On the Beat

1963 "As the COPPER who comes a CROPPER!"
6.8| 1h46m| NR| en| More Info
Released: 01 January 1963 Released
Producted By: The Rank Organisation
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

Norman Pitkin wants to be a policeman like his father was, but he fails the height test (amongst others). One day he gets out his father's old uniform and "walks the beat". This leads to a level of chaos that only Pitkin could cause

Genre

Comedy

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Director

Robert Asher

Production Companies

The Rank Organisation

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On the Beat Audience Reviews

Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
WasAnnon Slow pace in the most part of the movie.
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Justina The film never slows down or bores, plunging from one harrowing sequence to the next.
studioAT Norman Wisdom's trademark comedy skill is showcased well in this 1962 film and reminds us how simple and effective comedy can be.Although the film is not the strongest that Wisdom produced during his long career there are still lots of moments to enjoy including lots of the physical comedy that Wisdom so enjoyed.No Mr Grimsdale or Jerry Desmonde cameo on this occasion but still lots of laughs as Pitkin stumbles and bumbles through numerous comedy mishaps.Wisdom's films are timeless and effortlessly funny so are well worth watching regardless of whether you are a fan or just someone discovering Wisdom's work after his death.
Spikeopath On the Beat is a Norman Wisdom comedy film directed by Robert Asher. It's the tenth Wisdom picture where he was the lead actor. Plot sees Wisdom as Norman Pitkin who works at Scotland Yard as a car cleaner but harbours dreams of becoming a policeman like his late father. The problem Norman faces is that he is just too small to meet the height requirement to join the service. However, after managing to get himself fired from the car wash job, Norman is given a way into the force on account of his uncanny resemblance to a suspected Italian crime boss who is masquerading as a hair dresser. Thus Norman is required to go undercover as the crime boss. Can he pull it off?Norman Wisdom, he's Marmite isn't he? On The Beat, to this reviewer at least, is one of Wisdom's best film's. Some of his main collaborators such as Edward Chapman & Jerry Desmonde may be absent, but On the Beat has a real zest for life, an action comedy where at its core is the emotive based dreams of one man.On The Beat follows in the great traditions of British comedy film's involving the good old British Bobby. Trace a line from Will Hay's brilliant Ask A Policeman in 1939 to Hot Fuzz (2007) and you will find a number of "themed" movies involving the British copper. With film's such as On The Beat and Carry On Constable from two years previously, we get a glimpse of a time when respect and fear of the law was the order of the day. When the copper was there to aid and make the public feel safe, values that sadly today are ever diminishing. With that, as a Brit myself, it's hard not to get caught up with nostalgia; and maybe even feel those pangs of sadness of a time long past. My rating, in that context should be taken in to consideration.On The Beat is a very British film, it's also a rank and file Norman Wisdom film. One that's filled with the standard set pieces full of vim, vigour and chaos. With one medical on stilts sequence as mirthful as it is near genius. It's, however, unlikely to win over any sceptical older viewers who didn't get Wisdom back in the day. Nor is it a safe recommendation to those venturing for the first time into the works of Marylebone's famous son. But this does hold appeal for those in need of a light hearted pick me up. A harmless piece that zips along, gets in there, and gets the job done. Something that Wisdom, just like his character Pitkin, was want to do. 7/10
Theo Robertson How could anyone hate the comedy capers of Norman Wisdom ? Me for a start . Just how much mileage is there in a man with an ill fitting suit falling over while screeching " Mr Grimsdale " in a silly voice ? I wouldn't say it was mileage I would say it was inch-age . You have to forgive the unsophisticated slapstick approach of Wisdom comedies because they were produced in a far less sophisticated not to mention less cynical era but I'm never in a forgiving mood where Sir Norman Wisdom is concerned ON THE BEAT is - if not better than most of his comedies - certainly by no means Wisdom's worst comedy . Much of this may be down to the fact that Wisdom plays several roles : Tough , fearless Inspector Pitkin , criminal mastermind Giulio Napolitani and wannabe cop Norman Pitkin . Okay he's hardly going to win an Oscar but at least Wisdom doesn't pratfall about too much , and there is a sequence where Pitkin leads what must be the whole Lodon met on a wild goose chase which is almost charming in a surreal type of way . If we're going to be cynical then we have to ask when Pitkin applies to be a policeman why isn't he given a sarcasm test ? No doubt Wisdom fans ( Yes both of them ) will love this movie while everyone else will merely dislike it
bob the moo Norman Pitkin has dreams of being a police officer like his dear old dad. However he is too short to make the force and instead works as the parking attendant for the fleet. Despite repeating attempts hs can't make the force until it's noticed that he's the spitting image of a suspected criminal, Giulio Napolitani. Pitkin is recruited to infiltrate the gang and take evidence.I'm a big Wisdom fan – but not the extent that I can't see when he has a weak spell. This film is a rerun of a similar theme a few years before when Pitkin tried to join the army. However this is not as funny as that as it is mostly very basic clowning with only a couple of funny, clever routines. The plot relies on the old-lookalike chestnut but doesn't use it until the last 20 minutes or so. It's still funny but lacks energy and the wit of some of his better routines.Wisdom is as good as always and does his best whether the material is limited or not. He is impressive as two characters despite the fact that they aren't very funny. The problem is that he doesn't have a good support cast. Sure there's a few faces that you'll recognise from other more famous films but where's the regulars? Jerry Desmonde and Mr Grimsdale are both great actors/characters and they make a Wisdom film better. Here the support cast can't lift the film at all.Overall it's still enjoyable even if it is very basic clowning that will mainly please kids, but this is not one of Wisdom's best.