Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Leofwine_draca This bleak, nihilistic film is obviously inspired heavily by THE OMEN - and yet remains a far more horrifying picture. This is due to the fact that the victims in this film are all innocent children who get savagely killed, deaths which will upset even the hardest viewer. While it's not a particularly well-made picture in any respect (i.e. the low budget is quite often apparent), the film achieves what it sets out to do, to horrify the viewer, and thus it gets my thumbs up.The lack of big-name stars helps to add to the realism in THE GODSEND. The central characters are played by unknowns, and the only familiar face will be Angela Pleasence in a cameo. Pleasence plays an exceedingly creepy woman who acts as a catalyst for the murders, and is the most disturbing thing in this film. Stoddard and Hayman are very good as the anxious parents, who eventually split up under the pressure; Stoddard is a likable central figure, while Hayman excels as the woman who suffers a nervous breakdown through circumstances she just can't comprehend.The murders are kept off screen (apart from a nasty moment where a child is thrown from a window), leaving our imaginations to play a big part. Each breaks down the parent's mental state further. The little blonde girl is very good in it, too. THE GODSEND is a little-seen, little-heard of film, but for viewers who like to be creeped out (and not through gallons of gore, either), then it deserves some tracking down.

Woodyanders A strange pregnant woman (a memorable and quietly sinister performance by Donald Pleasence's daughter Angela) shows up unexpectedly at a country cottage owned by a young couple with four kids. The woman gives birth to a daughter and then promptly vanishes. The couple decide to raise the girl Bonnie (ably played to the supremely creepy hilt by Joanne Boorman and Wilhelmina Green) as if she was their own, only to have Bonnie grow up to be an evil brat who starts bumping off her other siblings. Director Gabrielle Beaumont, working from a bold and compact script by Olaf Pooley, relates the compellingly twisted story at a hypnotically gradual pace, does an ace job of crafting a grim and unsettling atmosphere, grounds the fantastic premise in a believable workaday reality, and makes nice use of the beautiful bucolic locations. Moreover, Beaumont warrants extra praise for handling the dark and upsetting subject matter in a tasteful and restrained, yet still effective and disturbing manner as well as for using a low-key approach that puts a noted emphasis on an eerie and subtly unnerving mood over cheap shocks and graphic gore. Malcolm Stoddard and Cyd Hayman are solid and credible as the concerned and increasingly distraught parents, with sturdy support from Patrick Barr as friendly physician Dr. Collins. Norman Warwick's sharp cinematography offers several stunning panoramic shots of the breathtaking British countryside. Roger Webb's robust shuddery score hits the spine-tingling spot. This picture acquires an extra chilling sting from its intriguing ambiguity (for example, we never find out exactly why Bonnie is so wicked). Worth a watch.

aslarabee Although I haven't watched this movie in at least seven years, I have always enjoyed watching it. I personally thought that the movie was a great one to watch. It may be on the low end of horror flicks as far as bloodiness and actually murder scenes, but it does get the point across. I have been unable to find this movie in video stores, even ones with older movies. So, even if anyone wants to watch the movie it may be hard to find. I truly loved the context of the movie. I think that it does show the lack of technology that we had in the 1980's compared to now, but I have seen many movies from the 1980's that are about the same in the technology area. However, it doesn't make them bad. However, this is just my opinion.

batstandards The film is absolutely dreadful. I had to watch it with the fast forward button. This film succeeds at doing only 2 things...it makes you want to beat up the stranger and the evil girl. The film is full of empty spaces...it could have been over in 20 minutes. Avoid this film!