Scanialara You won't be disappointed!

Pluskylang Great Film overall

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

trashgang Only 10 minutes into Right To Die I thought not again another story with a lot of talking going on and things you see coming from miles away. But I was wrong. It's only at the end that the plot change comes in and you get to know what really was going on the last 50 minutes.It starts with a couple Abby (Julia Benson) and Cliff (Martin Donovan) driving and having a small argue. When Abby wants to show Cliff something they both doesn't notice the road and when they do there's a tree laying on the ground on which they crash, leaving Cliff alive and well but Abby being burned. Flashforward were Cliff wakes up at the hospital and notice that Abby is still alive but heavily burned. He feels guilty, he had an affair with Trish (Robin Sydney) and he couldn't save his wife Abby.From there on slowly we see what really happened with both of them. Abby somehow comes back in a vengeful spirit but even Cliff has a gruesome mind.I must agree that it also somehow reminded me of the Hellraiser (1987) were flesh is needed to survive. It also has a few nice gory shots and a bit of CGI here and there but CGI I didn't mind at all by which I mean the one when Cliff is taking a bath and having a sex dream with his wife Abby. And by saying that yes there's a bit of nudity from Robin and Julia. But what I really liked is the fact that you think what will happen do happen but there's another plot change you couldn't see coming. This could easily have been a full feature. Some strong performances by all and some decent effects too. The burned body is a must see and the part at the hospital when the advocate get his punishment by Abby is pure horror. This episode has an old school horror feeling and it even reminded me of Franco's Faceless (1987). A must see for the old school buffs even as it isn't really gory at all.Gore 1,5/5 Nudity 2/5 Effects 4/5 Story 3/5 Comedy 0/5

BaronBl00d Well, a man and his wife set out for their cabin one dark night. They have been fighting - for she, Abby, had recently discovered that her husband Cliff had been unfaithful(and pretty stupid it seems as the whole episode was filmed on his camera((By whom?))with his dental assistant Trish. As they go down that dark, deserted, and deadly road, they hit a fallen tree. She ends up being burned all over and covered in bandages except for her haunting eyes and mouth. He wakes up unscathed. The rest of the episode deals with Cliff having such feelings of loss over his wife's condition that he feels he must pull the plug for her benefit as she has no skin - no skin at all. The episode then gets lots of ups and downs, and even some real low points with regard to good taste, and some highlights with both Robin Sydney and even more impressively with Julia Anderson(now Benson). Check out her highlights in that tub scene. That scene has her in all her bare-chested glory, but the director Rob Schmidt also has Ave Maria playing in the background. He uses that music again in the most unorthodox and, for me, disgustingly enjoyable scene in the episode - the flaying. I really thought this episode was done very well. Schmidt obviously has loads of talent. Actor Martin Donovan has enough quirky screen persona and ambiguity to carry off what will by the episode's end be a much more complex role that might be first imagined. The script has some fun with things. Sure there are holes, but this was scary, riveting, and strangely poetic at brief times. And how about Abby's two major contribution as well as Trish's! Corbin Bernsen is here as well as a blood-sucking lawyer given his "burn notice." Wrong show, maybe he was just PSYCHed out.

kosmasp The ingredients to this are more than apt. The story is good enough, the acting is decent too. You get to see quite a lot of "skin" (and no skin, pun intended), but everything serves the purpose of the movie. I guess you won't have easy answers or characters that are without flaws, but why would you want it any other way. The movie (and it's director) know exactly what they want.And that is to entertain and (possibly) shock a little. It's a nice little story, that is being told in a twisted kind of way. And while the director had not done that many movies, to qualify for the tag "Masters of Horror", he does a good job here, as do other directors of this series with not so much background or experience. It's light entertainment and fulfills everything you should expect it to be

Coventry I'm not entirely sure Rob Schmidt qualifies as a "Master" in the genre of horror, since he previously just directed one horror film called "Wrong Turn" and that one was actually just was slightly above mediocre, but fact is that he made with "Right to Die" one of the best and creepiest episodes of the entire second season of the "Masters of Horror" franchise. There was a similar underdog story in season one, when William Malone made on of the best episodes with "The Fair Haired Child" even though his other long feature films "Fear Dot Com" and "House on Haunted Hill" sucked pretty badly.The story of "Right to Die" cleverly picks in on the nowadays piping hot social debate of euthanasia, but thankfully also features multiple old-fashioned horror themes like ghostly vengeance, murderous conspiracies, pitch black humor and comic book styled violence. Whilst driving home late one night and discussing the husband's continuous adultery, the Addison couple are involved in a terrible car accident. Cliff walks away from the wreck unharmed but his wife Abby is fully burned and needs to be kept alive artificially. Whilst Cliff and his sleazy attorney (Corbin Bernsen of "The Dentist") want to plug the plug on her and sue the car constructor, Abbey's mum sets up a giant media campaign to keep her daughter alive as a vegetable and blame everything on Cliff. Meanwhile Abbey's hateful spirit comes back for revenge and kills someone in Cliff's surrounding whenever she has a near fatal experience with the medical devices. After a few victims, Cliff realizes it might be safer for him to keep his wife alive if he wants to remain alive as well. "Right to Die" is a stupendous episode and exactly the type of stuff I always hoped to see from a TV-series concept like "Masters of Horror". It's violent and gory with a sick & twisted sense of humor and loads of sleaze sequences. The euthanasia theme and the whole obligatory media circus that surrounds it is processed into the script very well, yet without unnecessarily reverting to political standpoints or morality lessons. The atmosphere is suspenseful and the killing sequences are suitably nasty and unsettling. Actresses Julia Anderson and Robin Sydney both have pretty face and impressively voluptuous racks, which is always a welcome plus, and Corbin Bernsen is finally offered the chance again to depict a mean-spirited and egocentric bastard. Great "MoH" episode; definitely one of the highlights of both seasons.