VeteranLight I don't have all the words right now but this film is a work of art.

JinRoz For all the hype it got I was expecting a lot more!

CommentsXp Best movie ever!

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

ALauff In his most thorough feat of self-deprecation, Albert Brooks plays himself as a smarmy upstart Hollywood director charged with filming a real-life portrait of an "ordinary" Phoenix family to be financed by the Boulder Institute for Behavioral Science. Taking as its satirical subject the PBS series "An American Family", Real Life's opening text scroll includes an excerpt from a media critic that reads (paraphrasing), "This is a whole new method of anthropological research…as interpreted by the camera." It's the last part, "interpreted by the camera," that clearly interests Brooks. In detailing the crumbling of the family and the director's process of selecting what to shoot and how (it isn't long before he's staging scenes), Brooks shows how the mere presence of the camera shapes a new reality for spectator and subject. Their first dinner under camera (the technicians wear ridiculous astronaut-like helmet devices over the top halves of their bodies) has Charles Grodin trying to present his perfect family, but his stressed-out wife gives a hilariously blunt assessment of her feelings. (Meanwhile, Brooks wonders whether his leading man is coming across as unsympathetic.) The institute's naïve statisticians don't see the folly of their pursuit until Brooks makes the film his blatant vanity project; the comic highpoint is a montage of happy, slow-motion family moments that Brooks narrates ("I'll show the French what a montage really is!"). In this project, all are delusional, from the quixotic scientists who fatuously hired Hollywood talent for a film about reality to the unseen producer who makes money the inappropriate subject of every conversation. And film-making, like all profit-driven endeavors, is subject to self-interest, rendering futile the entire notion of the camera as objective recorder. But try telling that to a Hollywood producer.

MartinHafer Albert Brooks tries so hard in this fake documentary about American family life that you find yourself willing to wade through the movie's many slow moments and gags that just don't succeed. Plus, the movie can be quite funny from time to time. But, in general, I look at this like a fake documentary that was a noble experiment that ultimately failed--but is still worth seeing. After all, if it hadn't been for films like this, maybe they never would have made films like BEST IN SHOW as well as AND GOD SPOKE.Although the purpose of this documentary is to show American family life in an unobtrusive manner, ultimately, the family becomes like a lot of modern "reality TV" families and the action becomes more and more suggested by the producer, Brooks. And, ultimately, the filming takes on a dramatic impact on the family.Funny, insightful but far from perfect.

connerg-2 I think what most filmmakers say when they watch a great film is "I wish I made that movie". This is one of those movies. Not only is this a comedy classic, I would say that this movie is ground breaking. And way ahead of its time. Albert Brooks, proves that he is one of the funniest comedians ever, and in my opinion one of the best actors on the screen. And the ending is simply brilliant, and at the same time "Hilarious". I would like to tell you more, "But I don't have the time, or the cord!"

kstuart-3 "Only six of these were ever made. Only five ever worked. We have four of those." IMHO this is the best movie Brooks ever made. He plays an egocentric, inept film director who turns a simple movie into a botched science experiment. The high-tech gadgetry is ultra low-tech these days. It's a gem of a movie. If you haven't seen it, it is well-worth renting -- or buying.