Claysaba Excellent, Without a doubt!!

Freaktana A Major Disappointment

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Kimball Exactly the movie you think it is, but not the movie you want it to be.

Red-125 "Sense and Sensibility" (1981) is a BBC mini-series directed by Rodney Bennett. The basic plot of Jane Austen's novel is familiar. The Dashwood sisters are forced to leave their home because their elder half-brother inherits the estate after their father dies.Elinor Dashwood (played by Irene Richard) represents "sense." She is practical and pragmatic. Marianne Dashwood (Tracey Childs) represents "sensibility." The meaning of this word has drifted over the years. In Austen's time its meaning was closer to "sensitivity." Marianne is the romantic sister. She loves music and she awaits the man who can sweep her off her feet. Each sister finds a true love, and in both cases their love is thwarted. How they respond to their situation is what makes this a great novel. How directors respond to this great novel is also interesting. Starting in 1971, four versions of Sense and Sensibility have been brought to the screen. Three were made for television by the BBC, and the fourth was a theatrical film from 1995 directed by Ang Lee, and starring Emma Thompson as Elinor and Kate Winslet as Marianne.We have recently watched all four versions. Although this 1981 version carries a dismal IMDb rating of 6.8, we liked it the best of the four.All of the versions have high production values, and all are worth seeing. Although all the movies are based on the same novel, they are all quite different. If you had the time and inclination you could compare the four versions on many variables. For example, there are three critical male characters in the films, and at least a dozen other important supporting roles. What the directors emphasize, and how the actors respond,gives each version different strengths and weaknesses.In my opinion, Irene Richard and Tracey Childs embody the characters that Austen created better than in any other version. Peter Woodward makes the perfect John Willoughby, the romantic hero with whom Marianne is in love. It's an important supporting role, and Woodward portrays it extremely well. To me, this version looked and felt closer to Austen than any of the others.It's not clear to me why other IMDb members didn't appreciate this movie. I loved it, and I recommend it as the Sense and Sensibility to watch if you're only going to watch one version. However, all of the versions are available on DVD. Why not watch all four and decide for yourself which is the best?

TheLittleSongbird I love the book, and as much as I do love the 1995 Ang Lee film my favourite version to date is the 2008 version. This 1981 series is very good though, only let down in my opinion by an abrupt ending and Robert Swann's dull Colonel Brandon. However, it is handsomely photographed, and the scenery and costumes look absolutely gorgeous. The music is also effective in its simplicity. The script while not as witty as the Ang Lee film is still literate and true in spirit to Jane Austen's language, and the story while not quite exploring a couple of scenes as well as the 2008 series is still moving and not too rushed or leisurely, in fact it adopts a slow(but never laborious) pace that was perfect considering how the story of the book unfolds. Apart from Swann, I thought the acting was fine. Of the two sisters Mariann and Elinor the Mariann of Tracey Childs I found better. Winslet in the 1995 film is more subtle, but Childs is still quite affecting. Irene Richard is excellent in her scenes between Julia Chambers' Lucy Steele, and is closer than age than Emma Thompson as well as spikier and more confrontational, an approach I liked. Julia Chambers' Lucy is wonderfully catty, Donald Douglas gives a performance of jollity as Sir John, Peter Gale is a sympathetic John Dashwood and Bosco Hogan and Peter Woodward are a dashing Edward and Willoughby respectively. All in all, I liked it very much, though of the three Sense and Sensibility adaptations I've seen thus far it is my least favourite. 8/10 Bethany Cox

MyrPraune I enjoyed the fact that many good moments of the novel are presented in this TV version that you cannot see in the movie, for lack of time. For example, the scene at Mrs Ferrars' little party, which shows the Steeles trying to make themselves liked by the lady, or when Willoughby comes back for an explanation. However, I thought the acting was just horrendous. Whereas I can truly believe in Elinor's love for Edward in the 1995 movie version with Emma Thompson, while believing at the same time in the utmost importance of her attempts at keeping her true feelings secret, in this case, I thought Irene Richard was absolutely not able to convey neither one of these feelings. She is just wooden. On top of that, I was constantly distracted by her prominent front teeth... I'm fully aware this is not a very good reason to dislike an actor, but this is just the truth, I could not stop looking at her mouth all the time! It just ruined it even more. Tracey Child in the role of Marianne has moments that are OK, but she overplays terribly most of the time, especially during her illness. Man! I wanted to slap her. And what about Fanny Dashwood's nervous breakdown!!! I think she ought to go in history for most unbelievable reaction to bad news. One of the actors I enjoyed more was Colonel Brandon, who was not hamming it up, and would let his love for Marianne shine through his facial expressions, his tone of voice. I liked him a lot. The best scene with him is when he starts talking about poetry with Marianne, and she starts seeing him in a new light; you don't see this change of heart as much in the 1995 movie version. Anyway, for a true Jane Austen lover, this version of Sense and Sensibility might be interesting for curiosity value and for the fact that it portrays a few scenes that you don't see elsewhere, but other than that, it's really not great at all.

henry-girling The advantage this television version has over the later 1995 film version directed by Ang Lee is that due to its length it allows more important scenes to be shown. This good BBC version keeps in the visit of Edward Ferrers to Barton Cottage and of Willoughby to see Marianne when she is ill. It also deletes the third sister Margaret, which I think is to the good. It is important when doing Jane Austen not to over act, as suppression makes for tension, and in this the actors do a fine job. The scenes between Elinor Dashwood and Lucy Steele are excellent, seething and polite at the same time. Julia Chambers as Lucy Steele is excellent and equally as good as Imogen Stubbs in the 1995 film.The male actors are not all bland, Donald Douglas gives a jolly performance and Peter Gale is perfectly unctuous as John Dashwood, but also sympathetic, caught as he is between a domineering wife and mother in law. Bosco Hogan and Robert Swann are a bit dull however.This is not a sumptuous Hollywood version but fine on its own terms.