Law and Disorder

1974 "Laugh until it hurts."
6.2| 1h44m| NA| en| More Info
Released: 09 October 1974 Released
Producted By: Memorial Enterprises
Country:
Budget: 0
Revenue: 0
Official Website:
Info

In crime ridden New York of the seventies two cops has had enough. They decide to take justice into their own hands. Things turn exciting and humorous. No hoodlum goes safe.

Genre

Comedy, Crime

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Director

Ivan Passer

Production Companies

Memorial Enterprises

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Law and Disorder Audience Reviews

BootDigest Such a frustrating disappointment
Platicsco Good story, Not enough for a whole film
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
Logan By the time the dramatic fireworks start popping off, each one feels earned.
moonspinner55 Neighbors in a New York co-op join their local precinct's auxiliary police force to fight the crime dominating their once-peaceful neighborhoods. Any movie comedy attempting jokes on robbery and rape isn't going to be pretty, but it should be nimble enough to successfully tread the line between satire and the reality we see every night on the TV news. Director Ivan Passer, who also co-wrote this grossly exaggerated farce with Kenneth Harris Fishman and William Richert, isn't trying to make a statement on life in the Big City, he's just sending it up (the relatively sober conclusion is meant to be ironic, I suppose, but what's the point after all the cheap gags foisted at us?). The ugly conception of the jokes coupled with an ungainly presentation and broad performances quickly turn the film into a sour enterprise--an extension of the themes in "Little Murders" but with a sitcom undermining. Pairing Carroll O'Connor (then-hot from TV's "All in the Family") in a commercial enterprise with eternally-frustrated Ernest Borgnine must have seemed surefire, but only O'Connor comes through with a legitimate characterization (would you believe Borgnine as a beautician?). The supporting cast is encouraged to ham and mug, while the theme of the picture--urban decay--is treated shallowly for crass laughs. *1/2 from ****
HardToFindMovies For fans of 1970s New York movies Law and Disorder needs to be on your list. Carrol O'Connor plays Willie a NY cab driver who dreams of escape from his blue collar existence and there is plenty of Archie Bunker in his character... lots of fun, fun, fun. Ernest Borgnine plays one of the final great roles of his career as Cy the aging, horny, tough guy who runs a beauty parlor (believe it) in decline mainly due to his lust for Karen Black who plays a sexy tease stylist and almost steals the film. In this New York story, Willie & Cy get fed up with the crime and slime in their community and start their own auxillary police force and quickly start blurring the line between themselves and real cops. The film was shot on location in the gritty streets of 1970s New York City and it all looks great. The film also shows plenty of good character acting lead by Jack Kehoe who later was seen as a bail bonds man in Midnight Run. This could have been a 10 out 10 film as the scene where Ernest Borgnine literally leaps through the air to make love to his wife was so funny I spilled my bag of chips. But the ending takes an unexpected dark turn that is never explained or explored in detail. The ending is the one real flaw of an otherwise fine film. This means we have a light drama with plenty of laughs that ends on a dramatic note that leaves a bitter taste. Carrol O'Connor is good but both Ernest Borgnine and Karen Black are GREAT...you need to see this 1970s NYC Classic....8/10 stars. Reviewed by Tom Wilson 2/8/2014 USA New Jersey
stevenfallonnyc Having not seen this film for over 20 years, and remembering how great it was as a kid seeing it on cable, I was very happy (and surprised!) to see it released on DVD and picked it up immediately. I discovered it was a lot funnier when I was a kid, although making up for that was watching two great stars like Carroll and Ernest, as well as all the NYC locations, as I've always been a fan of NYC films, my hometown.One interesting thing is, this being a motion picture, Carroll O'Connor is upstaged in every scene by movie star Ernest Borgnine. And not that Carroll is bad, not at all, he's actually decent, and the two actors make a good pair with some good chemistry (a re-pairing in a future film would have been great even!). But on the silver screen Carroll doesn't have the immense presence he has on the tube as Archie Bunker, and Ernest is clearly the "leader" here.The two head an auxiliary police force to battle the crime in their neighborhood. It's obvious a pre-Rudy Giuliani New York City, NYC being quite legendary in the 70's for it's high crime and smut. NYC isn't cast in the best light, but then again, in 1974 it just wasn't in the best light yet. (Thanks Rudy for all you've done!) Like "Cooley High," it's a bit odd to see such a downbeat ending in a comedy, but it's still a good viewing.If you like NYC films, and want to see two old pros do their thing and take the young'uns to school, "Law and Disorder" is a good DVD buy, before it goes out of print.
liz-35 This is truly one of the best serio- comedies I have ever see! The edited version shown rarely on TV does not do this film justice. If you haven't seen the un-edited version, you're missing an outstanding film. I have been looking for this film for over 20 years, but no luck. I would love to see it again, but it is on "moratorium."