Rebel in Town

1956 "STOP IT! STOP ALL THIS KILLING!"
6.8| 1h18m| NR| en| More Info
Released: 30 July 1956 Released
Producted By: Bel-Air Productions
Country:
Budget: 0
Revenue: 0
Official Website:
Info

Ex-Confederate Bedloe Mason and his four sons ride into a small Western town with robbery in mind. Hearing a suspicious "click," Wes Mason whirls and shoots dead a boy playing with a cap pistol. The Mason clan then flees but Gray Mason, feeling remorse, decides to return to the town. He winds up at the home of John and Nora Willoughby who, unknown to him, are parents of the dead boy. Nora recognizes him as one of the Confederates but keeps quiet, wishing to avoid more violence. However, when John learns of Gray's true identity, he determines to avenge his son's death

Genre

Western

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Director

Alfred L. Werker

Production Companies

Bel-Air Productions

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Rebel in Town Audience Reviews

Actuakers One of my all time favorites.
Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Suman Roberson It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.
Cheryl A clunky actioner with a handful of cool moments.
audacious1 I just watched this movie on Netflix. Although I am a big western fan, I had never seen this movie with its wonderful cast. The general story line is about a nervous confederate man shooting a boy and then becoming more cowardly than ever, allowing his brother to take the blame. That's not what this movie is truly about. It is about the psychological effects people had as the Civil War ended. On one side, we have the heroic Northern officer who can't resist always assisting the law and his perspective of the Confederacy that he has passed on to his son. On the other side, we have five war-weary confederate soldiers, four brothers and a father, having just robbed a bank in a nearby town, but having a need for water. Three of them ride into town and one is involved with a shooting. The youngest brother feels guilt and wants to do the right thing. The father of the shooting victim wants revenge against the soldiers, regardless of the fact it was an accident. The story hinges on the tug and pull of the emotions and feelings people had, due to the War. If there was something I would criticize, it would be the writer finding the easy out by making the shooter become cowardly and unconcerned about anyone but himself. What made this western stand out to me was the material it covered. It was not a simple plot. The emotional content is what makes this story special, the right and wrong perspective idea consistently flows throughout this movie with only Ruth Roman being the voice of reason and logic. All the actors did great jobs with their characters and it was refreshing watching actors, normally portrayed as stereotypical heroes playing people with huge flaws that pinpointed their humanity. I would like to have seen more of Ben Johnson (side bar complaint). Very worthy of watching more than once.
alexandre michel liberman (tmwest) This film show us a war that is supposedly over but some non conformed rebels are still using their uniforms and becoming bandits to survive. When a misunderstanding happens and a boy is killed there seems to be no way out for them. The importance of a woman, Nora (Ruth Roman), who even though her son is dead, makes all efforts for a peaceful solution, is the remarkable aspect of this western. What looks like a plain B movie at the beginning gradually becomes more meaningful, directed by Alfred Werker (Three Hours to Kill, The Last Posse). John Payne (Willoughby) and John Carrol Naish (Mason) are the heads of family and Ben Cooper (Gray Mason) is excellent as the son with good feelings. The tragedy of the film is caused by a boy using toy guns. In the fifties toy guns used to be popular, probably even more in the years before. Good thing you do not see them anymore.
mhrabovsky6912 Hollywood made a slew of so called "B" westerns during the 1950s, mainly black and white 80 minutes jobs meant to fill a second feature at the local theatre.....when I saw the top notch actors in this film I figured it would be worth watching and it was very good....John Payne, J. Carrol Nash, John Smith, Ben Johnson and Ruth Roman round out a very solid cast.....in a lot of these so called B westerns there were a lot of films about confederate soldiers on the run rummaging and pillaging so the plot was somewhat familiar....what set the tone for this film was the slaying of a young boy who was gunned down by a rebel coward, who thought that a cap gun going off was the real thing and he turned around in an instant and shot the kid dead...what follows are real character studies of the rebel family and their self righteousness about how a member of their family killed a little boy and the intense manhunt led by John Payne, the boy's father....Ruth Roman plays a very compassionate, caring mother while grieving for her dead son and tries to instill logic and a level head into her husband Payne who starts to lose his cool nearly every moment in the film.....Strange part to the movie when one of the rebel band is rounded up by Payne and brought to his house not knowing he was one of the rebel band....questions follow and soon Payne realizes his "guest" is part of the family that killed his son....a mob scene follows as usual and soon law and order is restored....in the end Payne nails the real killer (John Smith) in a knife fight in a barn as he tries to escape town....his father, J. Carrol Nash forgives Payne in the end for his son's cowardice..... Payne is reunited with his wife who was at the breaking point with her husband's blood thirst for revenge.....a solid, very worthwhile western, considering it was made rather cheaply by a small studio Bel Air productions..but released by United Artists.....
bkoganbing Rebel In Town is set in the post Civil War west where the surrender at Appomattox hasn't ended conflict in the minds of some. One of those is John Payne who was a Union Army major in the war, but now has settled back on his ranch with wife Ruth Roman and son Bobby Clark. Payne feels we've got a big law and order problem with a lot of former Confederates turning outlaws to survive and is the first to volunteer for any posse to track them down.But when the Mason family, J. Carrol Naish and his four sons come riding into town for supplies it's a recipe for trouble. When little Bobby Clark shoots at the family from behind with a cap pistol, one of the Masons turns and returns fire killing the kid instantly. The Masons beat it out of town.The rest of Rebel In Town concerns the actions of Payne and the rest of the town in apprehending the criminals and the Mason family who are torn with what to do.The Masons are a whole lot like the Hannesseys in The Big Country. The budget for the B western Rebel In Town is a fraction of what The Big Country was, yet William Wyler seems to have been influenced by the relationship of family patriarch Naish with the most reckless of his sons John Smith in creating the characters that Burl Ives and Chuck Connors played in The Big Country.As for Payne, he's in his vengeance quest persona, something not seen in him since his highly rated performance in the noir classic Kansas City Confidential.Rebel In Town is no frills B western with some nice performances from the cast. John Payne's fans will like his work here.