The Cellar Door

2007 "THE GIRL NEXT DOOR ISN'T THERE ANYMORE"
4.1| 1h25m| NA| en| More Info
Released: 01 June 2007 Released
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Budget: 0
Revenue: 0
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Having developed an uncontrollable obsession with the beautiful young Rudy (Michelle Tomlinson), crazed serial killer Herman (James DuMont) kidnaps her and locks her in a cage in his basement. The only way for Rudy to survive this nightmare is to outsmart her psychopathic tormentor. But Herman has experience on his side: He's entrapped and tortured other women before, playing sick and twisted mind games with his frightened victims.

Genre

Horror, Thriller

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The Cellar Door (2007) is currently not available on any services.

Director

Matt Zettell

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The Cellar Door Audience Reviews

Alicia I love this movie so much
MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.
CrawlerChunky In truth, there is barely enough story here to make a film.
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
jakelovesdmartel well this is my first review on here and i'm sad to say its going to be a warning. Do not see this movie. It tries quite hard to be smart and play with your mind, but it does not do it very well. Gore fans will be disappointed, and so will anyone else who is in the mood for a memorable flick. okay i lied, it is memorable, just not in a god way. Paying taxes is less painful then sitting through the duration of this film. The characters are extremely stupid. At one point they have an entire arsenal of weapons at their disposal, and still one of them manages to die. Avoid at all costs. Anything else is better worth your time then this.
trnjamesbond Now I understand this film was made some time ago but I just got around to watching it and reading IMDb for some insight, I loved all of your opinions and critiquing, it was very helpful, without people like you I would watch films and waste my money (most of the time).But I finally watched this film after finding it on NETFlIX and my review goes as follows. Enjoy!I really don't think this is a bad film, If your in the mood for a no brains, relaxing evening snuggled up ready to sink your teeth into a new cheesy slasher film.But just one question. What is with the stickycam video quality? Are they just trying to imitate the shaky cam like in big budget action movies? I really don't understand. This film would of looked and been so much better if they would of just filmed it normal. Maybe with a little bit of floating atmospheric camera work still in it. But with the sticky cam film quality I find this a little bit too much. Just make the damn movie without shaking the camera like your having a seizure, or don't make a film like this, like your watching a webcam through a 14.4bps dial up modem! When the hell did this kind of camera work become cool? It's not! It's so nauseating, I want to puke when I see it!These stupid DP's these days, think that shaking the camera in an action scene like your having a sudden earthquake or seizure is so cool! They also think by doing this it adds intensity, fear,or excitement!Well it don't all it does is make everyone think that they been drinking beer in the desert for 12 hrs! Please no more shakycam or in this case it's younger brother sticky cam! Now I understand that the writers, and mainly the director wants us to feel what the characters in this film are feeling, but doing it through shakycam syndrome, or sticky digicam, well I've only seen one film where that works, and that was Saving Private Ryan, when this kind of camera work was first played with. They only used this in scenes with gun fire making impact, or a lot of explosions going off. This is the only time this style of filming works.Don't use it for fight scenes, because you can't see who's hitting who, and don't use this style in your film, just because you think the director of photography is funny because he's been having a seizure for the last three months while filming.There are many other ways to show emotions in a film. Whatever emotion that may be! Just ask David Lynch. He seems to create emotion through colour and just the score of the film. Do you ever see him shooting a film while he's in full on seizure mode! No you don't!Thanks for reading.
Mike Elliott (AlanMichaelElliott) I found The Cellar Door to be rather interesting and I will admit it captured my attention to almost the very end. I sensed the storyline was well played out and with all of the scenes appearing believable other than the contrived unbreakability of the movie's most viewed prop. The cage was constructed of a weak ceiling of very thin wood and without a wire mesh that in reality could have easily been kicked out. Toward the story's end is where the timing and the series of events destroys whatever greatness the movie could ever attain. That timing and procedure goes from good to ridiculous. The most notably poor scene being when the girlfriend strikes the perpetrator over the head with a bat. At that point, in light of the severity of what had already happened, it would only stand to reason the girlfriend should have struck him more than once in that particular region. But, that would have ended the movie too abruptly, right? So, I would think the scene should have never been shot in the first place. As well, I would assume some other totally different finale could have been concocted instead.I must say James DuMont plays an excellent psycho "perp". So much so the movie just may stereo-cast him as such.
Gomez-10 I have to admit that I'm generally not a fan of this genre so I was not looking forward to the screening I had to attend. James DuMont's superb performance made the experience well worth my time.Every once in a while you get to see a performance that reminds you why you go to the movies and James DuMont's performance it subtle, deep and compelling.I was also glad to see the film had some substance beyond what I originally thought. It has a lot to say about isolation and need the for love. Both of which DuMont captures vividly. Making an otherwise awful character sympathetic. No small feat with a role like this and one that could have very easily been overplayed.Please don't let my going on about DuMont detract anything at all from Michelle Tomlinson's wonderful performance. The two actors are equally matched in this clever cat and mouse game of love and survival.Now I think it would be great to see them together in a romantic comedy.I was glad I saw this movie and I think you will be as well.