Jeanskynebu the audience applauded

Console best movie i've ever seen.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

clivey6 I'm giving this seven out of ten, back as a kid it would have been a ten but this time round, well, I suppose you know you're getting old when you find yourself sympathising with Will Hay's incompetent teacher, and rather hoping the obnoxious, snotty school kids get a slap; Charles Hawtrey's smart alec schoolboy in particular seems a nasty piece of work. Otherwise the absence of Moffatt and Marriott are keenly felt, because they allowed Hay to be both blustery incompetence but also sarcastic - here he doesn't get anyone to be sarcastic or superior to, so it's a relatively one-note performance. In his earlier roles you never knew if he'd be the fool or the sarcy one at any given time, it kept you on your toes.Huntley and Laurie would appear in the war movie The Way Ahead of course. Personally I'm not sure the plot machinations of St Michael's stand up. Was it Huntley's ink on the forged suicide note? What gives? Still, the ending has a few surprises and some genuinely sinister moments.

dave-1377 Just a couple of points: the school is moved to Skye in the Hebrides, Scotland, NOT the Channel Islands.Also, I would not say it is a take on The Ghost Train: that would be Oh Mr Porter, surely.But certainly one of the most watchable of Will Hay's films.It is amazing to see people like John Laurie, who went on to play Private Frazer in Dad's Army on TV, and, of course, Charles Hawtrey.Did any of the other schoolboys go on to feature or star in other films?Anybody know?If you do, let us know

Glenn Walsh I like all of Will Hay's films, but apart from 'Oh, Mr Porter,' this is my favourite. It is jam packed with funny one-liners and comic situations and gives Hay full reign to play his seedy music hall schoolmaster. A wee gem of a film.

Mozjoukine Will Hay was adored by British audiences who saw his seedy, doddering con man character as preferable to the brash American comics they were offered. However distribution patterns make it seems unlikely that his reputation will outlast those who grew up with it.This is an excellent example of the cycle with the shift to Ealing providing production values - settings that are just a fraction removed from real, superior character actors and Hulbert and Hawtrey a fair swap from his old Moore Marriot and Graham Moffat sidekick team.The film is spun off THE GHOST TRAIN with enough variation to get attention. Aylmer's school is moved to the Channel Islands during WW2 and finds itself in a castle reputedly haunted by a bagpipes blowing, homicidal phantom. Hay, doing his incompetent school teacher character, proves a hit with the boys and blunders into solving the mystery.The film is short on the great gags you might find in a W.C. Fields movie of the kind which must have served as a model for these but the lead trio are endearing and the pacing sharp enough to keep attention. The set pieces, the police inquiry held in the local dairy at milking time and a pursuit through the castle's secret passages, are more than adequate.