Simple Men

1992 "They're good boys with bad attitude!"
7.1| 1h45m| R| en| More Info
Released: 14 October 1992 Released
Producted By: Fine Line Features
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Dennis is a handsome and bookish college student. His brother, Bill, is a roughhewn ladies' man and thief. Together they search for their dad, confront their expectations of each other, themselves, and their attitudes towards women.

Genre

Drama, Crime, Romance

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Simple Men (1992) is currently not available on any services.

Director

Hal Hartley

Production Companies

Fine Line Features

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Simple Men Audience Reviews

Evengyny Thanks for the memories!
Cathardincu Surprisingly incoherent and boring
Mandeep Tyson The acting in this movie is really good.
Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.
carlmr I can't imagine how people can rate this movie so high. To start with the acting is bad, I don't know where they got these actors or if it was the directors will to make them act this way, but most soap opera actors seem to have more talent than these guys. Secondly the dialog is annoying or sometimes even funny because of the nonsense the people are talking. Yet the worst thing of all is that this movie is "artistic" in the sense that if it weren't almost 2 hours long you'd believe it was written by a high school movie club. In my opinion this movie is a pure waste of time, but see for yourself. If you watch it, try not to make the same mistake as me and hope it will get better after the first ten minutes...
Deniz Ziya Toroslu The biggest problem of the movie is that the movie has no effect at all which I recently learned that they call it deadpan. The reactions of the characters are extremely soulless. The movie is not humorous because of those except the famous dance scene and the guy who helps Kate. This short part is the only interesting part and the guy is the only acceptable character of the movie, as said, all the other characters are too emotionless. This cannot be explained by nihilism or Godard's 'anti-cinema' style. Simple Men is not a road movie, despite the main story is that two brothers leave the city to find their father. I had expected an interesting and colorful road movie, at least a movie. There is an emptiness feeling throughout the movie, so if you expect any kind of dramatic or stunning material, you disappoint seriously. Again because of this deadpan style of the director, no art, no entertainment. Cinematography is just OK, but owing to the problems mentioned above, finally the film is lack of an impressive cinema experience. The director puts up a solid wall between the movie and audiences, I don't mean catharsis or I don't mean empathy, these are not must, but this wall makes the movie distasteful and soulless. Some people complain about acting in the movie, but acting was not weak, there is no problem with acting, it was plausible. The thing makes them think like that is probably deadpan that the director likes. By the way, Simple Men is not predictable, but does not include any twist or surprise.
HalMcCabe This is one of my favorite HH movies, by far. This, Trust, and Undeniable Truth are I think his three best. This is a total dialoge movie, and HH does a great job in setting moods and playing with settings and music.Usual cast of characters, and a strange plot, and a surreal setting, make for a moody movie, for sure this is not an 'up' movie but it IS very funny. Very quotable. The first HH movie I ever saw, and still by far my favorite.And the Kool Thing Dance is funny and bizarre, not a pointless attempt to show his taste in music as the previous comment stated. We all know HH works brilliantly with music in his films, he does not do things to show off.
kgh-3 The power of the movie camera is its voyeuristic capabilities, peering in at various affairs, public and intimate, of people portrayed by actors. It is undetected by them as they go about their business. Hitchcock brought this metaphor to life in Rear Window as Jimmy Stewart peered into his neighbors' lives with his camera. There is, however, a school of film-making that breaks from this model; let's call it the nudge-nudge, wink-wink school of film-making. In this style the actors are all aware of the camera, behaving not naturally, but rather in a posed way, a way that says, "Look, I'm doing this for you, the viewer." Films in this school often feature stilted dialogue and wooden acting. If this is a style that you enjoy, then Simple Men is for you.