Alicia
I love this movie so much
Console
best movie i've ever seen.
CommentsXp
Best movie ever!
Robert J. Maxwell
It's a fine historical documentary of the fate of Jewish musical and cinema artists before, during, and after the reign of Adolf Hitler.In the 1920s Berlin was a major European cultural center for the arts and for science. German silent movies were among the most innovative being produced. Of course the economy was in terrible shape, with Germany having to pay reparations for World War I, a hyperinflation that made it cheaper to paper the walls with bills rather than try to buy something with them. They literally weren't worth the paper they were written on.And yet the city pulled out of the depression, especially when Hitler put the citizenry to work building war materials. At the time, the Jews of Germany were highly assimilated and not very religious. However if you're going to mobilize the masses, demonizing a minority is a good place to start.The imposition of strict laws regarding Jews, the confiscation of their goods, and later their imprisonment and what followed, led to an exodus of Germans, including but not limited to German Jews. It wasn't even necessary to be a practicing Jew. A taint in your ancestry could do it -- rather like having a black grandfather in America at the time.Most fled to Los Angeles where the documentary candidly admits that not all of them made it. It's difficult at any age to invent a new identity in an unfamiliar environment, one where you don't know the language, but it was especially difficult for the Germans were were by this time middle aged. You can do a lot of things when you're twenty-one that you can't do at forty.The losses of Germany, Hungary, Poland, and Austia were Hollywood's gains. The exiles brought with them the techniques they'd learned in the old country -- expressionism, spookiness, a cynical spirit, and film noir.The exiles and their careers, some better known than others, included Fritz Lang ("Woman in the Window"), Billy Wilder ("Some Like it Hot"), Franz Waxman (composer for "Rear Window"), and Fred Zinnemann ("High Noon") among others. We see still photos, home movies, and some older interviews.It's very well done. It's candid and perceptive and without bathos, and it's a must for any movie buff.
Michael_Elliott
Cinema's Exiles: From Hitler to Hollywood (2009) *** 1/2 (out of 4)Sigorney Weaver narrates this well-made documentary that takes a look at the impact Hitler and his Nazi party had on the talented group of filmmakers who soon fled Germany and headed to the United States.If you're a film but then you're certainly going to love this documentary as it starts off talking about various German films and the impact they had on their country and others. We then hear about the rise of the Nazi party and how the money dried up in Germany, which had filmmakers like Fritz Lang, Marlene Dietrich, Peter Lorre, Ernst Lubitsch, Billy Wilder and others heading to America. Once in America we see how the talent got along in the Hollywood system and what they did once World War II started.There's a lot of great footage to countless movies but there are also some great archival interviews from the filmmakers themselves. There's a lot of great information here as well as some great footage of the celebrities working benefits during WW2.
MartinHafer
This program was first broadcast on PBS and was shown tonight for the first time on Turner Classic Movies. It's a film about the exodus of German filmmakers and stars as a result of Nazi persecution and their subsequent careers and experiences abroad...particularly in Hollywood. It begins by discussing how powerful and successful the German film company, UFA, was and the various stars who were to become equally famous in America. Then it talks about the experiences many of these folks and other European nationals living in Nazi occupied Europe had in films--some very positive, some not so. In general I really liked the program and thought it nearly perfect. However, a few times the program SAID things which were interesting theories but were presented as established facts...and that bothered me. The film "The Wolf Man" (1941) was, according to this documentary, "an allegory for Hitler and Germany"...and I, stupidly, thought it was about a guy who got bitten by a werewolf and who then became a werewolf! One of the folks interviewed also said that the monster films made during this era "weren't very good"...well, that also smacks of opinion...and one I strongly disagree with because I think they are wonderful films. So, take a bit of what they say in this one...and just enjoy which they get right which is most everything.
BNonchalant
The story of the leading talents of the German film industry of the 1920s has been told before. How the writers, composers,directors, actors, producers and cinematographers, (many, if not most, of whom were Jewish) were forced to leave by the rise of Hitler and how their arrival in Hollywood introduced new styles and new ideas to the world's largest movie factories is a part of every American cinema history book.This documentary is different. It covers the participants' individual stories in greater depth. While some exiles achieved fame (Marlene Dietrich, Erich Wolfgang Korngold, Billy Wilder, Franz Waxman) others, such as Joe May and Erich Pommer were less adaptable and thus left their best efforts behind them."Cinema's Exiles" is a visual feast. The film clips are first rate and the home movies are remarkable. There are stills and excerpts and interviews that I had never seen before. The roll call of émigrés from the film "Casablanca" was especially revealing.
