mother for letting their child live- until the blindfold slips and his father kills himself by snapping his own neck backwards. His mother tries to kill him upon witnessing his terrifying powers, but fails. Twenty years later, Cho gets by through robbing pawnshops while making everyone else around 'freeze' as if time had stopped.Kyu Nam however turns out to be immune to Cho's psychic abilities, and when he tries to stop Cho from robbing his boss' pawnshop, Cho responds by killing his boss in a particularly gruesome manner. Just like that, Min-suk sets up the feud between Kyu Nam and Cho at the centre of the movie. It is their conflict that drives the rest of the narrative, as both of them are pushed to understand their place opposite each other.Through Kyu Nam, Cho discovers a newfound fallibility to his apparent invincibility; while through Cho, Kyu Nam discovers a greater sense of purpose as the counterbalance to Cho's heinous ways. The showdowns between the two are inevitable, and Min-suk stages a few thrilling exchanges- in particular, one of them that takes place in a crowded subway station is especially gripping to watch.Cho's blatant disregard for human life however may be disturbing to some, especially since some of his victims tend to meet their deadly fates a little too casually for comfort. The only levity the film provides is in the form of Kyu Nam's buddies- one from Ghana, and the other from Turkey, both of whom can speak perfect Korean. Their banter with the simple Kyu Nam provides some much-needed comic relief in a movie that can turn deadly serious very quickly.Both Ko Soo and Kang Dong Won turn in compelling performances, even though one may naturally prefer Ko Soo's more empathetic one. He makes his character's apprehension felt keenly, especially when Min-suk clearly sets him up as being mismatched against Cho's superpowers. On the other hand, Dong Won cuts a chilling presence as the villain, giving his character an intensity that you can't quite help but be enraptured by.Those expecting some form of answers as to the origin of Cho's abilities, or Kyu Nam's, should however be prepared to be disappointed. Min-suk offers none, preferring that his audience accept it as part of the nature of mankind and the inherent differences between individuals. This is only Min-suk's second movie, the first as a co-writer on Kim Jee-woon's kimchi western, The Good the Bad the Weird, and it proves his strengths as a helmer. Gripping and never for one second less than interesting, "Haunters" is one unique Korean movie you shouldn't miss.www.moviexclusive.com