Evengyny
Thanks for the memories!
CrawlerChunky
In truth, there is barely enough story here to make a film.
umamahesvare
I saw Stefan Arsenijevic short movies,and I really liked them all,he seemed like a extraordinary talented director,and I couldn't wait to see his new movie -Love and other crimes-. Bur right from beginning,I was feeling embarrassed cause I'm sitting and watching that on a big screen. These are the reasons:-Screenplay is really lame,situations that are happening are not understandable(especially that thing with song-b e s a m e m u c h o--disaster).And biggest mistake is -screenplay looks like it should point to some real problems in Belgrade,and it's completely untrue.I mean,it looks like it refers to reality and it's not.Loan sharks and crimes like that in 2008?! It's like when Americans make movie about war in Bosnia... Characters are insufficiently elaborated ,their relationships are pathetic and shallow,and not logical.Like he was shooting without a script,and solved problems by adding characters and dialogs just like that. I cannot say anything about actors,they are all good,Stefan also made a lot of good camera cadres of New Belgrade and also cadres are generally beautiful,but whole movie is not good,I really ask myself-WHAT happened to Serbian movie,we had really good screenplays in our past,why are intelligent people like Stefan exploiting these subjects in so shallow and stupid way?I would not go to see his next movie
kosmasp
As someone else (reviewer) stated here too, after "Klopka" comes this gem of Serbian cinema. A slow moving love drama, that's not really trying to blend in.While you might think or expect conventional love drama fare, you will be treated to somewhat more complex (dare I say even more philosophical)! As stated in the summary line it won't be to anyone's taste, especially if you're more in the blockbuster area, then this won't be your cup of tea. Well I liked it and you will too, if you let yourself into the characters and don't mind one song (Besame...) being repeated a few times in the movie ...
uros-antic
You know you watched a really good film, when the credits end, and you caught yourself still sitting and thinking about the movie and all the messages entangled into it. I know it happened to me after Watching "Love and Other Crimes". The all-too-familiar ambient of the New Belgrade, Socialist style buildings and the people living there become a stage where the whole action of the movie is happening. What you see is people caught in the web of the past decisions, now time long regretting them, and without any bright future on their horizon. Their lives are put into the scope through the actions of the main protagonist, Anica, and her last 24 hours before permanently leaving this dark and gloomy place. She exacts her own justice (or should I say revenge) to all the people who where or still are important to her. But, when the young boy from the hood, Stefan, admits that he's in love with her, everything is about to change… This movie is about two most important things: Love…and change. It goes without saying, one cannot exist without other. Without love, there is no reason to change. But without love for yourself, there is no need to change, and that is far more destructive way to look and be in this world. From the begging to the end, this film shows us that by turning to yourself you start to heal not just your own mind and soul, but you also start the same thing in the people around you. Kudos to Stefan and the whole crew of this wonderful movie!
roadmovie69
I liked this movie, which I saw at the Berlinale 2008. It even grows after a while - which is a great thing for any work of art (and love) Surely there must have gone a lot of love into making this movie - otherwise its not explainable why this portrait of a grim and Grey Serbian skyscraper quarter is so strong, believable and sometimes even beautiful in a strange way. Here in German Cinema there are a lot of examples of films with a social theme , portraying a dark reality but a lot of times they don't quite succeed -neither in the portrayal of society nor in cinematic terms. This film, coming from a small country like Serbia - which was still a war zone around 10 years ago - is a fresh example how to do it with success.
