Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

meathookcinema From the director of the quite extraordinarily brilliant How To Survive A Plague comes this film.Marsha P Johnson was a black transvestite/drag queen (there was no 'transgender' then) who hung around Christopher Street in the 60s until her mysterious death when she was pulled out of the Hudson River in the early 90s. As we hear from one person captured on video back then who witnessed her body being recovered there appears to have been some kind of wound on her head. Could there be more to Marsha's death than just the officially held cause being accidental? Was it suicide or homicide?David France expertly tracks the work of Victoria Cruz in unearthing and unravelling what happened to Marsha whilst celebrating this revolutionaries life. Moments of this documentary are sometimes very shocking. One such is when Ms Cruz telephones a retired member of the NYPD who she asks to meet to discuss the circumstances surrounding Johnson's death. 'Definitely not' he responds to her meeting request. He then warns her 'Don't go playing detective'. Sinister.This film feels like new unexplored relics and answers from LGBT history being unveiled right before your eyes.However, there are politics at play regarding the film. Some members of the non-white trans movement are slamming France's work as hes a white cisgender (non-trans) man who is making this film rather than a trans person of colour. There have been accusations of theft of material from another project that was being made by the trans community regarding Johnson. There are also accusations that David France could get funding and distribution because hes white and cisgender. I think these accusations are just a case of sour grapes. If you are a filmmaker who has made films before, have a proven track record and can actually accomplish these projects through to fruition then you will get funding and distribution. How long have we been waiting for the fictionalised short film Happy Birthday, Marsha? I'm amused that its fictionalised- so was Stonewall in 2015. Lets see if there are protests regarding this new film if events are seen to be historically accurate.Also, does it matter whether the person making the film is trans or cisgender or what their ethnicity is when the film they make is as great as this?There seems to be a huge emphasis on Marsha and Sylvia Rivera when it comes to LGBT history and the Stonewall Riots. But when anyone else is represented they are lumped together and not given the same kind of detailed analysis or be the centre of attention. I'd love a similar documentary on Danny Garvin, Martin Boyce or the person widely believed to have started the riots- Jackie Hormona (Marsha P Johnson admitted in an interview that when she arrived at the Stonewall Inn on that fateful night in 1969 that the rioting had already started. The interview is here- makinggayhistory.com/podcast/episode-11-johnson-wicker/ She dashed off to Bryant Park to tell Sylvia Rivera who had taken heroin). You don't know who Garvin, Boyce or Garvin are? Thats very telling.A great documentary. Now lets hear about other Stonewall voices.

JAA This film is about the dismissive attitude of the police and prosecutors to the large number of murders of trans individuals. I learned a lot about the early transgender scene in New York from the 1960s forward, how their lives developed or ended in tragedies of drug overdoses, suicides and murders. At times I had difficulty understanding why we were tracing a particular investigative avenue, but in the end the various threads came together. The death took place 25 years ago with little forensic evidence and to resolve the mystery it now requires a candid death bed confession.I appreciate how the internal investigator carried herself through the film by not calling attention to her person and to her personal struggles.Definitely a must see for those interested in the GBLTYQ's history in New Yok.

bettycjung 10/13/17. A somewhat scattered documentary about the life and death of a transgender person named Marsha P. Johnson in NYC. Not sure if this really gets down to the allegations that s/he was murdered or the motives as to why anyone who do her in. It's a murder mystery that remains a mystery.

onegreendress-50314 A triangular shaped metal sign on a pole near where Marsha Johnson's body was found is titled Queer Spaces and explains who she was and how she died. This sign says a lot about this film--spaces. So many spaces exist where we learn nothing about Marsha's life or spaces where files about her case have gone missing, spaces where we get a glimpse of a person's life in her 20's and then only a glimpse again when she is in much older (true of Sylvia, Victoria, and many others). The compelling aspect of this documentary is the character study of the unflappable Victoria in her investigation and Sylvia Riviera, who hits the bottom and comes back to be a great activist. Both are more interesting than Marsha herself--at least what we learn of Marsha in this film. The scenes where Victoria shows us photos of herself when she was young on stage and Sylvia getting a job at a church are wonderful. One big space is the lack of resources put into investigating the violence against trans-gendered people--Victoria's boss notes this toward the end. The spaces are the questions always left unanswered when someone dies without reason.Basically, the movie's title is misleading. It's not really about Marsha, though she is a part of the larger story. It's about being trans-gendered in New York and how this has changed and not changed in the last 50 years.