Movie-Mania

1937
5.7| 0h21m| NA| en| More Info
Released: 08 May 1937 Released
Producted By: Warner Bros. Pictures
Country:
Budget: 0
Revenue: 0
Official Website:
Info

Dave Apollon is a one-man production staff, who puts on a stage show as writer, director, producer, bandleader, art director, and other jobs.

Genre

Comedy, Music

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Movie-Mania (1937) is currently not available on any services.

Director

Joseph Henabery

Production Companies

Warner Bros. Pictures

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Movie-Mania Audience Reviews

Nonureva Really Surprised!
Phonearl Good start, but then it gets ruined
GetPapa Far from Perfect, Far from Terrible
Claysaba Excellent, Without a doubt!!
Hot 888 Mama . . . is oblivion (and we're talking Never-Was-Dom, NOT Has-Been-Dom, a la SUNSET BOULEVARD). Though one of the actresses here also had a bit part in the 1930s flick, THE TERROR OF TINY TOWN, most everybody involved with MOVIE-MANIA from 1937 has suffered from oblivion (I had a dickens of a time even FINDING this 22-minute short on this site; see where--if at all--the search term "Movie-Mania" turns up in the 200 results for that "title search.") The main character here, Dave Apollon, seems to be a pretty hot shot mandolin player. But in trying to understand how Dave could have faded into oblivion, just ask yourself: How many of Hollywood's top 1000 on-screen stars of all time made their name by playing the mandolin? (I'm NOT a musicologist OR a film historian; so please, if you know the answer, put it on a message board on this page). Also, during the "story" part of this short, I don't quite understand WHY Dave thinks he needs a total of 4,000 elephants for the flick he's supposedly directing, let alone 9,000 camels. I understand camels are messier than mules, and I've seen for myself the stench generated every few hundred yards by just a dozen mules on the Bright Angel and South Kaibab Trails in Grand Canyon National Park. Heaven help the guy who puts 9,000 camels on the same lot!
Michael_Elliott Movie-Mania (1937) *** (out of 4) Vitaphone short has Vaudeville performer Dave Apollon playing a know-it-all director who is making a new film that doesn't sit well with one man. Apollon gets to do various things including singing, dancing and playing the mandolin and it's clear he has talent but looking at his credits on IMDb you'll see he had a very short career in Hollywood. I always love catching this type of short on Turner Classic Movies because you get to see a part of history that is all but forgotten. I especially like catching these Vaudeville acts because most of them are very talented yet their level of success in Hollywood is usually very mixed. I'm not sure why this guy never caught on but this short does provide a lot of entertainment in its 20-minutes. The film starts off trying to tell what some would consider a story but then cuts loose and joins the musical category.
Tim I saw this odd little two-reel Vitaphone short from the late 30s on Turner Classic Movies last night and thought it was quite interesting. It's basically a bunch of musical numbers connected by Dave Apollon and his orchestra.The opening gypsy sequence had Mr. Apollon doing a virtuoso performance on the mandolin, along with some serious tap dancing by others. It was followed by a so-so Mexican number. There was another sequence with a tap-dancing midget woman who was very good, if somewhat unusual, followed by a final dance sequence with a woman who looked ravishing in a shiny dress. The musical numbers were quite elaborate for a Vitaphone short. Movie Mania isn't exactly Singing in the Rain in terms of quality and budget, but a nice little film that classic-movie buffs would probably enjoy watching.
scrabbler Just saw this on TCM and was very impressed. Apollon was multi talented. He played the mandolin flawlessly. I am a longtime bluegrass fan and don't think I've every heard anybody play that fast without a single mistake. His tap-dancing was pretty fair, too, though we didn't get to see too much of it in this one-reeler.How do these guys not get noticed, but others with no obvious talent seem to go much further? Judging from this flick, it must have a lot to do with personality. He seems very arrogant, and I assume he was as he did not seem like much of an actor. Thanks to Ted Turner for unearthing this and so many other interesting if not classic pictures. I can almost forgive you for the whole colorization thing.