Jeanskynebu the audience applauded

Wordiezett So much average

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

JohnHowardReid This was Marilyn Monroe's debut film, but you've got to be fast to catch her coming down the church steps. A scene of Marilyn with Colleen Townsend in a canoe, featured in many books, is not in the movie. So that's disappointing, but the film is an entertaining rural piece nonetheless. It features some fine acting, particularly from Anne Revere in a rare, unsympathetic role. Tom Tully also has a meaty role, and young Natalie Wood is very convincing. In fact, under the expert direction of screenwriter, F. Hugh "The Moon I Blue" Herbert (of all people!), just about the whole cast come up with great performances. Karnes is an exception, but he's still okay as the villain. And I thought Hull was more effective in his early scenes than in those later on. Tom Tully, Natalie Wood, June Haver, Walter Brennan and Lon McAllister are all excellent. And there's some great Technicolor photography.

artzau One reviewer referred to this old film as "bucolic," a term we rarely encounter these days. I have to agree that the setting is rural and somewhat tame about a young man, Lon McCalliser, who prefers mules over Natalie Wood. Well, she was only 10 years old at the time and June Haver was the primary female interest as I recall. Crusty old crackly voiced Walter Brennan was the old mentor in the film and the story really doesn't stir a great deal of memories, except it was about muleskinners and back in those days (I was 11 at the time), that was enough romance for me.Not a a bad old film, if you come across it on the late show. But, definitely bucolic.

Michael First, the good news; this isn't a Red Skelton comedy, as one might fairly presume on the basis of its dismally uningratiating title.Second, the bad news (which turns out not really so bad after all), it's actually just another 40s Fox B-movie horsey drama.Thirdly, the factual news. Yes, this IS Marilyn Monroe's first screen performance with dialogue, albeit in this print consisting of a salute of "Hi!" to June Haver over and done with before the retina has any chance to pass muster over the event. Speculation and debate still seems to rage over whether or not alternate versions of this film, featuring alternate MM footage, exist (chiefly some business in a canoe, which certainly I did not see in this particular print).Lastly, the reality of the film itself and revelation of the title mystery. Homesteader half-brothers bicker tiresomely over mule raising and racing - yes, MULES. The title refers to the human call used to rouse them into action; but against the odds this is far from as asininely scripted as that synopsis would lead you to expect.Not that that is to concede much, but it must be remarked upon that the Technicolor production is endearingly mounted by Ernest Palmer (slumming inbetween 'big' projects), with verdance particularly resplendent in the farming sequences. On the thespian front, Revere does her Fox-standby bit as a resilient matriarch (despite being only in her mid 40s), in addition to 9-year-old Natalie Wood; churning out sarcastic aphorisms almost worthy of WC Fields, but totally unsmackable due to the precocious sagacity of her delivery.

jeffhill1 "Scudda Hoo! Scudda Hay!" refers to calls the driver uses to direct his team of mules when out working on a job. After seeing the film on "The Late Show" as a teenager, I was a June Haver fan for a while, so I was thrilled when I saw and approached her in Restored Williamsburg, Virginia with her husband, Fred McMurray in the spring of 1962. Marilyn Monroe was to have a small part in Scudda Hoo! Scudda Hay! She was standing by a tree and when the character of Snug encountered her, she said, "Hello." But that part got cut out before the film went into the can. I think Scudda Hoo! Scudda Hay! is noteworthy in that it is the only film I can think of in which Walter Brennan plays something other than comedy relief or somebody's sidekick. Look it over when you have the chance and see if you don't think he is formulatin' the character of Grandpappy Amos of "The Real McCoys."