SpuffyWeb Sadly Over-hyped

SnoReptilePlenty Memorable, crazy movie

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

JasparLamarCrabb It's not a masterpiece by any mean, but Giuliano Montaldo's crime thriller is still terrific. John Cassavetes is sprung from jail by his son (working for mafioso Peter Falk) to rob a Las Vegas casino. When the job is canceled, everyone complies but Cassavetes. Mayhem ensues. Cassavetes is great and Falk is too (though they have no scenes together). Britt Ekland plays a waif recruited by Cassavetes and she's stunning. A great score by Ennio Morricone helps and the supporting cast, including Gabrielle Ferzetti, Tony Kendall and bitchy Florinda Balkin, is very colorful. Gena Rowlands, in an extended cameo, plays a tough as nails Cassavetes crony.

RanchoTuVu An ex-con with explosives experience gets back into the swing of things when he lines up a job to rob a Mafia run casino in Las Vegas. With John Cassavetes in the lead one would think this film would be more available than merely catching it by luck on TCM on their midnight Underground Cinema showcase. Though the production is more or less lower budget and the spoken words don't exactly line up with the movement of the lips, it's nonetheless vintage 60's crime with Cassavetes as great as ever, and Peter Falk playing the casino manager and lower level Mafiosi. There are some neat scenes of the San Francisco night life, and the action shifts to the Las Vegas strip with Cassavetes and his new bride Arlene (Britt Eklund) and the ruthless revenge of the Mafia as the movie becomes a pretty dark chase film through LA with Gena Rowlands getting a tough little part as the vise tightens.

Willy Thatcher I just recently got Drive-in Classics channel and it was the best decision of my life. Why? Because I get to see rare movies from the genres and eras long forgotten by most. This was one of those movies. Peter Falk stands out most in this movie just like he does in any of his movies. He's a mobster, a ruthless one at that and takes the cake for number one on my list of bad asses. If you ever get a chance to pick this up in a store or see it on TV then watch it and enjoy it. You'll never regret that decision.For style, Ennio Morricone's great score and Peter Falk. I give this movie 10/10.

MARIO GAUCI This is a stylish, complex and exciting gangster melodrama (which Leonard Maltin in "Movies & Video Guide" calls "junk" and awards a mere **!) bolstered by an infectious Ennio Morricone score (especially the title ballad). Amazingly, it was shown on Italian TV at the time of the Cannes Film Festival as part of a series of past nominees; unfortunately, however, the print was of the choppy 94-minute U.S. version (bearing the Columbia logo upfront) and panned-and-scanned to boot (making the Techniscope compositions pretty claustrophobic)!! I've been unable to determine the film's original length, but I've seen running-times as long as 119 minutes! The film is well-served by a great cast: an intense and fearless John Cassavetes as the title character, a delectable Britt Ekland as a girl he meets and marries on being sprung from jail (who becomes an accomplice in his criminal schemes without batting an eyelid, at least in this version!), Peter Falk as a bad-tempered small-time hood whose ambitions see him clash with his ruthless superiors, Florinda Bolkan as his even more avaricious wife, Gabriele Ferzetti as the crossed Don who goes to teach Falk a lesson (and who seems to be having an affair with Bolkan!), Luigi Pistilli (rather under-used as Falk's right-hand man), Salvo Randone (as the No. 1 Mafia Boss who keeps track of the situation from his New York office), Tony Kendall (as the hit-man dispatched to eliminate both Falk and Cassavetes) and "Special Guest Star" Gena Rowlands (as McCain's tough old flame - together they were a legendary criminal double-act, and the real-life couple demonstrate undeniable chemistry in their one scene together! - who, still having feelings for him, aids in his escape from the Mob and suffers the consequences for her actions). It's an interesting mix of 'styles': the Italians give it authenticity, the women a touch of class and the two male stars (who, regrettably, don't share any screen-time but were eventually re-teamed in a gangland milieu in MIKEY AND NICKY [1976] - which I recently watched - and where they were practically inseparable!) an aura of intelligence. Some sources credit The Doors' frontman Jim Morrison in the role of a lackey, but it certainly didn't seem like him to me! The best sequence is the ingenious heist from a Las Vegas casino (indeed, the glitzy and often sleazy locations are a definite asset) and, in the cynical fashion of cinema in the late 60s, the film ends - rather abruptly - with a downbeat 'curtain'. Montaldo didn't make that many films but from the three I've watched - the others being the enjoyable light-hearted caper GRAND SLAM (1967) and the excellent IL GIOCATTOLO (1979), a Death Wish-type drama with a remarkable leading performance from Nino Manfredi - he certainly knew his business.