The Klondike Kid

1932
7| 0h7m| NR| en| More Info
Released: 12 November 1932 Released
Producted By: Walt Disney Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

Mickey plays piano in the Klondike Bar. He rescues a depressed, half-frozen Minnie. Pegleg Pierre comes storming in and steals her away, after a gun battle. A dogsled chase follows, with Pluto pulling Mickey's sled. There's a battle at Pete's cabin that features a sequence with Pete and Mickey wearing bedsprings and bouncing. Meanwhile, Pluto, chasing a rabbit, makes a giant snowball that sends the cabin downhill and eventually traps Pete.

Genre

Animation, Comedy

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Director

Wilfred Jackson

Production Companies

Walt Disney Productions

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The Klondike Kid Audience Reviews

WasAnnon Slow pace in the most part of the movie.
YouHeart I gave it a 7.5 out of 10
Motompa Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.
Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
OllieSuave-007 Mickey Mouse plays the piano in the Klondike Bar, with a bunch of characters dancing and drinking. He rescues Minnie from the freezing cold, only to see her kidnapped by Pegleg Pierre after he comes storming in for a comically staged gun battle. Mickey goes to the rescue to get Minnie back.Plenty of fun in this cartoon short as well, with a cameo by Goofy in one of his first cartoon appearances. Pluto is in this one as well, helping transport Mickey to Pierre's cabin. Overall, a good mixture of humor, music and action.Grade A-
Robert Reynolds This is an early Mickey Mouse cartoon produced by the Disney studio. There will be spoilers ahead:This is an example of Disney at its creative best, at least for the time. Disney would set new highs in the future, but this is one of their best.This is a melodrama, set in the frozen wastes (cue Robert W. Service). Mickey is playing piano at the Klondike Bar. There's a beautiful bit of animation with a glass of beer on the piano. The crowd in the bar is singing and dancing, including proto-Goofy, who is dancing with a pig.Mickey sees Minnie outside the window and rescues her from the cold. This begins a very warm and tender sequence between our hero and heroine. There are a couple of posters which lend some foreshadowing of what's to come. Mickey cheers Minnie up and feeds her.Suddenly, Pegleg Pete (aka "Terrible Pierre") enters and all hell breaks loose. He spies Minnie, puts Mickey out of the way, wrecks the joint, scares almost everyone and flees with Minnie on a dog-sled.Mickey gives chase, with Pluto pulling his sled. There are several excellent animated bits, most notably some owls on a tree. Mickey winds up separated from Pluto and on skis. Pete gets to his cabin, followed by Mickey.There's some great gags and animation in the fight scene between Mickey and Pete, including the standard chamberpot gag. Pluto has an encounter with a totem pole and actually winds up in a mess which ultimately saves the day. The ending is cute, funny, tender and charming.This short is available on the Disney Treasures Mickey Mouse In Black and White, Volume One DVD set and it and the set are well worth getting. Most highly recommended.
MissSimonetta The Klondike Kid (1932) is not only my favorite Mickey Mouse short cartoon, but also my favorite animated short period. There are funnier cartoons and there are more inventive and aesthetically pleasing ones, but few have the warmth and feel-good factor of The Klondike Kid. obviously inspired by Charlie Chaplin's The Gold Rush (1925), this short has the same feel of the best of the Little Tramp's adventures.Mickey and Minnie's relationship has never come across as sweetly as it does here. In the world of the short, they're both lonely souls who find comfort and companionship in each other. That their innocence is contrasted with the seedy atmosphere of the Klondike bar Mickey works in makes the relationship feel more poignant. It really reminds you of a time when Mickey and Minnie were more than merely brands on an overpriced Valentines Day T-shirt.Unlike his goofier modern incarnation, the Pegleg Pete in this cartoon serves an actual threat (don't get me wrong though, I do love today's sillier Pete as well). When he stalks into the bar with his pistols a-blazing, it makes for a striking effect. Pete shoots the lights out and as he fires at random in the darkness, the room is briefly illuminated by the flickering gunfire. It really stands out and still comes across as a cool effect even today.Of course, Pete takes a shining to Minnie and kidnaps her, leading to the obligatory climactic chase sequence. There are gags aplenty, all imaginative and funny. The ending shot manages to be emotional as well as amusing.Much attention is given to Steamboat Willie (1928) and The Brave Tailor (1938), but it is a shame that The Klondike Kid is not often ranked up there with those classics. It certainly deserves it.
Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.A bunch of the boys were whooping it up in the Klondike Bar's saloon, when Peg-leg Pete arrived out of the Arctic blast to kidnap poor waif Minnie from the arms of THE KLONDIKE KID.Inspired by Robert W. Service's famous poem - `The Shooting of Dan McGrew' - this is a splendid little black & white film full of humor and action. Mickey gets to show-off his talents as a ragtime pianist, while an early version of Goofy makes a brief appearance dancing with a piggy hostess & Pluto acts as Mickey's single sled dog. Typically, the animators subject helpless Minnie to a rather cruel panties gag. Walt Disney provides Mickey's squeaky voice.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.