FeistyUpper If you don't like this, we can't be friends.

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Paul Magne Haakonsen Now, a lot can be said about "Shaolin Girl" (aka "Shôrin shôjo"), but comparing it to "Shaolin Soccer" is hardly appropriate, because they are two very different movies. And yes Stephen Chow did produce this movie, but this is not a sequel.The story is about Rin, a Japanese woman who has studied the art of Shaolin Kung Fu in China and now has returned to Japan to honor her grandfather, but Things are very changed from before when she went to China."Shaolin Girl" is a fairly average movie, which never really managed to strike a lasting impression. The movie just lacked finesse, an interesting storyline, characters to captivate the audience and any outstanding acting performances. So it was a very mediocre movie experience.Several times throughout the movie did I find my focus and concentration to drift away from the movie. There just wasn't anything to thrill or excite me enough to keep me entertained.It was the production level that kept the movie afloat. But a production level can only go so far. A movie is supposed to be entertaining, and that is where "Shaolin Girl" failed.There were surprisingly little Kung Fu in this movie, and it was mostly just about lacrosse and drama. So the movie was somewhat misleading in terms of what you would expect from it given its title and synopsis.If you enjoy Asian movies, then there are far better, much, much better movies available. I can't really come up with a valid reason to recommend "Shaolin Girl" to others.

t_burton90 The current comment on the front page for shaolin girl is, I think, overly negative and sceptical. Granted I haven't seen Shaolin Soccer so maybe it seems a lot more original to me - but nevertheless this is a really good movie; the slapstick comedy is great, if you take it in the spirit it's presented (laugh at the cheapness of the jokes, not the jokes themselves). I loved the unnecessary references to Star Wars, The Matrix, Bruce Lee and probably some others i missed - as well as the usual trademark stuff from Stephen Chow (nobody stepped on an eagle though, which would have been epic).Basically the film's got comedy, cute Japanese girls (with lesbian overtones) and martial arts. How is it not rated higher?

DICK STEEL Ever since the success of Stephen Chow's Shaollin Soccer in 2001, he's been asked time and again whether a sequel was in the works. There still isn't, but he sort of franchised the idea out to the Japanese and served as executive producer, so the outcome of the deal, was Shaolin Girl.However, the net of it all is that while the intent for a quasi-sequel is there, having the Japanese play characters experts in the classic Chinese form of martial arts might seem a little wrong, just like how the hue and cry came about with Chinese characters portraying Japanese geishas. But if the source in contention was treated with respect, I guess there would be no qualms moving forward, though with the way things were treated here, you would've pondered whether it was done in jest, or in mockery.For instance, the numerous Bruce Lee homage. Yes, we all know about all things yellow, so it's a no brainer here. But to have a lookalike come out as a villain, dressed in a white singlet, black pants and emulating Lee on the nunchuks, was a tad below the belt, especially the way he was disgracefully dispatched. A friend of mine said it was perhaps a kick in the face toward all the imitations and wannabes, but I'd like to think otherwise. The finale look straight out of Game of Death where our alpha-female do battle floor to floor encountering various martial arts masters, but come to think of it, they were dispatched with incredible ease. And don't get me started on the corridor of mirrors too, which served no purpose other than to show that the filmmakers can.Lead actress Kou Shibasaki (from Crying Out Love In The Center of the World) in the titular role looks good and cute for the part in order to draw in the crowds, and granted she has no martial arts background (ala new female warrior Jeeja Yanin in Chocolate) she makes up for it with artificially choreographed grace that made her a little believable. What's not believable, was her ability to speak Chinese, and the Shaolin monks as well, because they are clearly Japanese, but had to pass off as experts in the language, which came off as unbearable and laughable. You might think that director Katsuyuki Motohiro, with his Bayside Shakedown pedigree, would be deft at handling stories with multiple subplots. However, Shaolin Girl bitten off more than it could chew, and couldn't decide what it wanted to be. On one hand, it wanted to spread the love for Kung Fu, or specifically, the Shaolin brand of fist-fighting. On the other, it had to reflect on its supposed predecessor and fuse in a sport different from soccer (here it's Lacrosse). And it wanted to weave kung fu into the game, only to hold back to prevent itself from being a clone. So while you get a sport, there isn't much copycat kung-fu styles and stances, until the end credit roll when it became obvious.Shaolin Girl Rin Sakurazara was sent as a kid by her grandfather to China's famed Shaolin school of martial arts to learn to curb and control her wealth of potential, promised power. What this power was, nobody knew, except that everyone knew she had to be protected from the villains lest she gets tempted to go to the Dark Side (yes, so very Star Wars). But she returns upon completion of her training to revive her grandfather's dojo, and does so in quite an impetuous headstrong manner, that she has a few lessons to learn herself, such as humility, camaraderie and teamwork, before she can impart those martial arts lessons.However, despite all that talk about teaming, it still boiled down to a one-woman whackfest for the last act. If you're looking for some serious fighting, then the first two acts of the movie will bore as you only get teases spruced very much by special effects, some bits too, especially those involving Lacrosse, got too repetitive. Kitty Zhang, Chow's new muse from CJ7, ends up in this movie too to provide some lesbian undertones (ok, so I chose to read it that way, but think about it). and although she has a meatier role here as a naive do-gooder, the role still boiled down to a flower vase in cheongsam.And if you're patient and were waiting to be rewarded with some proper combat for the finale, be prepared to be disappointed too. For all the talk about her prowess, you'll laugh at what Rin pulled off. Not that it's a comedy and you're supposed to chuckle, but you're laughing at its delivery instead, for all the wrong reasons. Never have I seen something that hokey, and anti-climatic as well. Not only that, the fights were unimaginative and, horrors, boring too, while the villains were all reduced to mindless goons ala Crazy88 style, with some tendencies to caress man boobs, and totally unmenacing, with lead villains having zero motivation other than to desire to fight. I nearly fell off my seat when it ventured close to The Promise territory with its take on the tykes.Even supporting appearances by characters from Shaolin Soccer couldn't save the day, and became ridiculous caricatures of themselves. Perhaps what could rescue Shaolin Girl, was a cameo by Chow who probably might have upped the credibility of this flick, but alas, knowing that it would stink, he rightfully kept his distance. And so should you, unless you're a fan of either Kitty Zhang or Kou Shibasaki, then you can lap up all the close-up shots.

Harry T. Yung This is one of those rather strange movies that brings to mind a trendy (hope still is) term of "genre-defying". I don't know how the project got started (nor do I care), but it seems like someone, seeing the success of "Shaolin Soccer", decided to do a "Shaolin lacrosse". In the process, they threw into the pot whatever is their fancy at the moment, and didn't even bother with stirring.Never mind how a Japanese Shaolin Japan teacher in a small town in Japan gave up martial art altogether to become the operator of a small restaurant and double up as a lacrosse coach in a local girls' school. And if you try to figure out what kind of a traumatic experience this guy had that made him send his most talented student, a little girl called Rin (Kou Shibasaki), to China to master the martial art of Shaolin kung fu, you're in for big trouble because as the story unfolds, there'll be a long line of unexplained or unexplainable event and things as long and confusing as this sentence.The first half of the movie looks loosely like a coming-of-age story, with a bit of team spirit, conforming, getting accepted, that kind of stuff. On the other hand, parallel alternating scenes lurking in the background suggest an ominous side, a painfully clear reminder of Anakin Skywalker. As the action intensified towards the end, the movie jumps awkwardly between seriousness and farce, bringing you more things familiar. Painfully obvious is Bruce Lee's "Game of death" (1978), minus the brilliant action sequences. As a matter of fact, there's really nothing to say about the action sequences in this entire movie of "Shaolin girl". What is a little more watchable is the CGI-fu, particularly the use of water, although it is not quite as brilliant as what you see in Hong Kong's "A man called hero" or "Zhong hua ying xiong" (1999) or Korea's "Volcanic high" (2001). Then the whims of the movie makers keep coming and at the climatic duel, they even throw in a bit of Sigmund Fraud for good measure.I like watching Kou Shibasaki and I am happy to see her moving from tragic to comic roles. She is heartbreaking in "Crying out love, in the centre of the world" (2004) and "The sinking of Japan" (2006) (the actress, not necessarily the movies). Then it was delightful to see that she can be so much fun in Dororo (2007). "Shaolin girl" is sort of a filler and a reminder to watch out for the sequel for Dororo, which hopefully will be made.