Shors

1939
6.1| 2h20m| NA| en| More Info
Released: 20 November 1939 Released
Producted By: Kiev Film Studio
Country:
Budget: 0
Revenue: 0
Official Website:
Info

The year is 1919. German troops retreat from Ukraine. The Directory, the Ukrainian national government lead by Symon Petliura, takes control of Kyiv. Meanwhile, the Bolshevik division commanded by Mykola Shchors is marching on the capital. The Bolsheviks capture the cities of Vinnytsia, Zhmerynka, and others one by one, but lose Berdychiv to Petliura’s forces. They are demoralized by the defeat. By his personal example of courage and military skill, Shchors inspires the retreating Red troops and leads them to victory over the enemy.

Genre

Drama, History

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Director

Oleksandr Dovzhenko, Yuliya Solntseva

Production Companies

Kiev Film Studio

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Shors Audience Reviews

Lovesusti The Worst Film Ever
Evengyny Thanks for the memories!
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Portia Hilton Blistering performances.
jgcorrea An earthy, epic historical drama set during World War I and the Russian Civil War, Shchors is a biographical portrait of the partisan leader and communist Nikolai Shchors, one of the few indisputable Bolshevik icons of Ukrainian origin. The work was commissioned by Stalin himself, who asked Dovzhenko to "give us a Ukrainian Chapayev" - a reference to the popular (though mediocre) 1934 film by Sergei and Georgi Vasiliev depicting the heroic exploits of a folksy Russian Red Army commander. The prolonged production of Shchors proved a nightmare for Dovzhenko, who was forced to submit every creative decision and every episode for high-level political approval, and who found himself accused of Ukrainian nationalism by Stalin's increasingly paranoid henchmen. There is one remarkable, picturesque sequence of burial. Nothing else. Shchors represents the glory of socialist-realist restrictions imposed upon an artist, the ultimate product of Zhdanovist canons. Nothing left of Dovzhenko's dynamic energy and fervent poetry featured in his best picture, 'Earth.'