Hi, Nellie!

1934 "See why two little words made by PAUL MUNI tore the town in two!"
6.9| 1h15m| NR| en| More Info
Released: 20 January 1934 Released
Producted By: Warner Bros. Pictures
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Budget: 0
Revenue: 0
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Managing Editor Brad Bradshaw refuses to run a story linking the disappearance of Frank Canfield with embezzlement of the bank. He considers Frank a straight shooter and he goes easy on the story. Every other paper goes with the story that Frank took the money and Brad is demoted, by the publisher, to the Heartthrob column - writing advice to the lovelorn. After feeling sorry for himself for two months, he takes the column seriously and makes it the talk of the town. But Brad still wants his old job back so he will have to find Canfield and the missing money.

Genre

Drama, Comedy, Crime

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Director

Mervyn LeRoy

Production Companies

Warner Bros. Pictures

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Hi, Nellie! Audience Reviews

NekoHomey Purely Joyful Movie!
Pacionsbo Absolutely Fantastic
Raymond Sierra The film may be flawed, but its message is not.
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
MartinHafer HI, NELLIE! is a fun film to watch but in no way could it be mistaken for a deep or high quality product. Instead, it's just simple fun--plot holes and all.Paul Muni plays a managing editor at a newspaper. However, his decision to underplay a big story is second-guessed by the owner and as a result, he is demoted to writing a "lonely hearts" column. His co-workers ridicule him unmercifully, but after initially refusing this indignity, he actually makes a success of it. However, he always is thinking about how to get his old job back, as he misses the excitement of crime and other lurid stories.The film has some very good support for Muni, with Glenda Farrell, Donald Meek, Douglass Dumbrille, Ned Sparks, Robert Barrat and others. So, while it's a relatively cheap and silly production, the supporting characters make it a lot more interesting and worth watching. However, just be prepared for an amazingly easy resolution to the mystery in this film and some jumps in logic. Good as a time-passer but far from Warner's or Muni's best.
bkoganbing In that stretch of years between his performance in I'm A Fugitive From A Chain Gang and The Story Of Louis Pasteur, Paul Muni hit a dry patch with his home studio of Warner Brothers. They put him in a series of films way beneath his talent when you consider what he subsequently did and I'm told he particularly despised this film. From his point of view I can see why.Still Hi, Nellie! is not all that bad, though I think Muni was definitely a second choice. James Cagney must have been doing something else at the time. The film has the feel of a project meant for Cagney.Knowing that and knowing how much he wanted to do much more serious parts Muni pulls out all the stops and hams it up to beat the Philharmonic. I guess he had to have some fun.Muni is your hardboiled editor of a city newspaper, a very typical part for the Thirties. But when he uncharacteristically soft pedals a story about a bank folding and a prominent civic leader disappearing, he gets himself demoted. Publisher Berton Churchill can't fire him because of a contract, but instead demotes him to the writer of the advice to the lovelorn column. That's a source of great amusement to all those who were under him before, especially Glenda Farrell who was writing that column and wanted a chance for some hard hitting journalism.But Paul is nothing else if not resourceful and when a chance sob sister letter comes to his attention that might give him a lead on that story that he got in a sling over, he runs with it.Warner Brothers and director Mervyn LeRoy gave Paul a really good cast to support him with Donald Meek playing the world's oldest office boy, Douglass Dumbrille as the editor who succeeds Muni, and Robert Barrat as the political boss of the city and ultimate villain of the piece.It's not Zola, or Pasteur, but Hi, Nellie is not half bad as entertainment. Just not up to Paul Muni's exacting standards.
blanche-2 Paul Muni has to get used to hearing "Hi, Nellie!" when he's demoted to the Heartthrobs column in this 1934 film also starring Glenda Farrell and Ned Sparks. When bank official Canfield disappears at the same time as $500,000 and the bank has to close, all the other papers print that Canfield took the money. Managing editor Brad Bradshaw refuses to tie the two incidences together without proof - thus, the demotion. The current Heartthrobs (Farrell) gets a news beat.This is one of those fast-talking '30s films, probably in response to the MacArthur-Hecht "The Front Page" from 1931. It's all pretty routine except that it stars Paul Muni who, as Brad/Nellie, is a wisecracking, sarcastic editor now mercilessly teased by his cronies. Muni, well known for his dramatic work, shows his expertise at comedy here. Also it's a rare chance to see how handsome he was as he wore so much character makeup and so many costumes throughout his career. He is very good as the determined managing editor turned lonelyhearts columnist. Farrell is her usual sharp-mouthed self; this isn't much of a departure from other roles for her.Recommended if you want to see Muni in something approaching a comedy.
Servo-11 Having seen Paul Muni in so many dramas, I wondered if he could pull off comedy as well. I needn't have worried. Since he's teamed with Glenda Farrell, a master of the wisecrack, he gets solid support and the looks they exchange throughout the movie are priceless. One scene that I loved was when Glenda is pretending to be Nellie Nelson so that a woman will confide in her and she's bossing Muni around like he's her office boy.The plot isn't that original. In fact, there are several versions on the same theme (star reporter demoted), but this one has the star material to give it an extra life. Ned Sparkes also adds to the fun.