Lady Oscar

1979 "The glamour, the strife, the intrigue of 18th century France!"
5.8| 2h4m| NA| en| More Info
Released: 03 March 1979 Released
Producted By: TOHO
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Budget: 0
Revenue: 0
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Oscar François de Jarjayes was born female, but her father insisted she be raised as a boy as he had no sons. She becomes the captain of the guards at Versailles under King Louis XVI and Marie Antonette. Her privileged, noble life comes under fire as she discovers the hard life of the poor people of France. She is caught up in the French Revolution, and must choose between her loyalty and love.

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Director

Jacques Demy

Production Companies

TOHO

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Lady Oscar Audience Reviews

Steineded How sad is this?
Tedfoldol everything you have heard about this movie is true.
Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.
Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
MissSimonetta I only read the first few chapters of the Rose of Versailles manga years and years ago, so this review is not coming from the point of view of someone biased against this film on the grounds of inaccuracy to the source material. Because even when measured on its own merits, Lady Oscar (1979)is a weak movie.It's a shame, because this is a pretty production. The 18th century costumes and lavish sets are wonderfully realized, pastel-colored and almost fairy tale-like. They contrast well with the squalor of the lower classes. Michel Legrand's score is lovely and emotional.Too bad everything else is borderline terrible. The dialogue ranges between passable and cringe-worthy. Exposition is delivered via clumsy lines and voice-over. The story is epic in scope, yet it rushes through events and years, leaving us little time to get to know the characters since the script is more obsessed with racing to the next plot point.The acting is not wooden or too over-the-top, but it is incredibly weak all around. No one seems to contain much passion or enthusiasm for the material. The leading lady in particular possesses too little inner strength or charisma to hold our admiration. Heck, she's supposed to be a military officer and yet she cannot mount a horse without aid!I was disappointed with Jacques Demy's direction, which had little verve or flow to it. It was as distant and disinterested in the action as the performers seemed to be. The editing was especially clumsy and confusing at moments.The worst aspect of this movie may be the characters and the way they were written. Marie Antoinette is made into an idiot. Louis XVI is antagonistic. Andre is a creepy jerk. And Oscar is unbelievably wimpy for someone so respected by the other characters. Her appearance and manner are also not as androgynous as they should be.I think this story could have made for a solid swashbuckling melodrama, but as it is, this feels like a lifeless TV movie. While I feel there is a good movie lurking within this mess, the few good things there are cannot save it from mediocrity.
Oscar Mini I'm a crazy fan of Rose of Versailles manga for a long long time, and I watch anime version, some scene of Takazakura version, a rock musical version in Italia. All of them are really close to the original one, but when I watch this live action, I cannot believe it belongs to Hollywood =='Totally holly crap, it destroy the characters of Riyoko Ikeda sensei. Especially Oscar, my idol, with girly outfit that I have no idea how she can survive in the army like that. They should choose another actress who look more like man and have strong personality. Moreover, Oscar's characteristic is broken 100% in this live action. When her father slapped her for disobeying the royal order, she slapped him back. OMG how a daughter can do this to her own father, even if he is doing the wrong thing??????????? Besides that, the scene with Andre in 12h July 1789 is unacceptable, and the worst thing is that : Oscar doesn't lead French people to attack Bastile Prison like manga, how pity !!! The ending is Andre comes out to see the revolution then he is shot and die????? Next thing is Oscar searches for him in the crowd without knowing that he is death???????????????? I just like what sh*t I just watch and I am really gonna angry for the description of this movie =='Really disappointed for a Hollywood production and it deserves a Golden Raspberry Awards :| Cannot understand why it has rate of 6.3 :|
Rectangular_businessman I don't know what to think about this live-action version of the great comic created by Riyoko Ikeda (Which was also was adapted into a great anime series): On one side, the direction of Jacques Demy (The same director of "The Umbrellas of Cherbourg") is competent and sober, and production values (and the music, as well) were quite beautiful and more than adequate. But on the other side, the performances are terrible (To the point of being laughable) and the story (Which is considerably different than the one from the original comic and the anime series) is filled with lots of silly situations, as if were some kind of parody.Here is the irony: While the animated adaptation of the same comic feels mature, realistic and dramatic, the live action versions feels way too cartoonish and unrealistic.Personally I think that the anime version is way much better than this.
Susanna To correct some inaccuracies in the above review, the anime "Rose of Versailles" came before "Lady Oscar," not afterward, and it was not targeted towards children. "Lady Oscar" is primarily based on the manga "Rose of Versailles" by Riyoko Ikeda, although it contains several plot differences from either anime or manga. The so-called "historical clichés" and the feminism the above reviewer cites are part of Ikeda's story and have nothing to do with the director of "Lady Oscar." I found the movie slightly disappointing in its variations from the anime and manga, but overall I liked it. It was nice to see the story of Lady Oscar presented in English, and I enjoyed seeing European actors filling the roles. Oscar's character differs greatly from her personality in the anime, but I found her much more personable in "Lady Oscar." I was disappointed, however, in the portrayal of Marie Antoinette as she was wholly flaky and unlikeable in "Lady Oscar" and lacked all the redeeming qualities she possessed in the anime. Also, the film overlooks the close nature of her relationship with Oscar as portrayed in Ikeda's manga.