BlazeLime
Strong and Moving!
Jakoba
True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
Kayden
This is a dark and sometimes deeply uncomfortable drama
G K
In a dull Russian industrial town, a young woman (Natalya Negoda) without plans for her life mixes with a heavy-drinking crowd and enjoys casual sex. Little Vera was the leader in ticket sales in the Soviet Union in 1988, and was the most successful Soviet film in the US since Moscow Does Not Believe In Tears (1979).This ultra-realistic look at life caused an uproar in Russia on its release; it certainly marks a change from state-approved films glorifying communism and collectivism. Yet though its reputation precedes it, Little Vera seems unexceptional by western standards, though decidedly bleak.
kittinjc
Little Vera is the story of a Russian teenager, her family, and her attempts to find meaning and value in a life sliding increasingly into decay. In her search for meaning, she falls in love with a more intellectual and rebellious Sergei, whose hatred for her deeply flawed parents quickly spirals out of control.Little Vera is shocking and disturbing in nearly every way. The drinking of the father, the enabling and lack of understanding of the mother, the casual lies and misdirection of the brother, and Vera herself forgiving them all their flaws are all shocking and slightly disturbing to watch. However, the raw honesty of the film somehow manages to become even more shocking than the plot or characters. Set in cramped spaces and vast urban decay, Little Vera presented a vastly different view of Soviet life than had ever been seen before. In fact, Little Vera is a portrait of the collapse of Soviet society painted in shades of pain, desperation, and rust. It is the implosion of a family set against the implosion of an entire social order.Although painful and desperately unsatisfying, the film itself is definitely worth seeing, if only to understand the feelings and cultures still reshaping Russia today.
khubbard-1
Please Note: This review mentions key moments in this film. Do not read if you have not seen the movie!
Vera, the protagonist in the film Little Vera, lives in a closed, cramped world. She is trying to escape, both emotionally and physically, but in the end is no closer to freedom. Most of the reviews I read brought up the recurrent theme of limited space in this movie. The family apartment represents Vera's closed world in the simplest sense. She has no room to move, no room to grow and no room to find herself. Everywhere she turns the finds herself face to face with her mother, father, brother or simply a wall.
However, the family apartment is only one way that the director maintains this constant feeling of confinement. Throughout the film, Vera is rarely shown at a distance. She is always in a small room, or sitting directly next to someone else, or being physically smothered by those around her (Andrei, Sergei, etc.). She is almost always in physical contact with another person. During the rare times that she truly is alone, such as when she is attempting suicide, the camera only zooms in closer. In this way, the lens replaces the walls and smothering humanity, itself becoming an object of confinement.
If visual effects of confinement aren't possible, then sound is used to heighten the sense of disparity. Most of the dialogue in Little Vera, with the exception of less intense moments when the music volume is increased, is shouted, yelled or screamed. Vera's family is constantly in conflict and even the most civil dinner eventually erupts into argument. I found the constant barrage of sound equally as suffocating as the repeated scenes within the tiny apartment, and twice as hard on the nerves. Unlike Vera, however, we could leave when it was all over.
It is hard not to feel sorry for Vera at the end of the movie, but is our sympathy justified? She returns, time and again, to the very apartment and situation that is slowly taking the life out of her. Can she really be considered a victim if she is bringing a lot of her misery upon herself?
Ioan
First of all this movie is a piece of reality very well realized artistically. Some kind of combination between "American Beauty" and "As Good as it gets". And of course something specifically to all Russian movies ( of course the valuable one, no dirty propaganda !) : the problem of loneliness of man ... Especially recommended for the people which really want to see beyond all vomitive propaganda about communism ( both positive or negative propaganda ! ). A movie about common people, their problems, lack of satisfactions - especially for young ones, fear when touch the real and too dirty face of the society ... and about the fake "solutions" : alcohol and violence ... and probably the only real solution : true love ... Of course it's very well "located" in the space and time of "Russian perestroika" but it's valid for all the society ( except a perfect one, but don't worry - not possible to find this on our Earth !). For the last time - definitely recommended ...
