The Dark at the Top of the Stairs

1960 "Everytime a woman turns her face away because she's tired or unwilling - there's someone waiting like me!"
7.2| 2h4m| NR| en| More Info
Released: 08 October 1960 Released
Producted By: Warner Bros. Pictures
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Budget: 0
Revenue: 0
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In Oklahoma in the 1920s, Rubin Flood loses his job as a traveling salesman when the company goes bankrupt. This adds to his worries at home. His wife Cora is frigid because of trying to make ends meet. His teenage daughter Reenie is afraid of going out on dates, but eventually makes friends with a troubled Jewish boy Sammy Golden, and his son is a mama's boy. He finally storms out of the house when Cora falsely accuses him of having an affair with Mavis Pruitt.

Genre

Drama

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Director

Delbert Mann

Production Companies

Warner Bros. Pictures

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The Dark at the Top of the Stairs Audience Reviews

Karry Best movie of this year hands down!
Cortechba Overrated
Dorathen Better Late Then Never
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
moonspinner55 Intelligent and observant drama of small town lives in the 1920s. Robert Preston is a Midwestern family man and traveling salesman who loses his job, fights with his wife (who accuses him of infidelity), and walks out of the house all on the same day. The screenwriters, Harriet Frank Jr. and Irving Ravetch, adapting the celebrated play by William Inge, allow for smart, pungent, often amusing interplay between husband and wife, the couple and their in-laws, mother and son, and father and daughter. There's also a beautifully modulated sequence between Preston and Angela Lansbury, playing the local beautician who wouldn't mind dallying with a married man--though this one sees her as just a friend. The picture runs too long, and features too much of budding teenager Shirley Knight and her blind date (the atrociously mannered Lee Kinsolving). Preston, too, is often overstated in his approach to the central role, while spouse Dorothy McGuire has to contend with unflattering costumes and the proverbial wifely hang-ups (she's frigid in the bedroom, she treats her husband like another child, etc.). The film has that phony Warner Bros. backlot appearance that dogged so many of their period films for decades, and a few of the speeches are underlined with a high-toned literacy that doesn't have the ring of natural conversation. Delbert Mann's direction is uneven and the camera-work is barely adequate, however this character piece has interesting people, engaging grown-up talk and some surprising candor and wit. **1/2 from ****
bbboomer49-1 I saw this movie years ago and fell in love with it. I have hunted for the video but unfortunately there isn't one. I was lucky enough to find it playing on TV several years ago and taped it. Although I am happy to have what I do, I think it's a shame it is not available for the Robert Preston fans out there. It is a movie that was before its time. It hit on topics that were seldom talked about publicly in the time setting. Topics hinted at but not openly discussed like they do in this film. Robert Preston did a remarkable job as the character, Rubin Flood. Your heart went out to him because you could see through his strong, always looking for the positive, family provider roll. The fear and uncertainty he faced each day as the head of his family and his aging prospects at being successful in the eyes of his family. The film has a glorious mix of humor and drama. Unforgettable!!
MWATSON16 I'm known as a soft touch when it comes to the films I enjoy but this movie also touched and affected my two teenage sons who accidentally were caught up in it while I was watching it. It is very poignant especially the religious prejudice and the pain & destruction it caused. This is a tasteful story of first love, love lost and love re-discovered. The characters are wonderful. I hope to have an opportunity to tape it or even better to purchase it.
rickert One of the most simple yet moving of William Inge's plays is presented here with some of the finest American actors to grace the screen. This is American cinema at its greatest. Anything else I could say would sound even more trite. If you can find this film (it's never been released on video as far as I know) give it a try. I was able to tape it off of Encore once, and I am forever grateful that they aired it.