Speechless

1994 "There are two sides to every relationship... Don't trust either of them."
5.8| 1h39m| PG-13| en| More Info
Released: 16 December 1994 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

In the midst of election season in New Mexico, political speechwriters Julia Mann and Kevin Vallick begin a romance, unaware they are working for candidates on opposite sides.

Genre

Comedy, Romance

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Speechless (1994) is currently not available on any services.

Director

Ron Underwood

Production Companies

Metro-Goldwyn-Mayer

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Speechless Audience Reviews

Listonixio Fresh and Exciting
Bereamic Awesome Movie
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
capone666 SpeechlessBeing a speechwriter must be very erotic, since you have to imagine your audience not wearing any clothes.However, the only people that the speechwriters in this romantic-comedy want to see nude are each other.Two insomniac writers, Kevin (Michael Keaton) and Julia (Geena Davis), form a sexual relationship during sleepless nights at an all-night diner.Solidifying their relationship based on the knowledge that each other is in the writing profession, both are later stunned when they find out that they are being pitted against each other on either side of a heated political battle.Matters are made worse when Julia's old flame, a hotshot war correspondent (Christopher Reeve), returns.A sharply written love story that encompasses two strange bedfellows, Speechless delivers both bipartisan belly laughs and relevant musings on working relationships.And while dating a rival speechwriter sounds hot, flirting through the elderly male candidates could get awkward. (Yellow Light)vidiotreviews.blogspot.com
DarthBill In a nutshell - insomniac political speech-writers Michael Keaton and Geena Davis meet and fall madly in love late one night, but their love is held up when they discover that they are in fact writing for the rival candidates of the latest election. Also complicating matters somewhat is that Davis's fiancé, the late Christopher Reeve playing yet another reporter, is trying to win her back.Not the greatest romantic comedy ever made but it has its moments, thanks to the likable back and forth between Keaton and Davis. Also of interest for the casting of Keaton and the late Reeve as the rivals for Davis's affections, in light of the fact that Reeve and Keaton played DC comics two most iconic characters, Superman and Batman.Bonnie Bedelia and Ernie Hudson also star.
Pookyiscute Although it won't win any awards, it's a light, cute romantic comedy that should be taken as just that. There are no twists and surprises, and unless you have an extremely weak heart, you won't pass out from tension.Michael Keaten and Geena Davis, star as campaign speech writers who fall in love. The catch? They're speech writers for each other's opponents. Keaten for the Republican and Davis for the Democrat. You can basically sum up what the movie is about, and how it will end. There are no big surprises, and although these kinds of movies aren't normally my taste, I love this one. It has a certain quality that's hard to deny and the chemistry between the two actors is always there, and is very noticeable.I would recommend the film the anyone. It's light-hearted and sweet. A great watch.
Arel This is a surprising film to see after viewing *Beetlejuice*. It's difficult to descry Keaton under all the makeup in the horror/comedy classic, but he's there, and he's here too, without the makeup but clearly with a range and depth that are obvious just from comparing these two films.If I were teaching a film course and wanted to show how good an actor Keaton is, I'd choose these two and show them back to back. Of course, his range is also shown by comparing these two films to *Pacific Heights*, *Johnny Dangerously*, and the numerous other films he's made, no two alike. There is no typecasting for Keaton, except "hire good actor here." *Speechless* is a wordy comedy in the Neil Simon tradition, with nice cutting and an obvious revulsion to cliché except when it's being made fun of (such as the ending). Few comedies make me laugh out loud. This one did.