The Beachcomber

1938 "HE'S GONE TO THE DOGS...And He Likes It!"
6.7| 1h32m| NA| en| More Info
Released: 04 March 1938 Released
Producted By: Mayflower Pictures
Country:
Budget: 0
Revenue: 0
Official Website:
Info

Ginger Ted, AKA Edward Claude Wilson, a drunkard and womanizer, and Miss Jones, a missionary, live in the Alas Islands. During a cholera epidemic, Ginger Ted and Miss Jones are sent to an outlying part of the islands to run a hospital; on their return, their motorboat breaks down, and they are marooned overnight on a small island.

Genre

Drama, Comedy, Romance

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Director

Erich Pommer

Production Companies

Mayflower Pictures

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The Beachcomber Audience Reviews

Hellen I like the storyline of this show,it attract me so much
Acensbart Excellent but underrated film
CommentsXp Best movie ever!
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
MartinHafer Edward Wilson (Charles Laughton) is a drunkard and womanizer who lives somewhere in the Dutch East Indies (today known as Indonesia). Oddly, he and EVERYONE apart from the natives are very British...but no matter. Regardless, he's a pretty worthless drunk and is constantly in trouble with the law. But the local magistrate realizes Ed is pretty harmless and even likes him. However, their relationship is sorely tried when a couple incredibly moralistic Brits arrive and keep insisting that the government do something with Wilson...such as deporting him. However, this attitude changes when the uptight lady (Elsa Lanchester) is briefly shipwrecked with Wilson. Oddly, she almost instantly sees him as a flawed man with great potential...and she's not about to see him continue life without her guidance and care.There are several problems with the film--most notably how quickly the lady goes from loathing Wilson to adoring him. This just didn't make any sense and would have worked had it been like the film "Swept Away" where a pair of folks who hate each other are stuck on a deserted island for a very long period. Additionally, Lanchester's character is a bit too shrill and too stereotypical to seem real in the least. The bottom line is that the film is a time-passer and, unfortunately, nothing more. It is mildly interesting to see the husband/wife pair of Laughton and Lanchester acting together once again but apart from that this one just disappointed considering the actors and nice Southern France location shoot (yes, Southern France doubled for Indonesia).
greenbanzanas I don't recall exactly when I became a fan, although Witness for the Prosecution must have had something to do with it, so now I catch whatever I can of this wonderful, towering actor.And, I was not disappointed with the Beachcombers, although the plot let me down, and I did not watch it all the way through.That being said, Charles Laughton is riveting as usual and dead-on as a stumble bum. I always wonder if modern-day actors can emulate the truly greats, and my answer is essentially no they cannot because, first, there aren't the scripts today, which greatly enhance an actor's performance and, second, it doesn't matter because, perhaps with the exception of Leonardo, D. Washington, D. Hoffman, and perhaps a few others, no actors today can tie on the bootstraps of the actors of yesteryear. Not considering the greats of the silent age (I'm thinking C. Chaplin, B. Keaton and H. Lloyd, all exceptional, and the many, fantastic character actors throughout cinema who added inestimable richness to many a movie, my personal favorites, and I know it's subjective, and I'm speaking of film presence including Charles Laughton, are: William Powell, Spencer Tracy, and Jack Lemmon. Heck, I'm not allowing myself to include Steve McQueen, one of my favorites because he is a notch below the above-mentioned, in my overly haughty assessment.P.S. I'm sure I'm leaving someone of the list, and, by the way, I notice the inherent sexism of my comments, but I chalk most of it up to contemporary society where woman are not afforded the stardom or roles of men. Again, an overly presumptuous statement.
dmmiller23 I downloaded this movie free from the internet the other night, and was just charmed by it. I'd read somewhere that Laughton's performance was particularly notable in it, and yes, he delivers on the difficult job of playing a lovable scoundrel. In what could have been a one-note portrayal, he adds layers of nuance to a what is also a rather physical role. His drunken muttering is as revealing as it is spot-on.Elsa Lanchester (Laughton's real-life wife) also shines, rolling her R's throughout as a prim missionary teaching Indonesians how to recite "Here we go gathering nuts in May." The only other role of hers that I (and everyone else) is familiar with is as the Bride of Frankenstein, but here you could see she has a subtle knack for comedy. Actually, I couldn't get that film (and Laughton in "The Hunchback of Notre Dame") out of my mind while watching this one, except here it is Laughton who plays a sort of monster!
bkoganbing Compared to Charles Laughton in Vessel of Wrath, Cary Grant in Father Goose and Humphrey Bogart in The African Queen look they stepped out from a Savile Row tailor. They don't know what to do with him over in the Dutch East Indies. He's a lazy, shiftless bum who won't work, won't pay his debts and is leading the natives that good Christian missionaries Elsa Lanchester and her brother Tyrone Guthrie are trying to convert into sober, hardworking Protestants.My guess is that Laughton is in the Dutch territories because he's been kicked out of British island possessions for exactly the same reasons. As it is he has a friend in the local magistrate Robert Newton. But Newton's patience is being tried. The British would say he'd gone native.He exiles Laughton after Laughton tried to disgrace one of Elsa Lanchester's pupils. But wouldn't you know it, fate casts Elsa right on the island that Laughton is exiled to, doing 'hard labor.' A few things happen and she decides maybe she should try to reform him as opposed to ostracism.Laughton and Lanchester give a couple of cute performances about some middle-aged people finding romance, of course anticipating The African Queen by 13 years. Lanchester has a much tougher reforming Laughton than Kate Hepburn did with Humphrey Bogart. Bogey may have been seedy, but he did own his own business.In a way this story is sort of Somerset Maugham's yin to the yang of Rain. Both stories are based in the tropics with missionaries as their leading characters, but this one is essentially comedic, although there are some serious events here like a typhoid out break, where Laughton proves invaluable in dealing with the natives.Charles and Elsa give us a grand show, don't miss it. Lanchester has a much tougher job