Simon Birch

1998 "Destiny has big plans for little Simon Birch."
6.8| 1h54m| PG| en| More Info
Released: 11 September 1998 Released
Producted By: Caravan Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Simon Birch and Joe Wenteworth are boys who have a reputation for being oddballs. Joe never knew his father, and his mother, Rebecca, is keeping her lips sealed no matter how much he protests. Simon, meanwhile, is an 11-year-old dwarf whose outsize personality belies his small stature. Indeed, he often assails the local reverend with thorny theological questions and joins Joe on his quest to find his biological father.

Genre

Drama, Comedy, Family

Watch Online

Simon Birch (1998) is currently not available on any services.

Director

Mark Steven Johnson

Production Companies

Caravan Pictures

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime.
Watch Now
Simon Birch Videos and Images
View All
  • Top Credited Cast
  • |
  • Crew

Simon Birch Audience Reviews

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
SnoopyStyle Simon Birch (Ian Michael Smith) was born with a deformity that left him very short. He is smart and challenges authority like Reverend Russell (David Strathairn). His biggest supporter is his best friend Joe Wenteworth (Joseph Mazzello)'s mother (Ashley Judd). Her new boyfriend is the friendly Ben Goodrich (Oliver Platt). However, Simon accidentally kills her when he hits a baseball that strike her dead. Simon believes that God has a plan for him. The boys go in search of Joe's biological father. When they find the baseball that killed Joe's mother, Joe smashes up the coach's office and they end up doing community service.I was with this movie until Rebecca's death. It screws up the tone. I was expecting the movie to go a bit darker after the death but it got even lighter. At times, the movie is trying too hard to be light and fluffy. The movie struggles to find the sweet spot with so many different aspects of the story. I'm not saying the Christmas play wasn't funny. I just don't know which way the movie is going from one section to the next.
Baron Ronan Doyle Having seen, and been somewhat dissatisfied with, The Cider House Rules and The World According to Garp, I was, as I've previously remarked on this very site, pretty much convinced that the novels of John Irving are inherently unfilmable. Simon Birch, billed as "suggested by" A Prayer for Owen Meany—my favourite Irving, and perhaps even favourite novel—is so titled at Irving's request, so different he felt were the stories.Showing the titular character's grave at the film's beginning, Simon Birch follows its namesake from birth to death. Extremely small, shrilly-voiced, and devoutly religious, Simon believes himself to be "God's instrument", put upon the earth in his unusual form for a distinct purpose.Firstly, I feel the need to vent. What is it with Irving adaptations and this horrid reliance on saccharine music? It's so bloody cliché it makes me want to weep with frustration, tear my hair out, and howl for hours. Now that that's said, shall we move on? Commendations firstly to star and one time actor Ian Michael Smith, who delivers a convincing, humorous, and persuasive performance as the zealous young Simon. Indeed the entire cast is solidly... well, cast. A special mention is reserved for Oliver Platt, whose character's original literary basis was a favourite who seemed misrepresented at first, but was eventually realised well in Platt's performance—a considerable task I assure you. It's not difficult to see why Irving declined to permit the usage of his character's names, the plot taking a complete turn about halfway through the film. This turn makes sense, given the time restrictions of a feature film compared to a novel, though it leaves the former considerably less impactful than the latter. The movie offers a story which moves steadily forward, honouring the book for as long as the two overlap. The relationship between the young characters at the film's heart is well appropriated, Joe's fondness for his minuscule friend articulated through the nuances of their dialogue as well as the actors' respective performances. It's in the last act of the film that it loses itself, the inevitable foreseen incident—beautifully constructed in the novel—poorly brought to fruition. One understands the reason behind changing the ending to this, but it ought to have been handled with much more grace. Plot holes emerge, grow, and eventually suck the film into them, so distracting are they from the poignancy of the drama. Yet, that said, the drama loses poignancy all of its own at this point anyway. The ending—I am permitted to reveal it is Simon's death; the film begins with a shot of his gravestone including dates—feels shoved in to align with the book. I found myself wondering why exactly the boy had died, no sufficiently decent reason offered by the film. The ending places a severe blemish on the rest of the film, marred particularly in no small part due to the final overly sentimental return to the graveside.Starting out well, inasmuch as it follows more or less exactly the book's path, Simon Birch shows promise of a decent childhood drama. It maintains this facade for some time, before the ending finally exposes it for the lacking piece it—rather unfortunately—is. There is a gaping chasm of narrative quality between the two halves, no doubt the result of adapting just half a book; the latter section demonstrating wildly its inferior writing. Nevertheless, the film has its merits, for which it is worthy of viewing and appreciation.
MattCScicluna Upon watching Simon Birtch I felt that the director wanted me to go out and do something uber Catholic. What does he do? He makes a film packed full of catharsis. Just because a film makes you cry doesn't make it a good one.This film employs far too many pity tactics like that Simon and Joe have no friends and that Joe accidentally killed Simon's mother in a baseball accident (I hope insurance covers that, never know if it will happen to me some day). What the hell is the point of all this? Is it to hide the fact that there is almost no actual story going on here? Overall, this film is like the passion of the Christ, except with a midget Jesus. Basically every bad thing you could possibly imagine, plus some you wouldn't (when he grabs the girls boobs), happen to poor Simon, which makes dumb teenagers cry their eyes out and call this a masterpiece. I'd call it a propaganda film, but it deters me farther from Catholicism.
ldougherty-1 Simon birch was a very touching and moving movie that leaves you feeling good in the end. It is personally one of my favorite movies ever made. Ian Michael Smith surprisingly did a great job at acting seeing as how it was his first experience in a movie. Joseph Mazzello, Ashley Judd, Oliver Platt, and David Straiharn also played great roles. Simon Birch is a movie filled with lots of laughs, yet also tears. It has a lot to give and is such a great story that will make you think about God and life in a different view. At least it did for me... Simon Birch is like any other average movie. No special effects, action scenes, or things like that but it still is better than most movies out there. This movie is good without the special effects and such. Overall I give it a 9 out of 10!